Table of Contents
- Summary Information
- Biographical/Historical note
- Scope and Contents note
- Arrangement note
- Administrative Information
- Controlled Access Headings
- Bibliography
- Collection Inventory
- Correspondence
- Administrative Records
- Library / Gallery Addition
- Case Western Reserve University
- National Arts Organizations
- Government and Legislative Records
Summary Information
- Repository: Cleveland Museum of Art Archives
- Creator: Lee, Sherman E.
- Title: Records of the Director's Office: Sherman E. Lee, 1958-1983
- ID: 1111.002
- Date [bulk], 1958-1983
- Date [inclusive], 1952-1983
- Extent: 49.0 Cubic feet
- General Physical Description note: Paper, Photographs.
- Language: English
Preferred Citation note
Archives of The Cleveland Museum of Art, Records of the Director's Office: Sherman E. Lee, Series [number], date and short description of document [e.g. letter from Lee to Emery May Norweb 20 June 1968].
Biographical/Historical note
Sherman Emery Lee served as the third director of the Cleveland Museum of Art from April 1, 1958 to June 30, 1983, guiding the development of a collection of considerable renown. In total, he worked for the museum for thirty-two years, two as a student volunteer while receiving his doctorate, five as curator of Oriental art, and twenty-five as director and chief curator of Oriental art. Lee was born in Seattle in 1918 but grew up in Brooklyn, New York. He did not develop an interest in art until he enrolled in an art history course at American University in Washington, D.C., during his junior year of college. He received both a bachelor's and master's degree from American University, majoring in history, in 1938 and 1939, respectively. He discovered his true interest in Asian art while enrolled in summer courses at the University of Michigan in 1939. He met his wife, Ruth Ward, while at American University and married in 1938.
After graduating from American University Lee continuted his education at Western Reserve University in Cleveland. His first association with the Cleveland Museum of Art was serving as a student volunteer for Howard Hollis, curator of Oriental art. He received his Ph.D. in art history in 1941, with his dissertation a critical survey of American watercolor painting. His first professional position was at the Detroit Institute of Arts (DIA) as curator of Far Eastern art and curator of decorative arts, which he held from 1941-1946, serving the last two years in the Navy in the Pacific theater. In 1946 Howard Hollis asked Lee to join him as an advisor on collections in the Arts and Monuments Division of the Civil Information and Education Section, General Headquarters, Supreme Allied Command in Tokyo. The mandate of the Arts and Monuments Division was to inspect and inventory all works of art as a way to protect and promote the arts in Japan. In this position Lee was exposed to works of art that he otherwise would never have been able to see, cementing his interest in the art of the Far East. When Hollis left in 1947 to become a dealer in the United States, Lee stayed on and headed the operation. Lee left the Far East in 1948 to work for the Seattle Art Museum, which had a substantial Asian art collection. He returned to Cleveland in 1952 to become curator of Oriental art.
The trustees of the Cleveland Museum of Art appointed Sherman Lee to be the successor to the dynamic William Milliken (director from 1930-1958). Lee had become involved in the administrative duties of the art museum by serving as the museum's liaison to the architects designing the museum's addition, which opened to the public less than a month before Lee officially became director. In late 1957, Leonard Hanna, already an important museum benefactor, died and left to CMA a bequest valued at twenty-five million dollars. His bequest, mostly in equity, rapidly increased in value to be worth over thirty-six million in 1960. The Cleveland Museum of Art acquired an endowment second in size to the Metropolitan Museum of Art.
With a wealth of funds at his disposal Sherman Lee began the task of expanding the museum's already respected collection. As chief curator of Oriental art Lee assembled an Asian art collection of significant repute. The collection was small prior to his arrival, but through his connections in Japan and other Asian countries, as well as his knowledge and connaisseurship, the collection grew exponentially. During the 1950s and 1960s Asian art was in low demand in America. Masterpieces could be purchased at very reasonable prices. Lee worked personally with a number of dealers in Japan, including Mayuyama & Co., Setsu Gatodo Co., and Yamanaka & Co. Lee focused on all Far Eastern cultures and styles of art, also building up the museum's Indian and Southeast Asian collections. Because of the Trading with the Enemy Act (amended in 1950, Public Law 857, 81st Congress), however, importing artwork from China was forbidden from 1950-1972. When relations with China reopened Lee visited Beijing as part of an American art delegation organized by the Committee on Scholarly Communication with the People's Republic of China, the first such delegation since 1949.
Lee felt it was important to build the museum's collections of European and American paintings, as William Milliken had focused more on decorative arts and sculpture. The museum's contemporary art collection also grew from nearly non-existent to a respectable, if still small and somewhat conservative, collection. Lee believed it was not the museum's place to gamble on new works of art, and wanted to wait and see which artists would have enduring value. He also felt that the specialized museums, such as the Museum of Modern Art and the Solomon R. Guggenheim Museum, were more appropriate venues for extensive modern and experimental art collections. Nevertheless, he did devote resources toward its development at CMA, creating the position of curator of contemporary art, first held by Edward Henning, in 1962. To aid in the care of artwork, Lee established the conservation department (originally called restoration) in his first year as director, appointing Joseph Alvaraz and Frederick Hollendonner as the museum's first conservators. Lee's collecting philosophy stressed quality above quantity, so while the museum's collection did not rival the size of some of the great eastern art museums, by the time of his retirement in 1983 it was considered one of the best comprehensive collections in the country.
Lee continued CMA's role as an educational institution by expanding the museum's education department. He wanted to cement the relationship between the museum and Western Reserve University where he began serving as an adjunct professor in 1962. Lee first taught at the University of Washington while at the Seattle Art Museum and felt that art museums and universities had much to offer each other. In 1967 Sherman Lee, with professor Harvey Buchanan of Case Western Reserve University, formalized the museum-university relationship with the creation of a joint graduate program in art history. The program allowed students to use museum resources while obtaining their master's or doctorate in art history, and take classes taught by a combination of museum curators and Case Western faculty. Lee taught and advised many students focusing on Asian art.
Under Lee the museum continued its tradition of gallery lectures, tours, extension exhibitions, and low-cost art classes for children and adults. The museum reached out to school districts, most notably through the East Cleveland Project, which provided children in the troubled district of East Cleveland the opportunity to work intensively in the museum's studios and galleries. From 1972 to1974, Sherman Lee chaired the Council on Museum Education in the Visual Arts, an organization designed to document current museum educational programs as a way to aid future museum educators. The results of the council's study were published in 1978 as The Art Museum as Educator, with Adele Silver, manager of public information at CMA, serving as one of the editors.
Although Lee had the reputation of being reserved and detached from the surrounding community his support of the educational mission of the museum and his dedication to keeping the permanent collections free and open to the public attest to his commitment to enriching Cleveland's cultural opportunities. He did, however, feel there was a limit to the museum's role in the community and that it was not the museum's place to become a social advocate or to use gimmicks to lure visitors through the museum's doors. He felt that the art museum was a place for looking at and contemplating art, something that required thought and effort on the part of the individual. He did not support "blockbuster" exhibitions chosen simply for their crowd-drawing ability, nor did he believe art museums should be a forum for political or social issues. His views stood in direct contrast to Thomas Hoving, director of the Metropolitan Museum of Art from 1967 to 1977, who encouraged the expansion of the museum's role and held controversial but "socially conscious" exhibitions such as Harlem on my Mind. CMA could not remain completely immune to the social unrest and tensions building in Cleveland, however. The Rodin sculpture popularly called The Thinker, which graced the steps of the building's original 1916 entrance, was bombed on March 24, 1970. The statue fell victim to a general act of violence against the establishment. The perpetrators were never identified. The statue was damaged badly enough that restoration work was impossible without compromising the statue's integrity. Lee returned The Thinker to its location on the steps without restoration work as enduring evidence of the bombing and respecting Rodin's fascination with accidental effects and damage to his work.
While Lee did not support exhibitions solely for the purpose of drawing crowds he did encourage exhibitions that furthered scholarship and demonstrated themes or styles of art. The museum held several important exhibitions each year and was able to devote considerable space to them in a new addition which opened in 1971. In his own field of Asian art Lee mounted numerous important exhibitions at CMA, each with a meticulously written catalog, beginning with Chinese Landscape Painting in 1954 and ending with Reflections of Reality in Japanese Art in 1983. He also furthered scholarship in the field of Asian art through numerous books and articles, the most important perhaps being A History of Far Eastern Art, first published in 1964. The book served as a textbook for courses in Asian art history, one of the first of its kind. In the field of Indian art Lee acquired for the museum a nearly complete manuscript copy of the Tuti-nama (Tales of a Parrot), tracking down missing pages that had been cut out of the book. He hired scholars Pramod Chandra and Mehmed (Muhammed) Simsar first to publish a complete color facsimile of the manuscript in 1976 and later to provide a complete English translation of the stories.
During Lee's directorship the museum building expanded twice. Marcel Breuer and Associates designed the first expansion which opened in 1971. It provided new special exhibition space; educational offices, workspace, and classrooms; and a new auditorium. The Breuer addition was so much associated with its educational function that Lee referred to it as the "education wing" as frequently as the "Breuer wing." The addition, with its stark black and white striped exterior, completely changed the north façade of the museum. Lee renovated the former auditorium to become gallery space for the Asian collection and guided the museum through a series of gallery renovations that combined paintings and decorative arts and provided a chronological sequence of the development of Western Art. Peter van Dijk designed the second building project, completed in January 1984 after Lee's retirement. It provided needed stack and work space for the library as well as additional gallery space for eighteenth- and nineteenth-century European and American art. Compared with the Breuer addition, the new library addition was nestled unobtrusively along the museum's west side between the 1916 building and the Breuer addition.
Lee was active in numerous professional groups outside the museum. He served on governing bodies for many national arts organizations, including the American Arts Alliance, the American Association of Museums, the Association of Art Museum Directors (where he served as president from 1968-1969), the College Art Association, and the JDR 3rd Fund. Additionally, he served on the National Humanities Council, the advisory body for the National Endowment of the Humanities, from 1969-1975. Lee took an interest in politics and periodically testified before congressional committees. In 1977 he testified on behalf of the Association of Art Museum Directors in support of a bill that would curb traffic in stolen cultural property. He was also a proponent of tax incentives for art donations and government indemnity for artwork in traveling exhibitions. Locally, Lee was involved in the arts scene by supporting local artists through the May Show (the museum's juried art show for local artists), by advising local arts organizations, and by serving as a juror for local art competitions. He supported public arts programs by serving as an advisor for projects such as The City Project - Outdoor Environmental Art, organized by Cleveland State University in 1977, and as a member of the Fine Arts Advisory Council to the Cleveland City Planning Commission.
In addition to general arts organizations, Lee served on the governing bodies for organizations specifically devoted to Asian art. On behalf of the Asia Society, founded by John D. Rockefeller III, Lee organized exhibitions of Asian art at its gallery in New York and lobbied for safeguards against stolen Asian artwork. Internationally, Lee was invited to participate in the United States - Japan Conference on Cultural and Educational Interchange (CULCON), founded to foster the growth and exchange of cultural resources between the two countries. Lee organized the exhibition, Masterpieces of World Art from American Collections: From Ancient Egyptian to Contemporary Art, shown in Japan in 1976 to commemorate the United States' bicentennial. The Emperor of Japan named Lee a member of the Order of Sacred Treasure for his work on the exhibition. It was one of many honors bestowed upon Lee for his work and scholarship.
Sherman Lee retired from the Cleveland Museum of Art at age sixty-five, and was succeeded by Evan Hopkins Turner, who came to CMA from the Ackland Art Museum at the University of North Carolina at Chapel Hill. Lee moved to Chapel Hill, North Carolina following his retirement but continued to be active in the art world. He served as an adjunct professor both at the University of North Carolina at Chapel Hill and at Duke University, teaching classes in Asian art. He advised the Ackland Art Museum on Asian art acquisitions, and organized exhibitions at various museums, including the National Gallery of Art and the Solomon R. Guggenheim Museum. The oldest of his four children, Katharine Lee Reid, became the Cleveland Museum of Art's sixth director in 2000.
Scope and Contents note
The records of Sherman Lee document his tenure as director from 1958 to1983. Because he was also chief curator of Oriental art during his directorship, these records document many of the activities in the Oriental art department, particularly during the 1950s and 1960s. During Lee's administration the museum grew in size and complexity, so the director's office records do not document all of the museum's activities as they did in previous administrations, but still serve as the central point for researching the museum's history. In addition to documenting Lee's work as an administrator, scholar, and curator, the records show the development of the museum's collection, educational and scholarly efforts in art history, and provide information about the local and national art scene. The records will also be of interest to those studying the government's role in the fine arts and the growth of arts organizations as lobbying entities.
The records are primarily in paper format with some photographs and oversize material. Material that was too large to fit in a stardard legal-size folder was removed and placed in oversize storage, with a reference sheet left in the folder. Some of the original order to the records has been lost because they were reorganized at one point into one large alphabetical series. The collection is divided into seven series through the logical grouping of similar record types and subject matter, either imposed or using original alphabetical grouping when available. An overview of each series is provided below, with fuller descriptions available immediately preceding the box list for each series. Some of the correspondence files of Henry Sayles Francis, curator of paintings and prints and drawings, from 1958-1967, are included in the records because Francis served as acting director in Lee's absence. It is not clear whether Francis maintained his records in the director's office or if they were placed with Lee's records following Francis's retirement. Earlier records of Francis are located with the records of William M. Milliken.
Exhibition records and records relating to the building of the 1971 addition by Marcel Breuer were removed prior to processing and placed in the exhibition files and building records, respectively. Also not included are records relating to Nicholas Poussin's The Holy Family on the Steps, and some estate and fund records. Each of these is a located in separate collection. Additional materials relating to Lee's work as chief curator of Oriental art are located with the records of that department.
Arrangement note
By series, thereunder by subseries, thereunder usually alphabetically or chronologically.
Administrative Information
Publication Information
Cleveland Museum of Art Archives
11150 East Blvd.Cleveland, OH, 44106
216-707-2492
archives2@clevelandart.org
Conditions Governing Access note
Subject to review by archives staff. For more information or to access this collection contact archives staff at archives2@clevelandart.org.
Processing Information note
Processed by Kristin E. Martin, October 2001
Controlled Access Headings
Subject(s)
- American Arts Alliance
- American Association of Museums
- Art museum architecture -- Ohio -- Cleveland -- Designs and plans.
- Art Museum Directors
- Art museum directors -- Ohio -- Cleveland.
- Art museums -- Ohio -- Cleveland.
- Asia Society
- Association of Art Museum Directors
- Breuer, Marcel, 1902-1981.
- Case Western Reserve University
- Cleveland Museum of Art.
- College Art Association of America
- Intermuseum Conservation Association
- Lee, Sherman E.
- National Endowment for the Arts
- Ohio Arts Council
- Supreme Commander for the Allied Powers. Civil Information and Education Section
Bibliography
This bibliography includes articles specific to Sherman Lee. Researchers seeking general information on the history of the museum, which includes information about Lee's directorship, should consult the bibliography for the records of Frederic Allen Whiting and William Matthewson Milliken.
Arthur, Allen. "Sherman Lee's Double Life." Cleveland Plain Dealer Pictorial Magazine (April 13, 1958): 7-12.
Banks, Pamela M. and David W. Ewing. "A More Certain and Precise Perimeter: An Interview with Sherman E. Lee." Museum News 61, no.5 (June, 1983): 72-82.
"Conversation with Sherman E. Lee, Director of The Cleveland Museum of Art." Cleveland Magazine 3, no.5 (May, 1974): 19-32.
Cullinan, Helen. "Sherman Lee: No More Gray Skies." Cleveland Plain Dealer (June 19, 1983): D1, D11.
Glueck, Grace. "The Ivory Tower Versus the Discotheque." Art in America 59, no.3 (May-June, 1971): 80-85.
"Sherman E. Lee: A Bibliography 1941-1982," 215-223, in Sherman E. Lee. Past, Present, East and West. New York: George Braziller, 1983.
Stevens, Mark. "Sherman Lee: 'I'm Not in the Business of Speculating…'" ARTnews 77, no.3 (March 1978): 48-56.
Tenth Presentation of the Charles Freer Medal, October 1, 1998. Washington, D. C.: Freer Gallery of Art, 1998. [Includes bibliography of Lee's writings through 1998.]
Tittle, Diana. "The Agony and the Ecstasy of Sherman E. Lee." Cleveland Magazine 8, no.1 (January, 1979): 54-62, 134-136.
Tittle, Diana. "Streams and Mountains Without End." Northern Ohio Live (March, 1983): 30-33, 86-87.
Wotten, Dick. "The Arty Saga of Sherman Lee." Cleveland Press (Dec.19, 1980): B1, B11.
Collection Inventory
CorrespondenceScope and Contents noteThis series contains the bulk of the records Sherman Lee created. They cover all of the years that Lee directed the museum and a few years prior to his appointment as director, when he was curator of Oriental art. The records are organized alphabetically, usually by the name of the correspondent but occasionally by subject heading. Materials within the folders are organized chronologically. At the end of each alphabetical letter there are folders for miscellaneous correspondence, also organized alphabetically. Correspondence is with dealers, donors, museums, foundations, businesses, and community members. Most of it revolves around four main topics: the acquisition of artwork, whether through gift or purchase; monetary and other support from individuals and corporations; requests for loans or policy information from other museums; and research on art objects. Because Lee continued as chief curator of Oriental art while director, most of the dealer correspondence relates to Asian art objects. Correspondence with individuals about potential donations tends to be broader, though again much of it focuses on Asian art. By the time Lee was appointed director, the curatorial departments maintained their own dealer's files, although all potential purchases needed to be approved by both the director and the curator in order to be presented before the acquisitions committee of the board of trustees. Files concerning potential acquisitions sometimes include photographs of the objects. In a few instances, Lee kept the records of objects that had a problematic past or were particularly difficult to acquire. These records are organized by the object name (e.g. Meissonnier Silver Tureen (1977.182)). Otherwise, information about an art object acquired by the museum is located under the name of the dealer or individual who sold the object, or the name the individual making the donation. Folders for museum staff in this series relate to gifts they gave the museum; all other correspondence with staff is in series 2.3 under the department name. Correspondence relating to gifts other than artwork is filed under the name of the corporation or individual donor. Often trustees were also benefactors to the museum, donating both money and art. Memorial funds consisting of donations given in remembrance of an individual were also common. The director's office issued routine thank-you letters and letters for tax purposes to benefactors. There is little additional financial data about gifts in the records of the director's office as the operations administrator maintained information on funds, endowments, and investments. Occasionally the records relate to gifts bequeathed to the museum in wills and estates. These records arranged by individuals' names, followed by "estate of" (e.g. Dority, Daniel W., Estate of, 1964-1965). Sherman Lee's correspondence with other museums consists primarily of requests from the other museums to borrow artwork for upcoming exhibitions. (Records relating to exhibitions held at the Cleveland Museum of Art are located in a separate collection of exhibition files.) Museum staff also wrote to compare policies and procedures and for suggestions of candidates to fulfill high-level museum positions. In some instances Lee provided extensive services for other art museums, such as by serving as a trustee for the Amon Carter Museum of Western Art and performing consulting work for the Chrysler Museum at Norfolk. Information about Lee's activities for museums other than the Cleveland Museum of Art is located under the museums' names. Lee corresponded with museum curators and other experts about research he was conducting or in response to research questions posed to him. Because of his expertise in Asian art the museum and scholarly community frequently wrote asking him to verify objects' authenticity or to date unknown objects. Lee was also invited to lecture on Asian art at various symposia and conferences. Information about such events is included in this series. Also included in this series is correspondence with local arts organizations and local museums which provides information about the local arts scene and the entire museum community in northeastern Ohio. While most information regarding museum staff and trustees is located in series two, there is some correspondence with museum fellows, guest curators, and researchers included in this series, including correspondence with Ford Foundation fellows and other temporary or grant-funded employees. Some information about museum policy is included in correspondence between Lee and trustees of the museum including Noah Butkin, Severance Millikin, and Emery May Norweb. There is also a large amount of correspondence filed under "Letters" which consists of letters to Sherman Lee commenting on museum activities, either of praise ("Yay,") of criticism ("Nay,") or of extreme negativity and possibly derangement ("Nut File.") | ||||
| Box | Folder | |||
831 Gallery 1975 | 1 | 1 | ||
Abaris Books, Inc. 1980-1981 | 1 | 2 | ||
Abbey Aldrich Rockefeller Folk Art Collection (Williamsburg, Virginia) 1960 | 1 | 3 | ||
Abel, Charles, Estate of 1959-1963 | 1 | 4 | ||
Harry N. Abrams, Inc. 1958-1981 | 1 | 5 | ||
Ackland Art Museum (Chapel Hill) 1969-1983 | 1 | 6 | ||
Acoustiguide 1964-1968 | 1 | 7 | ||
Acropolis at Athens and Acropolis Museum (Greece) 1960 | 1 | 8 | ||
Addis, John 1963-1970 | 1 | 9 | ||
Addison Gallery of American Art 1961-1964 | 1 | 10 | ||
Adyar Library and Research Centre (India) 1967 | 1 | 11 | ||
Aeschilmann, E. 1959-1960 | 1 | 12 | ||
Afro-American Cultural and Historical Society 1971 | 1 | 13 | ||
Agency for Cultural Affairs, Japan: SEE Bunka-Cho | 1 | 14 | ||
Thomas Agnew and Sons 1958-1983 | 1 | 15 | ||
Agrawal, Ratan 1968 | 1 | 16 | ||
Akron Art Institute 1958-1979 | 1 | 17 | ||
Albertina (Austria) 1959-1960 | 1 | 18 | ||
Albright Art Gallery (Buffalo) 1959-1960 | 1 | 19 | ||
Albright-Knox Art Gallery (Buffalo) 1962-1983 | 1 | 21 | ||
Ali, Hyder 1961-1963 | 1 | 22 | ||
Allen Memorial Art Museum 1959-1983 | 1 | 23 | ||
Allentown Art Museum 1960-1972 | 1 | 24 | ||
Alma & Co. 1976 | 1 | 25 | ||
Alsop, Joseph 1965-1966 | 1 | 26 | ||
Alva Studios, Inc. 1958-1959 | 1 | 27 | ||
American Academy of Arts and Sciences 1963-1983 | 2 | 1 | ||
American Academy of Benares (India) 1966-1969 | 2 | 2 | ||
American Art Directory 1960 | 2 | 3 | ||
American Committee for South Asian Art 1963-1981 | 2 | 4 | ||
American Council for the Arts, Meeting on the Arts 1980 | 2 | 5 | ||
American Greetings Corporation 1966-1980 | 2 | 6 | ||
American Institute of Architects 1958-1963 | 2 | 7 | ||
American Institute of Iranian Studies 1968 | 2 | 8 | ||
American Research Center in Egypt 1965-1982 | 2 | 9 | ||
American Society for Aesthetics 1969-1972 | 2 | 10 | ||
Ameritrust 1978-1983 | 2 | 11 | ||
Amherst College 1962-1983 | 2 | 12 | ||
Amis des Victor Charreton 1961-1965 | 2 | 13 | ||
Amon Carter Museum of Western Art (Fort Worth) 1962-1982 | 2 | 14 | ||
Amon Carter Museum of Western Art (Fort Worth), Board of Trustees 1972-1978 | 2 | 15 | ||
Amon Carter Museum of Western Art (Fort Worth), Board of Trustees, Meeting in Cleveland, April 20-21 1978 | 2 | 16 | ||
Amon Carter Museum of Western Art (Fort Worth), Board of Trustees 1979-1981 | 2 | 17 | ||
Amon Carter Museum of Western Art (Fort Worth), Board of Trustees 1982 | 3 | 1 | ||
Appleby, Ian G. (I.G.A. (Old Masters) Ltd.) 1975-1981 | 3 | 2 | ||
Apollo Magazine, Ltd. (Denys Sutton) 1962-1964 | 3 | 3 | ||
Arcade Gallery (Peter Wengraf) 1971 | 3 | 4 | ||
Archaeology 1960 | 3 | 5 | ||
Archaeological Museum (India) 1965 | 3 | 6 | ||
Archaeological Survey of India 1959-1964 | 3 | 7 | ||
Argan, Giulio Carl 1972 | 3 | 8 | ||
Galerie Arnoldi-Livie 1982 | 3 | 9 | ||
Art Association of Indianapolis 1961-1971 | 3 | 10 | ||
Art Dealers Association of America 1962-1983 | 3 | 11 | ||
Art Dealers Association of America. Award for Outstanding Achievement in Art History 1982 | 3 | 12 | ||
Art Gallery of Hamilton (Ontario) 1960-1961 | 3 | 13 | ||
Art Gallery of Toronto 1958-1964 | 3 | 14 | ||
Art in America 1959-1971 | 3 | 15 | ||
Art Institute of Chicago 1958-1983 | 4 | 1 | ||
Art News 1958-1977 | 4 | 2 | ||
Art Quarterly 1966-1975 | 4 | 3 | ||
Art Reference Bureau 1961-1965 | 4 | 4 | ||
Artistica 1958 | 4 | 5 | ||
Arts Council of Great Britain 1958-1981 | 4 | 6 | ||
Ashmolean Museum (England) 1958-1979 | 4 | 7 | ||
Asian Gallery 1970-1971 | 4 | 8 | ||
Associated Council for the Arts 1970-1975 | 4 | 9 | ||
Atlanta Art Association 1958-1962 | 4 | 10 | ||
Aubry, Claude 1964-1968 | 4 | 11 | ||
Australian National University 1959 | 4 | 12 | ||
Aa-Al, Miscellaneous | 4 | 13 | ||
Am-Az, Miscellaneous | 4 | 14 | ||
A, Objects Offered | 4 | 15 | ||
Baars, Ken J. J. 1971-1980 | 5 | 1 | ||
Bacher, Will Low 1966-1971 | 5 | 2 | ||
Bacri Antiquaire 1966-1969 | 5 | 3 | ||
Baekeland, Frederick 1976-1982 | 5 | 4 | ||
Bahr, A. W. and Edna 1958-1961 | 5 | 5 | ||
Baker, Hostetler & Patterson 1968 | 5 | 6 | ||
Baldenhofer, W. G. 1964-1978 | 5 | 7 | ||
Balkwill, Elizabeth W., Contributions in Memory of 1982-1983 | 5 | 8 | ||
A & R Ball 1960 | 5 | 9 | ||
Ball, Alex 1964-1971 | 5 | 10 | ||
Baltimore Museum of Art 1958-1976 | 5 | 11 | ||
Bangiya Sahitya Parisad (India) 1968 | 5 | 12 | ||
Bank Leu AG (Leo Mildenberg) 1966-1983 | 5 | 13 | ||
Barado Municipality Health Museum (India) 1961 | 5 | 14 | ||
Barado Museum and Picture Gallery (India) 1965-1966 | 5 | 15 | ||
Mary Baskett Gallery 1977-1978 | 5 | 16 | ||
Baskett & Day (Richard Day, Ltd.) 1963; 1982-1983 | 5 | 17 | ||
Bauer, Sol. A., Contributions in Memory of 1982-1983 | 5 | 18 | ||
Bayerisches Nationalmuseum (Munich) 1958-1964 | 5 | 19 | ||
Bayerisches Staatsgemaesammlungen (Munich) 1958-1973 | 5 | 20 | ||
Galerie de Bayser & Strolin 1964-1965 | 5 | 21 | ||
BBC TV 1979-1982 | 5 | 22 | ||
Louis D. Beaumont Foundation 1966-1969 | 5 | 23 | ||
Benesch, Otto and Eva 1962-1968 | 5 | 24 | ||
Berry-Hill Galleries 1960-1965 | 5 | 25 | ||
Bertsch, Nellie S. 1978-1979 | 5 | 26 | ||
Galerie Beyeler 1960-1972 | 5 | 27 | ||
Bharany's Curio House 1960-1961 | 5 | 28 | ||
Bharat Kala Bhavan (India) 1965-1976 | 5 | 29 | ||
Bibliotheque Nationale (Paris) 1972; 1983 | 5 | 30 | ||
Bickford, George 1958-1983 | 5 | 31 | ||
Bier, Herbert N. 1958-1964 | 5 | 32 | ||
Bier, Herbert N. 1965-1983 | 6 | 1 | ||
Birmingham Museum of Art 1960 | 6 | 2 | ||
Bishop, Constance (Mrs. Robert H., Jr.) 1958-1971 | 6 | 3 | ||
Blossom, Elizabeth B. (Mrs. Dudley S.), Estate of 1970-1972 | 6 | 4 | ||
Blossom, Dudley, Jr. and Emily 1960-1973 | 6 | 5 | ||
Bluett & Sons 1958-1976 | 6 | 6 | ||
Blumka Gallery 1960-1981 | 6 | 7 | ||
Boaz, Rene 1965 | 6 | 8 | ||
Boerner, C. G. 1968-1973 | 6 | 9 | ||
Bohler, Julius 1958-1983 | 6 | 10 | ||
Bolton, Charles B. 1963-1976 | 6 | 11 | ||
Bolton, Kenyon C. and Mary P. 1962-1982 | 6 | 12 | ||
Boney, Alice 1964-1978 | 6 | 13 | ||
Booz, Allen & Hamilton 1959 | 6 | 14 | ||
Borowski, Elie 1958-1966 | 6 | 15 | ||
Botte, Paul 1962-1963 | 6 | 16 | ||
Bowdoin College Museum of Fine Arts (Maine) 1961-1965 | 6 | 17 | ||
Boyer, Willis B. 1967-1974 | 6 | 18 | ||
Bradley, A. Ilsley 1961-1963 | 6 | 19 | ||
Bradley, Barbara G. (Mrs. Greenough) 1967-1977 | 6 | 20 | ||
Hector Brame (Philippe Brame) 1968-1976 | 6 | 21 | ||
Hector Brame - Jean Lorenceau (Philippe Brame and Bernard Lorenceau) 1976-1983 | 6 | 22 | ||
Brass, Alessandro and Italico, Jr. 1959-1964 | 7 | 1 | ||
Brassington, Emma G. 1958 | 7 | 2 | ||
British Museum 1958-1983 | 7 | 3 | ||
Brooklyn Museum 1958-1970 | 7 | 4 | ||
Brooks Memorial Art Museum (Memphis) 1961-1981 | 7 | 5 | ||
Brotherton, Joe 1960-1981 | 7 | 6 | ||
Brown, Fayette, Jr. 1958 | 7 | 7 | ||
Bruce, Margaret S. 1958-1959 | 7 | 8 | ||
Brummer Gallery 1963-1977 | 7 | 9 | ||
Bruntjen, Sven H. A. 1980-1982 | 7 | 10 | ||
Bruton Gallery 1980 | 7 | 11 | ||
Bryn Mawr College 1959-1983 | 7 | 12 | ||
Bud Radio 1972-1975 | 7 | 13 | ||
Bunka-Cho (Agency for Cultural Affairs, Japan) 1970-1981 | 7 | 14 | ||
Burdon-Miller, Rowland 1959 | 7 | 15 | ||
Burgess, Laura Merryweather, Contributions in Memory of 1981-1982 | 7 | 16 | ||
Burke, Mary (Mrs. Jackson) 1978 | 7 | 17 | ||
Burton, Courtney 1958-1960 | 7 | 18 | ||
Butkin, Muriel (Mrs. Noah L.) 1980-1983 | 7 | 19 | ||
Butkin, Noah L. and Muriel 1970-1973 | 7 | 20 | ||
Butkin, Noah L. and Muriel 1974-1976 | 7 | 21 | ||
Butkin, Noah L. and Muriel 1977-1980 | 7 | 22 | ||
Butkin, Noah L., Estate of 1980-1981 | 7 | 23 | ||
Byzantine Museum. Byzantine Art Exhibition 1962-1964 | 8 | 1 | ||
Ba-Ber, Miscellaneous | 8 | 2 | ||
Bes-Bo, Miscellaneous | 8 | 3 | ||
Br-Bz, Miscellaneous | 8 | 4 | ||
Ba-Bo, Objects Offered | 8 | 5 | ||
Br-Bz, Objects Offered | 8 | 6 | ||
Cahill, James F. 1960-1981 | 8 | 7 | ||
Cailleux 1958-1983 | 8 | 8 | ||
California Palace of the Legion of Honor 1959-1966 | 9 | 1 | ||
Calmus, John, Contributions in Memory of 1981 | 9 | 2 | ||
Campen, Richard N. 1981-1982 | 9 | 3 | ||
Carlebach Gallery 1958-1962 | 9 | 4 | ||
Carleson, Noble D. 1978-1981 | 9 | 5 | ||
Carlisle, William R. 1958-1964 | 9 | 6 | ||
Carnegie Institute. Department of Fine Arts (Pittsburgh) 1958-1963 | 9 | 7 | ||
Carnegie Institute. Museum of Art (Pittsburgh) 1963-1976 | 9 | 8 | ||
Carnegie Study of the Arts of the United States 1958 | 9 | 9 | ||
Frank Caro Co. 1962-1982 | 9 | 10 | ||
David Carritt, Ltd. 1958-1983 | 9 | 11 | ||
Cartun, Paul O., Contributions in Memory of 1959 | 9 | 12 | ||
Caturla, Marie Luisa 1960-1968 | 9 | 13 | ||
Cavallo, Aldolph S. 1975-1977 | 9 | 14 | ||
Central National Bank-European Vision of America 1976 | 9 | 15 | ||
Central Outdoor Advertising Corporation 1958-1960 | 9 | 16 | ||
Centre International D'Etude Des Textiles Anciens 1960 | 9 | 17 | ||
Century Association 1977-1983 | 9 | 18 | ||
Ceramic Gallery, Ltd. 1982 | 9 | 19 | ||
Chaffee, Stewart W. 1960 | 9 | 20 | ||
Chakin, Nathan 1964-1981 | 10 | 1 | ||
Ralph M. Chait Galleries 1958-1981 | 10 | 2 | ||
Chambers, Eunice 1959-1966 | 10 | 3 | ||
Chamberlin, Price A. 1958-1967 | 10 | 4 | ||
Chandra, Lokesh 1969 | 10 | 5 | ||
Chandra, Pramod 1962-1983 | 10 | 6 | ||
Chapellier Gallery 1959-1965 | 10 | 7 | ||
Chen, J. D. 1955-1968 | 10 | 8 | ||
Chen, Samuel S. T. 1982-1983 | 10 | 9 | ||
Chen, Stephen O. K. 1966-1971 | 10 | 10 | ||
Cheng, Chi 1961-1983 | 10 | 11 | ||
Chester Beatty Library and Gallery of Oriental Art (Ireland) 1980 | 10 | 12 | ||
Chiang, Erh-Shih 1963-1972 | 10 | 13 | ||
Child's Gallery 1964-1971 | 10 | 14 | ||
Children's Museum of Indianapolis 1975 | 10 | 15 | ||
China Institute in America 1969-1979 | 10 | 16 | ||
Chow, David 1981 | 10 | 17 | ||
Chow, Edward T. 1959-1980 | 10 | 18 | ||
Christie, Manson, & Woods 1959-1983 | 10 | 19 | ||
Chrysler Museum at Norfolk 1973-1979 | 10 | 20 | ||
Chrysler Museum at Norfolk. Consulting Work 1979-1980 | 10 | 21 | ||
Chrysler Museum at Norfolk. Consulting Work, Supporting Materials (folder 1) 1979-1980 | 11 | 1 | ||
Chrysler Museum at Norfolk. Consulting Work, Supporting Materials (folder 2) 1979-1980 | 11 | 2 | ||
Chrysler, Walter P. 1971 | 11 | 3 | ||
Chung Mei Bookstore 1980 | 11 | 4 | ||
Cincinnati Art Museum 1960-1983 | 11 | 5 | ||
City Art Museum of St. Louis 1958-1970 | 11 | 6 | ||
City Museums and Art Gallery (Birmingham, England) 1974-1977 | 11 | 7 | ||
City of York Art Gallery 1961 | 11 | 8 | ||
City Project - Outdoor Environmental Art 1977 | 11 | 9 | ||
Clague, John 1962; 1973 | 11 | 10 | ||
Clark, Harold T. 1958-1962 | 11 | 11 | ||
Clark, Harold T. 1963-1965 | 11 | 12 | ||
Clark, Marie Odenkirk (Mrs. Harold T.) 1965-1973 | 11 | 13 | ||
Clark, Willard G. 1977-1983 | 11 | 14 | ||
Clarke, Lois 1969-1971 | 11 | 15 | ||
Clayton, Therese Margaret 1964-1969 | 11 | 16 | ||
Cleveland Area Arts Council 1970-1979 | 12 | 1 | ||
Cleveland Art Association 1958-1983 | 12 | 2 | ||
Cleveland Art Festival 1981-1983 | 12 | 3 | ||
Cleveland Arts Prize 1961-1982 | 12 | 4 | ||
Cleveland Center for the Arts 1963-1964 | 12 | 5 | ||
Cleveland City 1958-1983 | 12 | 6 | ||
Cleveland City Planning Commission. Fine Arts Advisory Council - Correspondence 1961-1983 | 12 | 7 | ||
Cleveland City Planning Commission. Fine Arts Advisory Council - Meetings 1966-1978 | 12 | 8 | ||
Cleveland City Planning Commission. Fine Arts Advisory Council - Meetings 1979-1983 | 12 | 9 | ||
Cleveland City Planning Commission. Fine Arts Advisory Council - Procedures and Brochures 1958-1967 | 13 | 1 | ||
Cleveland City - Mayor's Committee to Study the City's Role in Cultural Affairs 1968 | 13 | 2 | ||
Cleveland-Cliffs Foundation 1969-1980 | 13 | 3 | ||
Cleveland Council on World Affairs 1959-1967 | 13 | 4 | ||
Cleveland Crafts Project 1959-1960 | 13 | 5 | ||
Cleveland Foundation 1958-1983 | 13 | 6 | ||
Cleveland Health Museum 1959-1965 | 13 | 7 | ||
Cleveland Home and Flower Show 1972-1973 | 13 | 8 | ||
Cleveland Inter-Museum Council 1963-1967 | 13 | 9 | ||
Cleveland Institute of Art 1958-1978 | 13 | 10 | ||
Cleveland Institute of Art 1979-1983 | 13 | 11 | ||
Cleveland Institute of Music 1963-1973 | 13 | 12 | ||
Cleveland Landmark Commission - CMA as a Cleveland Landmark 1972-1981 | 13 | 13 | ||
Cleveland Museum of Natural History 1959-1983 | 13 | 14 | ||
Cleveland Music School Settlement 1961-1968 | 13 | 15 | ||
Cleveland Orchestra 1958-1960 | 13 | 16 | ||
Cleveland Press 1960-1982 | 13 | 17 | ||
Cleveland Public Library 1958-1980 | 13 | 18 | ||
Cleveland Public Schools 1959-1982 | 13 | 19 | ||
Cleveland Society for Contemporary Art 1961-1983 | 13 | 20 | ||
Cleveland State University 1967-1979 | 13 | 21 | ||
Cleveland Trust 1960-1979 | 14 | 1 | ||
Cleveland Trust - Paintings Purchased 1971-1974 | 14 | 2 | ||
Clipsham, Jacqueline Ann 1983 | 14 | 3 | ||
Cocoran Gallery of Art (Washington, D.C.) 1971-1974 | 14 | 4 | ||
Coe, Dorothy T, Contributions in Memory of 1966-1967 | 14 | 5 | ||
Coe, Ralph M. and Dorothy T. 1958-1965 | 14 | 6 | ||
Coggiola-Mower, O. A. 1967-1968 | 14 | 7 | ||
B. Cohen and Sons 1972 | 14 | 8 | ||
Colin, Ralph F. 1970-1980 | 14 | 9 | ||
Collection "R" Ltd. 1972-1980 | 14 | 10 | ||
College of Wooster 1967-1977 | 14 | 11 | ||
Collyer, Georgia F. (Mrs. John L.) 1960-1972 | 14 | 12 | ||
P. & D. Colnaghi & Co., Ltd. 1960-1974 | 14 | 13 | ||
P. & D. Colnaghi & Co., Ltd. 1975-1983 | 14 | 14 | ||
Colnaghi 1983 | 14 | 15 | ||
Colonial Williamsburg 1958-1972 | 14 | 16 | ||
Colorado Springs Fine Arts Center 1958-1963 | 14 | 17 | ||
Columbia University 1959; 1983 | 14 | 18 | ||
Columbus Gallery of Fine Arts 1958-1978 | 14 | 19 | ||
Columbus Museum of Art 1979-1983 | 14 | 20 | ||
Committee for the Rescue of Italian Art 1966-1967 | 14 | 21 | ||
Committee on Scholarly Communication with the People's Republic of China 1976-1982 | 14 | 22 | ||
Committee to Commemorate the Six Million Jewish Martyrs 1966-1967 | 15 | 1 | ||
Compagnie de la Chine et des Indes (Robert Rousset) 1959-1976 | 15 | 2 | ||
Comune di Firenze 1982 | 15 | 3 | ||
Connaissance des Arts 1963-1982 | 15 | 4 | ||
Connoisseur 1958-1971 | 15 | 5 | ||
Copyright and Reproduction 1974-1979 | 15 | 6 | ||
Constable, W. G. 1962 | 15 | 7 | ||
Consulate - British 1961-1968 | 15 | 8 | ||
Consulate - French 1961-1981 | 15 | 9 | ||
Consulate - German 1960-1973 | 15 | 10 | ||
Consulate - Korean 1979-1980 | 15 | 11 | ||
Consulate, Various | 15 | 12 | ||
Contemporary Arts Museum (Houston) 1958-1959 | 15 | 13 | ||
Contini-Bonacossi, A. A. 1962 | 15 | 14 | ||
Coomaraswamy, Dona Luisa (Mrs. Ananda K.) 1960-1970 | 15 | 15 | ||
Cooper Union for the Advancement of Science and Art 1960 | 15 | 16 | ||
The Corcoran Gallery of Art (Washington, D. C.) 1958-1965 | 15 | 17 | ||
Corinth, Thomas 1969-1979 | 15 | 18 | ||
Corning, Maude E. 1976-1979 | 15 | 19 | ||
Corning Museum of Glass 1958-1982 | 15 | 20 | ||
Corning, William H. and Maude E. 1959-1965 | 15 | 21 | ||
Corning, William H. and Maude E. 1965-1975 | 15 | 22 | ||
Courtauld Institute of Art 1960-1967 | 15 | 23 | ||
Covell, Jon Carter 1964-1980 | 15 | 24 | ||
Cox, Warren E. 1959; 1970 | 16 | 1 | ||
G. Cramer 1958-1982 | 16 | 2 | ||
Cristiani, Mario 1970-1974 | 16 | 3 | ||
Cuyahoga County Inter-Musuem Council 1969-1973 | 16 | 4 | ||
Czernin, Rudolph 1962-1963 | 16 | 5 | ||
Ca-Ci, Miscellaneous | 16 | 6 | ||
Cl-Com, Miscellaneous | 16 | 7 | ||
Con-Cz, Miscellaneous | 16 | 8 | ||
Ca-Ci, Objects Offered | 16 | 9 | ||
Cl-Cz, Objects Offered | 17 | 1 | ||
Galerie Daber 1963-1975 | 17 | 2 | ||
Dale, Chester 1962-1966 | 17 | 3 | ||
Dallas Museum for Contemporary Art 1961 | 17 | 4 | ||
Dallas Museum of Fine Arts 1958-1982 | 17 | 5 | ||
Dalton, Van Dijk, Johnson & Partners 1974-1979 | 17 | 6 | ||
Damiron, Paul 1966-1969 | 17 | 7 | ||
D'Arcy Gallery 1958-1960 | 17 | 8 | ||
Dauby, Nathan L. 1964 | 17 | 9 | ||
Davenport Municipal Art Gallery (Iowa) 1958-1959 | 17 | 10 | ||
David and Alfred Smart Gallery (University of Chicago) 1974-1975 | 17 | 11 | ||
David David, Inc. 1966-1982 | 17 | 12 | ||
David, E. S. (Gudea Sculpture Purchase) 1959-1970 | 17 | 13 | ||
David, Perceval and Sheila 1958-1968 | 17 | 14 | ||
Davis & Langdale 1981-1983 | 17 | 15 | ||
Davis & Long 1975-1979 | 17 | 16 | ||
Dayton Art Institute 1958-1981 | 17 | 17 | ||
De Marteau, Claude 1958-1978 | 17 | 18 | ||
De Menil, John and Dominique 1964-1968 | 17 | 19 | ||
Delbanco, Kurt B. 1973-1979 | 17 | 20 | ||
Demsey, James H. 1965-1983 | 17 | 21 | ||
Dempsey, Jeannette (Mrs. John B.) 1960-1982 | 18 | 1 | ||
Denver Art Museum 1959-1981 | 18 | 2 | ||
Des Moines Art Center 1958-1968 | 18 | 3 | ||
Detroit Institute of Art 1958-1983 | 18 | 4 | ||
Devonshire Collections (Chatsworth) 1960-1963 | 18 | 5 | ||
Di Castro, Alberto 1964-1969 | 18 | 6 | ||
Di Nardo, Alida 1960-1982 | 18 | 7 | ||
Dialogue 1982 | 18 | 8 | ||
Do-Huu, Roland 1975-1978 | 18 | 9 | ||
Dodd, Lamar 1960-1961 | 18 | 10 | ||
Doerner Institut - Research Project Regarding Forgeries 1977-1978 | 18 | 11 | ||
D'Offay, Anthony 1982-1983 | 18 | 12 | ||
Dohna, Lothar 1975-1978 | 18 | 13 | ||
Donati, Gemma 1964 | 18 | 14 | ||
Dority, Daniel W., Estate of 1964-1965 | 18 | 15 | ||
Downtown Gallery 1959-1960 | 18 | 16 | ||
Drawing Shop 1961-1967 | 18 | 17 | ||
Drey, David 1964 | 18 | 18 | ||
Drey, Margaret H. 1958-1964 | 18 | 19 | ||
Paul Drey Gallery (Elizabeth Drey) 1958-1982 | 18 | 20 | ||
Dubosc, Jean Pierre 1959-1978 | 18 | 21 | ||
Duits, Clifford 1963-1970 | 18 | 22 | ||
Dunn, Louise M. 1958-1962 | 18 | 23 | ||
Dupont, Jacques 1958-1973 | 19 | 1 | ||
Durlacher Bros. 1958-1967 | 19 | 2 | ||
Dushkin, Louise 1969-1980 | 19 | 3 | ||
Duveen Brothers, Inc. 1958-1964 | 19 | 4 | ||
Dwivedi, Vinod P. 1965-1980 | 19 | 5 | ||
Da-De, Miscellaneous | 19 | 6 | ||
Dh-Dz, Miscellaneous | 19 | 7 | ||
D, Objects Offered | 19 | 8 | ||
East Cleveland Museum Galleries 1961-1965 | 19 | 9 | ||
Eastman, Mabel 1964 | 19 | 10 | ||
Eaton Corporation 1962-1976 | 19 | 11 | ||
Eaton, Mr. and Mrs. Cyrus 1963-1972 | 19 | 12 | ||
Eberhard, Harold A., Jr. 1971 | 19 | 13 | ||
Ecker, Paul G. 1966-1975 | 20 | 1 | ||
Eden, Paul L. 1965-1983 | 20 | 2 | ||
Eells, Howard P. and Adele Chisholm 1958-1982 | 20 | 3 | ||
Egypt - Nubian Monuments 1961 | 20 | 4 | ||
Eikado East 1964-1969 | 20 | 5 | ||
Eilenberg, Sammy 1959-1976 | 20 | 6 | ||
Gilbert W. Einstein Co. 1979-1982 | 20 | 7 | ||
Eisemann, Heinrich 1958-1960 | 20 | 8 | ||
Elkon, Robert 1961-1967 | 20 | 9 | ||
Ellsworth & Goldie, Ltd. 1963-1971 | 20 | 10 | ||
R. H. Ellsworth, Ltd. 1972-1983 | 20 | 11 | ||
Elm & Company (Y. Takagi) 1969-1979 | 20 | 12 | ||
Elst, Francois van der 1978-1980 | 20 | 13 | ||
Embassy of the Republic of China 1960 | 20 | 14 | ||
Embassy of Pakistan (A. Hilaly) 1968-1969 | 20 | 15 | ||
Emeny, Frederick L. 1979 | 20 | 16 | ||
Andre Emmerich Gallery, Inc. 1960-1982 | 20 | 17 | ||
Energy Conservation 1977-1980 | 20 | 18 | ||
Ente Manifestzioni Milanesi 1958-1959 | 20 | 19 | ||
Erdelac, Joseph M. 1972-1982 | 20 | 20 | ||
Anna Erickson Collection of Old Master Paintings 1961-1962 | 20 | 21 | ||
Erickson, Ernest 1965-1977 | 20 | 22 | ||
Eskenazi, Ltd 1971-1978 | 20 | 23 | ||
Eskenazi, Ltd. 1979-1983 | 21 | 1 | ||
European Art Color Slide Company 1959-1970 | 21 | 2 | ||
Everett, Morris 1972-1983 | 21 | 3 | ||
Everson Museum of Art (Syracuse) 1971-1979 | 21 | 4 | ||
Evrard, Marcel 1967-1969 | 21 | 5 | ||
Ewart, Charles 1969-1970 | 21 | 6 | ||
E, Miscellaneous | 21 | 7 | ||
E, Objects Offered | 21 | 8 | ||
Fahy, Everett P. 1964-1970 | 21 | 9 | ||
Falk, Myron S. and Madeline 1961-1982 | 21 | 10 | ||
Fall Out Shelter 1962-1963 | 21 | 11 | ||
Fallon, Alice Hinds (Mrs. Robert M.) 1966-1972 | 21 | 12 | ||
Fang, C. L. 1959-1960 | 21 | 13 | ||
Far East Fine Arts, Inc.. 1982 | 21 | 14 | ||
Fawick, Thomas L. - Estate and Auction 1978-1980 | 21 | 15 | ||
Richard Feigan Gallery 1960-1964 | 21 | 16 | ||
Feilchenfeldt, Marianne (Mrs. Walter) 1958-1977 | 21 | 17 | ||
Feininger, Julia (Mrs. Lyonel) 1959-1975 | 22 | 1 | ||
Feldman, Sandor 1970-1971 | 22 | 2 | ||
Fendrick Gallery 1963-1974 | 22 | 3 | ||
Ferrers 1964 | 22 | 4 | ||
Ferreri, Raymond N. 1983 | 22 | 5 | ||
Festival Belge d'Ete 1958 | 22 | 6 | ||
Fine Art Consultants Ltd. 1975-1976 | 22 | 7 | ||
Fine Art Society Ltd. 1975-1983 | 22 | 8 | ||
Fine Arts Associates 1958-1960 | 22 | 9 | ||
Fine Arts Gallery of San Diego 1960-1974 | 22 | 10 | ||
Fine Arts, Inc. 1961-1968 | 22 | 11 | ||
Fine Arts Garden Commission 1965-1981 | 22 | 12 | ||
Fine Arts Museums of San Francisco 1972-1973 | 22 | 13 | ||
Finlayson, R. W. 1958-1960 | 22 | 14 | ||
Firenze e la Toscana dei Medici Nell l'Europa Dell 500 (Italy) 1982 | 22 | 15 | ||
Firestone, Mrs. Harvey 1959-1960 | 22 | 16 | ||
Firman Fund - Royal and Pamela Firman 1964-1979 | 22 | 17 | ||
Fischer-Bohler 1959-1970 | 22 | 18 | ||
Fischer Fine Art Limited 1972-1982 | 22 | 19 | ||
Shaunaugh Fitzgerald, Ltd. 1981 | 22 | 20 | ||
Flint Institute of Arts 1959-1960 | 22 | 21 | ||
Fogg Art Museum (Cambridge) 1958-1983 | 22 | 22 | ||
Folio Club 1958-1973 | 22 | 23 | ||
Fong, Wen 1958-1979 | 22 | 24 | ||
Fontinus, Kate L., Estate of 1963-1964 | 22 | 25 | ||
Ford Foundation 1958-1970 | 22 | 26 | ||
Ford Foundation 1971-1982 | 22 | 27 | ||
Ford Foundation - Activities in the Creative and Performing Arts 1967 | 23 | 1 | ||
Ford Foundation - Museum Curatorial Training Program 1963-1966 | 23 | 2 | ||
Ford Foundation - Museum Curatorial Training Program 1967-1971 | 23 | 3 | ||
Ford Motor Company 1969-1978 | 23 | 4 | ||
Fort Worth Art Center 1958-1960 | 23 | 5 | ||
Forti, Vittorio 1958-1968 | 23 | 6 | ||
Fortnightly Musical Club 1970-1979 | 23 | 7 | ||
Forum Gallery 1974-1980 | 23 | 8 | ||
Foster, Philip 1963 | 23 | 9 | ||
Fox, Ruby (Mrs. Milton) and Robin Fox 1972-1983 | 23 | 10 | ||
Frackelton, Constance Chandler (Mrs. Robert J.) 1959-1964 | 23 | 11 | ||
Frank, Charlotte (Mrs. Robert) 1963-1971 | 23 | 12 | ||
Frary, I. T. 1958-1964 | 23 | 13 | ||
Frache, Dean F. 1959-1960 | 23 | 14 | ||
Frederick S. Wight Art Gallery (Los Angeles) 1983 | 23 | 15 | ||
Freeman, James 1977-1983 | 23 | 16 | ||
Freer Gallery of Art (Washington, D. C.) 1962-1982 | 23 | 17 | ||
French & Company, Inc. 1958-1974 | 24 | 1 | ||
Frere, Philip 1963 | 24 | 2 | ||
Freudenheim, Elizabeth and Milton - Ege Manuscripts 1979-1982 | 24 | 3 | ||
Frick Art Reference Library 1961 | 24 | 4 | ||
Frick Collection (New York) 1959-1974 | 24 | 5 | ||
Allan Frumkin Gallery 1960-1978 | 24 | 6 | ||
Fugendo Company 1971-1983 | 24 | 7 | ||
Fujii, Haruji 1971-1977 | 24 | 8 | ||
Fa-Fi, Miscellaneous | 24 | 9 | ||
Fl-Fz, Miscellaneous | 24 | 10 | ||
F, Objects Offered | 24 | 11 | ||
GAF Corporation 1970-1973 | 24 | 12 | ||
Gahlin, Sven 1967-1970 | 24 | 13 | ||
Gale, Robert I. and Frances White 1960-1977 | 24 | 14 | ||
Galleria Nazionale d'arte Antica (Italy) 1976 | 24 | 15 | ||
Gallery Group 1972-1982 | 24 | 16 | ||
Gallery of Modern Art Including the Hartford Collection 1965 | 24 | 17 | ||
Gans, Edward 1962-1965 | 24 | 18 | ||
Garden Center of Greater Cleveland 1958-1983 | 24 | 19 | ||
Garden Club of Cleveland 1959-1979 | 25 | 1 | ||
Garner, Harry 1964-1977 | 25 | 2 | ||
Garzoni, Fernando 1978-1980 | 25 | 3 | ||
Gazette des Beaux-Arts 1960-1979 | 25 | 4 | ||
Gent, Cock van 1958-1961 | 25 | 5 | ||
George Gund Foundation 1966-1981 | 25 | 6 | ||
George, Zelma 1969-1982 | 25 | 7 | ||
Georgetown University 1959-1960 | 25 | 8 | ||
Georgia Museum of Art 1966 | 25 | 9 | ||
Germanisches Nationalmuseum Nurnberg 1958-1970 | 25 | 10 | ||
Gerson, Oscar 1964-1965 | 25 | 11 | ||
Otto Gerson Gallery 1961-1962 | 25 | 12 | ||
Getty, J. Paul 1962-1963 | 25 | 13 | ||
Christopher Gibbs, Ltd. 1974-1977 | 25 | 14 | ||
Gichner, Lawrence E. 1977 | 25 | 15 | ||
Gilbert, Creighton 1961-1978 | 25 | 16 | ||
Ginn, Alexander 1963-1983 | 25 | 17 | ||
Girod, Milton 1977-1983 | 25 | 18 | ||
Gitter, Kurt A. 1977-1983 | 25 | 19 | ||
Glass, Elizabeth H. (Jerome O.) 1975 | 25 | 20 | ||
Gloeckner, Andre 1958-1959 | 25 | 21 | ||
Goldberg, Norman L. 1961-1967 | 25 | 22 | ||
Golden Press, Inc. 1959-1960 | 25 | 23 | ||
Goldschmidt, Lucien 1960-1983 | 25 | 24 | ||
Goldsmith, Lucille F., estate of 1980-1981 | 25 | 25 | ||
Goodman, Nelson 1978-1983 | 25 | 26 | ||
Gordon, Geoffrey 1967-1969 | 25 | 27 | ||
Government Museum (India) 1962-1964 | 25 | 28 | ||
James Graham and Sons, Inc. 1961-1969 | 25 | 29 | ||
Graham Gallery 1972-1975 | 25 | 30 | ||
Grand Central Art Galleries 1965 | 25 | 31 | ||
Grand Rapids Art Gallery 1959-1961 | 25 | 32 | ||
Grand Rapids Art Museum 1975-1983 | 25 | 33 | ||
Grange, Thomas P. 1962-1980 | 26 | 1 | ||
Grasselli Family 1958-1971 | 26 | 2 | ||
Grassi, Marco 1968-1977 | 26 | 3 | ||
Greater Cleveland Growth Association 1969-1977 | 26 | 4 | ||
Greater Cleveland Television Education Association 1961 | 26 | 5 | ||
Greene, B. M. 1961-1962 | 26 | 6 | ||
Greene, Helen Wade (Mrs. Edward Belden), Estate Of 1958-1971 | 26 | 7 | ||
Greene, William E. 1958-1971 | 26 | 8 | ||
Galerie Dr. Griebert 1958 | 26 | 9 | ||
Gries, Robert Hayes and Lucile 1958-1970 | 26 | 10 | ||
Griesinger, Frank 1958-1964 | 26 | 11 | ||
Griesinger, Frank and Barbara - Gaugin Gift 1974-1980 | 26 | 12 | ||
Grimes, Nada J. (Mrs. Allen E.) 1972-1973 | 26 | 13 | ||
Grosvenor Antiques 1961-1970 | 26 | 14 | ||
Gruener, James C. 1959-1960 | 26 | 15 | ||
Grund, Florence Fuller, Contributions in Memory of 1971-1972 | 26 | 16 | ||
Gure, Desmond 1966-1967 | 26 | 17 | ||
Galerie Wolfgang Gurlitt 1964-1973 | 26 | 18 | ||
Gutjahr, Ludwig Losbichler 1960-1964 | 26 | 19 | ||
Gutridge, Delbert 1970 | 26 | 20 | ||
J. H. Guttmann Picture Frame Corporation 1965-1983 | 26 | 21 | ||
Gyani, S. 1961-1962 | 26 | 22 | ||
Ga-Gn, Miscellaneous | 26 | 23 | ||
Go-Gz, Miscellaneous | 27 | 1 | ||
Ga-Go, Objects Offered | 27 | 2 | ||
Gr-Gz, Objects Offered | 27 | 3 | ||
H. S. Crocker Co. 1958 | 27 | 4 | ||
Hackley Art Gallery 1958 | 27 | 5 | ||
Hahn, Edgar A. 1959-1974 | 27 | 6 | ||
Hahn, Loeser, Freedheim, Dean & Wellman 1964-1983 | 27 | 7 | ||
Hahnloser, Hans R. 1962-1963 | 27 | 8 | ||
Michael Hall Fine Arts, Inc. 1964-1982 | 27 | 9 | ||
Halle, Carrie Moss (Mrs. Salmon P.) 1960-1968 | 27 | 10 | ||
Halle, Kay 1961-1971 | 27 | 11 | ||
Halle, Walter 1961-1966 | 27 | 12 | ||
Hallsborough Gallery 1958-1973 | 27 | 13 | ||
Halvorson, Newman T. and Virginia 1959-1978 | 28 | 1 | ||
Hamilton, Florence A., Estate of 1960-1961 | 28 | 2 | ||
Hammer, N. V. and Marion 1961-1967 | 28 | 3 | ||
Hammer, N. V. and Marion 1968-1979 | 28 | 4 | ||
Hammer, N. V. and Marion 1980-1983 | 28 | 5 | ||
Hanna, Jean Claire (Mrs. Howard M.) 1958-1973 | 28 | 6 | ||
Harada, Kozo 1960 | 28 | 7 | ||
Harari & Johns, Ltd. 1982-1983 | 28 | 8 | ||
Harper & Row, Publishers 1974-1979 | 28 | 9 | ||
Harvard Business Review 1977-1983 | 28 | 10 | ||
Harvard University 1959-1983 | 28 | 11 | ||
Harvard University. Visiting Committees 1967-1982 | 28 | 12 | ||
Hauge, Osborn and Victor 1959-1983 | 28 | 13 | ||
Hauke, Cesar de 1958-1965 | 28 | 14 | ||
Haus der Kunst Munchen 1958-1982 | 28 | 15 | ||
Haus der Kunst Munchen - Exhibition: "1000 Years of Chinese Painting," 1959-1960 | 29 | 1 | ||
Hays, J. Byers 1958-1968 | 29 | 2 | ||
Hazlitt Gallery 1963-1976 | 29 | 3 | ||
Hazlitt, Gooden, & Fox 1977-1983 | 29 | 4 | ||
Heeramaneck Galleries 1958-1979 | 29 | 5 | ||
Heim (London) 1966-1981 | 29 | 6 | ||
Heim (Paris) 1958-1967 | 29 | 7 | ||
Heim (Paris) 1968-1982 | 29 | 8 | ||
Heinemann, Rudolph J. 1959-1977 | 29 | 9 | ||
Heisando Co., Ltd. 1973-1983 | 30 | 1 | ||
Held, Julius 1959-1966 | 30 | 2 | ||
Heller, Ben 1962-1983 | 30 | 3 | ||
Henderson, Gregory 1961-1979 | 30 | 4 | ||
Henderson, J. Milne and S. Milne 1974-1983 | 30 | 5 | ||
Henry Francis Du Pont Winterthur Museum (Delaware) 1958-1981 | 30 | 6 | ||
Henry Lucas Foundation 1982-1983 | 30 | 7 | ||
Herrick, Katharine (Mrs. Parmely) 1958-1959 | 30 | 8 | ||
John & Paul Herring & Company 1977-1982 | 30 | 9 | ||
Hertzig, Robert 1969-1982 | 30 | 10 | ||
H. Herzer & Co. 1964-1974 | 30 | 11 | ||
Hesperia Art 1959-1962 | 30 | 12 | ||
Hessiches Staatsarchiv Darmstadt (Germany) 1979 | 30 | 13 | ||
K. J. Hewitt, Ltd. 1958-1971 | 30 | 14 | ||
Heyer, George S. 1971-1979 | 30 | 15 | ||
Hill, Peter 1970-1975 | 30 | 16 | ||
Hillier, Virginia B. Randolph 1971-1975 | 30 | 17 | ||
Himachal State Museum (India) 1977 | 30 | 18 | ||
Hirsch, Robert von - Sale of Collection 1977-1978 | 30 | 19 | ||
Hirschl & Adler Galleries, Inc. 1959-1983 | 30 | 20 | ||
Hirshhorn Museum 1963-1973 | 30 | 21 | ||
Hirshhorn Museum 1974-1979 | 31 | 1 | ||
Hispanic Society of America 1963-1965 | 31 | 2 | ||
Hitchcock, Peter S. and Bobbie 1958-1977 | 31 | 3 | ||
Hlopoff, Rotislav, and S. N. 1959-1972 | 31 | 4 | ||
Hobart, Richard 1958-1962 | 31 | 5 | ||
Hochstadter, Walter 1958-1983 | 31 | 6 | ||
Hofstatter, Wolfgang 1962-1977 | 31 | 7 | ||
Hogan, Grace 1963-1965 | 31 | 8 | ||
Holden, Arthur S. 1975-1977 | 31 | 9 | ||
Holden, Guerdon S. 1960 | 31 | 10 | ||
Hollis, Howard 1958-1971 | 31 | 11 | ||
Honolulu Academy of Arts 1960-1976 | 31 | 12 | ||
Hord, Helen Chisholm (Mrs. John Huntington) 1960-1970 | 31 | 13 | ||
Hornung, Gertrude S. (Mrs. Robert Miller) 1958-1983 | 31 | 14 | ||
Charlotte Horstmann Ltd. 1979-1980 | 31 | 15 | ||
Horton, Ann V. 1962-1967 | 31 | 16 | ||
Hosumi, R. and Minoru 1963-1981 | 31 | 17 | ||
House of H. Heydenryk, Jr. 1958; 1981 | 31 | 18 | ||
Houthakker, Bernard 1959-1983 | 31 | 19 | ||
Hoving, Thomas 1979-1982 | 32 | 1 | ||
Edward Howard & Co. 1959-1963 | 32 | 2 | ||
Howard-Sneyd, Thomas 1981 | 32 | 3 | ||
Howell, Mrs. Thomas P. 1959-1962 | 32 | 4 | ||
Hsu, Robert Y. K. 1980 | 32 | 5 | ||
Hubbell, Benjamin S. 1973-1978 | 32 | 6 | ||
Humphris, Cyril 1964-1983 | 32 | 7 | ||
Humphrey, Pamela (Mrs. George M.) 1958-1974 | 32 | 8 | ||
Humphreys, Helen 1958-1967 | 32 | 9 | ||
Hunt, Mr. and Mrs. John 1968-1982 | 32 | 10 | ||
Hyland, Thomas Sheridan 1966-1967 | 32 | 11 | ||
Ha, Miscellaneous | 32 | 12 | ||
He-Hj, Miscellaneous | 32 | 13 | ||
Ho-Hz, Miscellaneous | 32 | 14 | ||
Ha, Objects Offered | 32 | 15 | ||
He-Hz, Objects Offered | 33 | 1 | ||
India Government 1960-1972 | 33 | 2 | ||
India Office Library (London) 1963-1964 | 33 | 3 | ||
Indian Arts Palace 1961 | 33 | 4 | ||
Indian Society of Oriental Art 1965 | 33 | 5 | ||
Indiana University, Bloomington 1958-1977 | 33 | 6 | ||
Indiana University Press 1965 | 33 | 7 | ||
Indianapolis Museum of Art 1975-1978 | 33 | 8 | ||
Indo-U. S. Subcommission on Education and Culture 1983 | 33 | 9 | ||
Ingalls, David S. and Frances 1981-1983 | 33 | 10 | ||
Ingalls, David S. and Louise 1960-1978 | 33 | 11 | ||
Ingalls, Eileen (Mrs. Albert S., Jr.) 1964-1972 | 33 | 12 | ||
Ingalls, Hunter 1962-1963 | 33 | 13 | ||
Ingalls, Jane Taft (Mrs. Albert S.) 1958-1962 | 33 | 14 | ||
Inglis, Brand 1982 | 33 | 15 | ||
Institute of Contemporary Art 1959-1960 | 33 | 16 | ||
Instituto Nacional de Bellas Artes (Mexico) 1958-1961 | 33 | 17 | ||
Insurance for Artwork 1968-1978 | 33 | 18 | ||
Intermuseum Conservation Association 1959-1963 | 33 | 19 | ||
Intermuseum Conservation Association 1964-1971 | 33 | 20 | ||
Intermuseum Conservation Association 1972-1977 | 34 | 1 | ||
Intermuseum Conservation Association 1978-1983 | 34 | 2 | ||
Intermuseum Conservation Association. Examinations Requested 1961-1980 | 34 | 3 | ||
Intermuseum Conservation Association. Ford Foundation Grant 1969-1970 | 34 | 4 | ||
International Academy of Indian Culture 1965; 1976 | 34 | 5 | ||
International Exhibitions Foundation 1965-1982 | 34 | 6 | ||
International House of Japan, Inc. 1979-1983 | 34 | 7 | ||
International Institute for Conservation of Historic and Artistic Works 1959; 1981 | 34 | 8 | ||
Ireland, James D. and Cornelia W. 1960-1983 | 34 | 9 | ||
Ireland, LeRoy and Marguerite 1960-1965 | 34 | 10 | ||
Ireland, R. Livingston and Ligi 1958-1982 | 34 | 11 | ||
Isaac Delgado Museum of Art (New Orleans) 1960 | 34 | 12 | ||
Isabella Stewart Gardner Museum (Boston) 1959-1965 | 34 | 13 | ||
Isroff, Lola K. 1977 | 34 | 14 | ||
Istituto Della Enciclopedia Italiana 1958-1960 | 34 | 15 | ||
Istituto Nazionale di Studi Sul Rinascimento (Italy) 1981 | 34 | 16 | ||
I, Miscellaneous | 34 | 17 | ||
I, Objects Offered | 34 | 18 | ||
J. B. Speed Art Museum (Louisville) 1960-1972 | 34 | 19 | ||
J. Paul Getty Museum (Malibu) 1964-1982 | 34 | 20 | ||
J. Paul Getty Trust 1981-1983 | 34 | 21 | ||
Jackson, Harry L. 1971-1972 | 34 | 22 | ||
Martha Jackson Gallery 1958-1960 | 34 | 23 | ||
Arthur Jaffe, Inc. 1959 | 34 | 24 | ||
Jaffe, Michael 1958-1968 | 34 | 25 | ||
Sidney Janis Gallery 1960-1981 | 35 | 1 | ||
Janet, Christophe, 1979-1981 | 35 | 2 | ||
Japan Society, Inc. / Japan House Gallery 1959-1980 | 35 | 3 | ||
Japan Society Inc. / Japan House Gallery 1981-1983 | 35 | 4 | ||
Japan Foundation 1976-1983 | 35 | 5 | ||
Jellicoe, Patricia 1964-1982 | 35 | 6 | ||
Jeppson Galleries 1975-1983 | 35 | 7 | ||
Jewish Museum (New York) 1969-1973 | 35 | 8 | ||
John and Marble Ringling Museum of Art (Sarasota, Flor.) 1959-1972 | 35 | 9 | ||
John, Betty (Mrs. Henry J.) 1959-1960 | 35 | 10 | ||
John Herron Art Institute (Indianapolis) 1960 | 35 | 11 | ||
John Solomon Guggenheim Memorial Foundation 1961-1973 | 35 | 12 | ||
Johns Hopkins University - Giza Excavations 1971-1972 | 35 | 13 | ||
Johnson, James R. 1969-1972 | 35 | 14 | ||
Johnson, Lee - Delacroix Controversy 1971-1977 | 35 | 15 | ||
Jones, E. Bradley 1982 | 35 | 16 | ||
Jones, William Powell, and Marian 1960-1978 | 35 | 17 | ||
Joresco, Ernest 1972-1975 | 35 | 18 | ||
E. V. Jory, Inc. 1960 | 35 | 19 | ||
Joseph, Frank E. 1961-1967 | 35 | 20 | ||
Joslyn Art Museum (Omaha) 1970-1982 | 35 | 21 | ||
Journal of Aesthetics and Art Criticism 1960-1981 | 35 | 22 | ||
Junior Art Gallery (Louisville) 1958-1959 | 35 | 23 | ||
Junior League of Cleveland, Inc. 1958-1960 | 35 | 24 | ||
J, Miscellaneous | 35 | 25 | ||
J, Objects Offered | 35 | 26 | ||
Kahane, Isidor 1967-1983 | 36 | 1 | ||
Kahn, I. Theodore 1958-1959 | 36 | 2 | ||
Kangesser, David G. 1977-1981 | 36 | 3 | ||
Kansas City Art Institute and School of Design 1963-1964 | 36 | 4 | ||
Karamu House 1960-1971 | 36 | 5 | ||
Katz, George M. 1962-1965 | 36 | 6 | ||
Kaus, Hurmuz 1963 | 36 | 7 | ||
Keller, Henry Leslie 1962-1969 | 36 | 8 | ||
Kendrick, George S. (estate) and Winifred 1979-1982 | 36 | 9 | ||
Kennedy Galleries, Inc. 1960-1980 | 36 | 10 | ||
Kennedy, Mr. and Mrs. Terrence O. 1965-1970 | 36 | 11 | ||
Kennedy, William 1971-1975 | 36 | 12 | ||
Kent, Berenice 1968-1982 | 36 | 13 | ||
Kent State University 1963-1983 | 36 | 14 | ||
Kent State University Press 1974-1978 | 36 | 15 | ||
Kevorkian Foundation (Hagop Kevorkian) 1958-1962 | 36 | 16 | ||
Keyes, Roger and Keiko 1974-1982 | 36 | 17 | ||
Kidd, David 1973-1982 | 36 | 18 | ||
Kilroy, Edward and Angela 1974-1981 | 36 | 19 | ||
Kimball Art Museum (Fort Worth) 1979-1982 | 36 | 20 | ||
King, Marian 1958 | 36 | 21 | ||
Kingwood Center 1958-1959 | 36 | 22 | ||
Kinzen Co., Ltd. 1970-1982 | 36 | 23 | ||
Kiphuth, Louis Delaney, Contributions in Memory of 1970-1972 | 36 | 24 | ||
F. Kleinberger & Co., Inc. (Harry G. Sperling) 1958-1971 | 36 | 25 | ||
Klejman, J. J. 1958-1974 | 36 | 26 | ||
M. Knoedler & Co., Inc. 1958-1979 | 37 | 1 | ||
Kobayashi, Katsuhiro 1974-1982 | 37 | 2 | ||
Kochukyo Co. 1960-1983 | 37 | 3 | ||
David M. Koetser Gallery 1958-1982 | 37 | 4 | ||
Leonard Koester Ltd. 1959-1967 | 37 | 5 | ||
Kohara, Hironobu 1981 | 37 | 6 | ||
Komor, Mathias 1958-1967 | 37 | 7 | ||
Komor, Mathias 1970-1980 | 37 | 8 | ||
Koninklijk Kabinet van Schilderijen (Netherlands) 1964 | 37 | 9 | ||
Samuel M. Kootz Gallery 1959-1971 | 37 | 10 | ||
Koscherak, Roland 1958-1963 | 37 | 11 | ||
Kososhi, Bunkichi 1980-1982 | 37 | 12 | ||
Koutoulakis, Nicolas 1962-1965 | 37 | 13 | ||
Kramrisch, Stella 1960-1965 | 37 | 14 | ||
Krannert Art Museum (Urbana-Champaign) 1963-1982 | 37 | 15 | ||
Kraus, H. P. 1958-1982 | 37 | 16 | ||
Kraushaar Galleries 1959-1964 | 37 | 17 | ||
Kresge Foundation 1969-1983 | 37 | 18 | ||
S. Kriger, Inc. 1960-1965 | 37 | 19 | ||
Kruik, Arie and Cock 1965-1982 | 38 | 1 | ||
Kubinyi, Kalman 1961 | 38 | 2 | ||
Kuhn, Mary C. (Mrs. Coggeshall) 1960-1963 | 38 | 3 | ||
Kundus 1979-1980 | 38 | 4 | ||
Kunsthalle Basel 1960 | 38 | 5 | ||
Kunsthistorisches Institut in Florenz 1963-1970 | 38 | 6 | ||
Kunsthistorisches Museum (Austria) 1964-1982 | 38 | 7 | ||
Kyoto National Museum 1982-1983 | 38 | 8 | ||
Kyusei Atami Art Museum 1979-1981 | 38 | 9 | ||
Ka-Ki, Miscellaneous | 38 | 10 | ||
Kl-Kz, Miscellaneous | 38 | 11 | ||
K, Objects Offered | 38 | 12 | ||
La Jolla Museum of Art 1964 | 38 | 13 | ||
Lake Erie College 1960 | 38 | 14 | ||
Lakewood Public Schools 1959-1965 | 38 | 15 | ||
Lambert 1958 | 38 | 16 | ||
Lamm, Richard 1963-1965 | 38 | 17 | ||
Lamont, Frances 1958-1960 | 38 | 18 | ||
Lane, Richard 1971-1973 | 38 | 19 | ||
Lautz, William H. 1960-1972 | 38 | 20 | ||
Lebes Handle, Bronze (1964.451) 1965-1967 | 38 | 21 | ||
Lebrun, Jaques 1960-1961 | 38 | 22 | ||
Lebrun, Rico 1963-1964 | 38 | 23 | ||
LecTour 1959-1965 | 38 | 24 | ||
Lederer, Erich 1962-1965 | 38 | 25 | ||
Lee, Su Jan 1958-1959 | 38 | 26 | ||
Leger Galleries, Inc. 1970-1980 | 39 | 1 | ||
Leggatt Brothers 1958-1982 | 39 | 2 | ||
Leggatt Brothers- Martyrdom of St. Andrew by Caravaggio 1975-1978 | 39 | 3 | ||
Leisy, Herbert and Helen 1960-1978 | 39 | 4 | ||
Leon, Christopher F. 1977-1980 | 39 | 5 | ||
Lester-Smith, B. J. 1970-1972 | 39 | 6 | ||
Letters - Congratulatory to Sherman Lee 1983 | 39 | 7 | ||
Letters -"Nay" | 39 | 8 | ||
Letters -"Nut File," Anonymous, A-F | 39 | 9 | ||
Letters -"Nut File," G-R | 39 | 10 | ||
Letters -"Nut File," S-Z | 39 | 11 | ||
12. Letters -"Nut File," Brown, Daniel C. 1976-1982 | 39 | 12 | ||
Letters -"Nut File," Smith, Mitchell 1961-1983 | 40 | 1 | ||
Letters -"Yea" | 40 | 2 | ||
Levin, Herbert 1961-1963 | 40 | 3 | ||
Levine, Robert M. and Ann 1979-1983 | 40 | 4 | ||
R. E. Lewis, Inc. 1958-1983 | 40 | 5 | ||
Lezius-Hill Company 1965 | 40 | 6 | ||
Li, Peter Kuo-Chao and Ray In Chen 1960-1966 | 40 | 7 | ||
Librarie Ernest Flammarion 1964-1965 | 40 | 8 | ||
Library of the Boston Athenaeum 1961-1965 | 40 | 9 | ||
R. M. Light & Co. 1958-1982 | 40 | 10 | ||
Lin, Richards 1966-1968 | 40 | 11 | ||
Lincoln Electric Foundation 1975-1982 | 40 | 12 | ||
Lipkin Gallery, Ltd. 1971-1972 | 40 | 13 | ||
Lippe, Aschwin de 1961-1981 | 40 | 14 | ||
Little, Bascom, Estate of 1973-1974 | 40 | 15 | ||
J. J. Little & Ives Co. 1959 | 40 | 16 | ||
Albert Loeb and Krugier Gallery 1968-1971 | 40 | 17 | ||
Albert Loeb Gallery 1961-1962 | 40 | 18 | ||
Adolph Loewi, Inc. 1958-1967 | 40 | 19 | ||
Loewi-Robertson, Inc. 1970-1983 | 40 | 20 | ||
Lohuizen-De Leeuw, J. E. van 1958-1983 | 40 | 21 | ||
Longhi, Leighton R. 1981-1983 | 40 | 22 | ||
C. T. Loo (New York) 1958-1961 | 40 | 23 | ||
C. T. Loo & Cie (Paris) 1958-1983 | 41 | 1 | ||
Lopez-Ray, Jose 1965-1975 | 41 | 2 | ||
Lords Gallery 1958-1974 | 41 | 3 | ||
Lorenceau, Bernard 1972-1974 | 41 | 4 | ||
Los Angeles. Department of Municipal Art 1958-1959 | 41 | 5 | ||
Los Angeles County Museum of Art 1960-1983 | 41 | 6 | ||
Low-Beer, Fritz 1959-1973 | 41 | 7 | ||
Julius Lowry Frames and Restoring Co. 1960-1967 | 41 | 8 | ||
Lu Sheng Ensemble 1972 | 41 | 9 | ||
Edwin R. Lubin, Inc. 1961-1974 | 41 | 10 | ||
Luboshez, Sergius N. Ferris 1979-1980 | 41 | 11 | ||
Lucas, Siki 1959-1963 | 41 | 12 | ||
Lugt, Frits 1962-1967 | 41 | 13 | ||
Lukens, Savage & Washburn 1958-1961 | 41 | 14 | ||
Lum, Ida 1974 | 41 | 15 | ||
Lux, Kenneth 1979-1982 | 41 | 16 | ||
Lynes, Margaret Numsen, Estate of 1962-1963 | 41 | 17 | ||
Lynn, Dora Mae, Estate of 1960 | 41 | 18 | ||
Lyons, Elizabeth 1960-1963 | 41 | 19 | ||
La-Le, Miscellaneous | 41 | 20 | ||
Li-Lz, Miscellaneous | 41 | 21 | ||
La-Lee, Objects Offered | 41 | 22 | ||
Lef-Lz, Objects Offered | 42 | 1 | ||
M. H. de Young Memorial Museum (San Francisco) 1959-1977 | 42 | 2 | ||
M. H. de Young Memorial Museum (San Francisco). International Symposium on the Arts of Asia 1966 | 42 | 3 | ||
Ma, Richard K. 1978-1980 | 42 | 4 | ||
MacDonald, John D. 1970-1974 | 42 | 5 | ||
Mack, Janet, Estate of 1979-1981 | 42 | 6 | ||
Maggs Bros. 1959-1968 | 42 | 7 | ||
Maharaja of Jaipur Museum (India) 1961-1965 | 42 | 8 | ||
Maharshtra Department of Archaeology (India) 1966-1967 | 42 | 9 | ||
Mahon, Denis 1965-1977 | 42 | 10 | ||
Mak, P. L. 1967-1971 | 42 | 11 | ||
Malewsky-Malevitch, S. de 1963 | 42 | 12 | ||
Mallon, Paul and Marguerite 1958-1963 | 42 | 13 | ||
Mallon, Paul and Marguerite 1964-1970 | 42 | 14 | ||
Mallon, Paul and Marguerite 1971-1977 | 42 | 15 | ||
Malone, Lee 1961-1967 | 43 | 1 | ||
Mann, Robert 1973-1982 | 43 | 2 | ||
Mansfield Art Center 1978-1983 | 43 | 3 | ||
Marck, Jan H. M. van der 1958 | 43 | 4 | ||
Marie d'aix-en-Provence 1959 | 43 | 5 | ||
Mark Rothko Foundation 1976-1983 | 43 | 6 | ||
Marks, Peter 1960-1983 | 43 | 7 | ||
Marlborough Fine Art (London) Ltd. 1958-1982 | 43 | 8 | ||
Marlborough Gallery (New York) 1971-1982 | 43 | 9 | ||
Marlborough Gerson Gallery 1963-1968 | 43 | 10 | ||
Marion Koogler McNay Art Institute 1958-1960 | 43 | 11 | ||
Marsh, Felicia Meyer (Mrs. Reginald), Estate of 1978-1979 | 43 | 12 | ||
Martha Holden Jennings Foundation 1973-1983 | 43 | 13 | ||
Martha Kinney Cooper Ohioana Library Association 1964-1969 | 43 | 14 | ||
Massillon Museum 1980 | 43 | 15 | ||
Mather, William G. and Elizabeth Ring Trust 1960 | 43 | 16 | ||
Matignon Gallery 1982 | 43 | 17 | ||
Pierre Matisse Gallery Group 1960-1979 | 43 | 18 | ||
Matthiesen Fine Art 1978-1982 | 43 | 19 | ||
Matthiesen Gallery 1958-1965 | 43 | 20 | ||
May Department Stores Company 1958-1975 | 43 | 21 | ||
Mayer, Frederick M. 1965-1974 | 43 | 22 | ||
Mayuyama & Co., Ltd.,1958-1965 | 43 | 23 | ||
Mayuyama & Co., Ltd. 1966-1972 | 44 | 1 | ||
Mayuyama & Co., Ltd.,1971-1983 | 44 | 2 | ||
McAlpine, Bruce and Ingrid 1976-1979 | 44 | 3 | ||
McBride, Lucia McCurdy (Mrs. Malcolm L.) 1958-1970 | 44 | 4 | ||
McBride, Malcolm R. 1970-1981 | 44 | 5 | ||
McGonagle, William A. 1975-1983 | 44 | 6 | ||
Meals, Moselle T. 1966-1978 | 44 | 7 | ||
Medical Mutual of Cleveland 1982 | 44 | 8 | ||
Galerie Bruno Meisser 1974-1982 | 44 | 9 | ||
Meissner, Kurt 1972-1973 | 44 | 10 | ||
Meissonnier Silver Tureen (1977.182) 1977-1978 | 44 | 11 | ||
Meldrum, Mary B (Mrs. Andrew) 1976 | 44 | 12 | ||
Mellon, Evelyn (Mrs. DeForest) 1962-1974 | 44 | 13 | ||
Meltzer Gallery 1959-1965 | 44 | 14 | ||
Edward H. Merrin Gallery 1970-1983 | 44 | 16 | ||
Metropolitan Museum of Art 1958-1965 | 45 | 1 | ||
Metropolitan Museum of Art 1966-1972 | 45 | 2 | ||
Metropolitan Museum of Art 1973-1983 | 45 | 3 | ||
Metropolitan Museum of Art. Museum Training Conference 1971-1972 | 45 | 4 | ||
Mettler, Rubin 1976-1982 | 45 | 5 | ||
Sarah Stern Michael Fund 1976-1977 | 45 | 6 | ||
Mid-West Forge Corporation 1972-1979 | 45 | 7 | ||
Midwest Museums Conference 1962-1982 | 45 | 8 | ||
Miestschanioff, Beatrice, Estate of 1972 | 45 | 9 | ||
Miles, Eugene and Elizabeth 1971-1975 | 45 | 10 | ||
Roy Miles Fine Paintings 1976-1978 | 45 | 11 | ||
Milliken, William Matthewson 1958-1978 | 45 | 12 | ||
Milliken, William Matthewson - CMA Bulletin in Honor of his 85th Birthday, Dec. 1974 | 45 | 13 | ||
Millikin, Marta Abba 1959-1977 | 45 | 14 | ||
Millikin, Severance and Greta 1958-1962 | 46 | 1 | ||
Millikin, Severance and Greta 1963-1965 | 46 | 2 | ||
Millikin, Severance and Greta 1966-1970 | 46 | 3 | ||
Millikin, Severance and Greta 1971-1983 | 46 | 4 | ||
Millikin, Severance - 1964 Gift Audit 1967-1969 | 46 | 5 | ||
Milwaukee Art Center 1958-1961 | 46 | 6 | ||
Minneapolis Institute of Arts 1958-1979 | 46 | 7 | ||
Minshall, India Early (Mrs. T. Ellis) 1961-1966 | 46 | 8 | ||
Mishler, Carlos M. 1964-1965 | 46 | 9 | ||
Miura, Kuniyoshi 1971-1972 | 46 | 10 | ||
Mizutani, Nisaburo 1971-1983 | 46 | 11 | ||
MOA Museum of Art (Japan) 1983 | 46 | 12 | ||
Mokotoff, Moke 1981-1982 | 46 | 13 | ||
Molajoli, Bruno 1966-1969 | 47 | 1 | ||
Moldaver, Leo J. 1972 | 47 | 2 | ||
Monogram, (Connie Mangskau) 1969-1971 | 47 | 3 | ||
Frederick Mont, Inc. 1958-1966 | 47 | 4 | ||
Frederick Mont, Inc. 1967-1983 | 47 | 5 | ||
Frederick Mont, Inc. -"St. Catherine" by Gruenewald Forgery 1974-1977 | 47 | 6 | ||
Montclair Art Museum 1960 | 47 | 7 | ||
Montreal Museum of Fine Arts 1959-1981 | 47 | 8 | ||
Montreal World's Fair 1967 | 47 | 9 | ||
Moore, Janet Gaylord 1976-1981 | 47 | 10 | ||
Moore, Richard 1961-1962 | 47 | 11 | ||
Moreau-Gobard, J. C. and Yvonne 1958-1982 | 47 | 12 | ||
Moriah, Avner 1981 | 47 | 13 | ||
Morris, Nellie Wilbur, Estate of 1967-1968 | 47 | 14 | ||
Morrison, Barrie 1974-1983 | 47 | 15 | ||
Hugh M. Moss, Ltd. 1970-1981 | 47 | 16 | ||
Hugh M. Moss, Ltd. - Stolen Jade from Cernuschi Museum 1974 | 47 | 17 | ||
Mount, Charles M. 1962-1964 | 47 | 18 | ||
Mount Union College 1958-1959 | 47 | 19 | ||
Mundane Club 1959-1973 | 47 | 20 | ||
Munro, Eleanor 1958-1979 | 47 | 21 | ||
Munro, Lucile (Mrs. Thomas) 1974-1981 | 47 | 22 | ||
Munro, Thomas 1962-1974 | 47 | 23 | ||
Thomas Munro Memorial Fund 1974-1978 | 47 | 24 | ||
Munson-Williams-Proctor Institute (New York) 1961-1975 | 47 | 25 | ||
Munzen und Medaillen A. G., (Herbert Cahn) 1958-1979 | 48 | 1 | ||
Musee Carnavalet (Paris) 1979 | 48 | 2 | ||
Musee de Bordeaux (France) 1963-1964 | 48 | 3 | ||
Musee des Arts Decoratifs (Paris) 1975 | 48 | 4 | ||
Musee du Louvre (Paris) 1959-1975 | 48 | 5 | ||
Musee Guimet (Paris) 1965; 1977 | 48 | 6 | ||
Musee des Beaux-arts de Dijon - Mourners of Dijon 1958-1959; 1971 | 48 | 7 | ||
Musee Resyaux des Beaux-Arts de Belgique (Brussels) 1964-1965 | 48 | 8 | ||
Museo Civico di Torino (Italy) 1958; 1970 | 48 | 9 | ||
Museo del Prado (Madrid) 1965-1980 | 48 | 10 | ||
Museo e Gallerie Nazionali di Capodimote (Italy) 1972 | 48 | 11 | ||
Museum Computer Network 1968-1980 | 48 | 12 | ||
Museum of Art of Ogunquit (Maine) 1960-1961 | 48 | 13 | ||
Museum of Fine Arts, Boston 1958-1983 | 48 | 14 | ||
Museum of Fine Arts, Boston. Income and Expenditures Comparison 1970 | 48 | 15 | ||
Museum of Fine Arts, Gifu 1982 | 48 | 16 | ||
Museum of Fine Arts, Houston 1958-1982 | 48 | 17 | ||
Museum of Fine Arts (Little Rock) 1959 | 48 | 18 | ||
Museum of Fine Arts (Saint Petersburg, Fla.) 1962-1968 | 48 | 19 | ||
Museum of Modern Art (New York) 1958-1982 | 48 | 20 | ||
Museum of New Mexico 1961-1963 | 48 | 21 | ||
Museum of Primitive Art (New York) 1960 | 48 | 22 | ||
Museums Association 1960-1962 | 48 | 23 | ||
Musical Arts Association 1962-1979 | 48 | 24 | ||
Ma-Mc, Miscellaneous | 48 | 25 | ||
Mi-Moo, Miscellaneous | 48 | 26 | ||
Mor-Mz, Miscellaneous | 49 | 1 | ||
Ma, Objects Offered | 49 | 2 | ||
Mc-Mi, Objects Offered | 49 | 3 | ||
Mo-Mz, Objects Offered | 49 | 4 | ||
Nagatani, Inc. 1958-1968 | 49 | 5 | ||
Nagoya University 1979 | 49 | 6 | ||
Nail, Harry C., Jr. 1958-1973 | 49 | 7 | ||
Nakanishi, Bunzo 1973-1980 | 49 | 8 | ||
Nara National Museum 1977-1983 | 49 | 9 | ||
Nathan, Fritz and Peter 1958-1972 | 49 | 10 | ||
Nathan, Peter 1972-1983 | 49 | 11 | ||
Nathanson, Richard 1976-1977 | 49 | 12 | ||
National Academy of Arts (London) 1981-1982 | 49 | 13 | ||
National Academy of Design (New York) 1958-1981 | 49 | 14 | ||
National Archaeological Museum (Greece) 1960 | 50 | 1 | ||
National Central Library (Taiwan) 1982 | 50 | 2 | ||
National City Bank 1959-1983 | 50 | 3 | ||
National Collection of Fine Arts (U. S.) 1975-1980 | 50 | 4 | ||
National Gallery (London) 1959-1979 | 50 | 5 | ||
National Gallery of Art (U. S.) 1958-1983 | 50 | 6 | ||
National Gallery of Canada 1958-1981 | 50 | 7 | ||
National Gallery of Ireland 1973 | 50 | 8 | ||
National Gallery of Victoria (Australia) 1959-1960 | 50 | 9 | ||
National Library of Ireland 1963 | 50 | 10 | ||
National Museum (India) 1961-1975 | 50 | 11 | ||
National Museum of History (Taiwan) 1981 | 50 | 12 | ||
National Museum of Ireland 1963-1970 | 50 | 13 | ||
National Museum of Modern Art (Japan) 1982-1983 | 50 | 14 | ||
National Museum of Western Art (Japan) 1972-1982 | 50 | 15 | ||
National Palace Museum (China) 1978-1983 | 50 | 16 | ||
National Palace Museum (Taiwan) 1967-1972 | 50 | 17 | ||
National Portrait Gallery (U. S.) 1977-1979 | 50 | 18 | ||
National Trust for Historic Preservation 1960-1983 | 50 | 19 | ||
Naumann, Klaus 1978-1983 | 50 | 20 | ||
NBC 1963-1968 | 50 | 21 | ||
Neger, Jean - Rubens: "Diana and Her Nymphs Departing from the Chase" (1959.190) 1959-1965 | 50 | 22 | ||
Nelson-Atkins Museum of Art (Kansas City) 1982-1983 | 50 | 23 | ||
Netherlands Institute for Art History 1960-1965 | 50 | 24 | ||
Neufert, Ilas 1967-1976 | 50 | 25 | ||
New Gallery 1974 | 50 | 26 | ||
New Gallery, Inc. 1960-1963 | 50 | 27 | ||
New York Graphic Society 1958-1981 | 50 | 28 | ||
New York Times 1960-1983 | 50 | 29 | ||
New York University. Institute of Fine Arts 1959-1983 | 50 | 30 | ||
Newhouse Galleries 1960-1983 | 50 | 31 | ||
Newman, David 1968-1983 | 51 | 1 | ||
Newark Museum 1960-1964 | 51 | 2 | ||
Niedersachsische Landesgalerie Hannover 1963-1965 | 51 | 3 | ||
Nihon Keiszai Shimbun 1959-1961 | 51 | 4 | ||
Non-Reflecting Glass 1975 | 51 | 5 | ||
Nitta Trading Co. 1983-1982 | 51 | 6 | ||
Noguchi, Isamu 1975-1977 | 51 | 7 | ||
Robert Noortman Gallery 1978-1980 | 51 | 8 | ||
North Carolina Museum of Art 1959-1980 | 51 | 9 | ||
Northeastern Ohio Intermuseum Council 1975-1976 | 51 | 10 | ||
Norton, Laurence H. and Robert C., Estates of 1959-1962 | 51 | 11 | ||
Norton Simon Foundation 1964-1975 | 51 | 12 | ||
Norweb, Emery May Holden (Mrs. R. Henry) 1958-1964 | 51 | 13 | ||
Norweb, Emery May Holden (Mrs. R. Henry) 1965-1969 | 51 | 14 | ||
Norweb, Emery May Holden (Mrs. R. Henry) 1970-1982 | 51 | 15 | ||
Norweb, R. Henry 1959-1983 | 52 | 1 | ||
Norweb, R. Henry and Emery May - 50th Anniversary Gift 1967-1968 | 52 | 2 | ||
NOVA (New Organization for the Visual Arts) 1972-1983 | 52 | 3 | ||
Nystad Antiquairs Lochem n.v. 1971-1972 | 52 | 4 | ||
S. Nystad oude kunst n.v. 1968-1982 | 52 | 5 | ||
Na-Neu, Miscellaneous | 52 | 6 | ||
New-Nz, Miscellaneous | 52 | 7 | ||
N, Objects Offered | 52 | 8 | ||
Oberlin College 1967-1978 | 52 | 9 | ||
Yasunosuke Ogiwara Shop of Art 1969-1971 | 52 | 10 | ||
Oglebay Norton Foundation 1969-1976 | 52 | 11 | ||
Ohio Asianists 1973-1979 | 52 | 12 | ||
Ohio Citizens Committee for the Arts 1978-1983 | 52 | 13 | ||
Ohio Museums Association 1977-1980 | 52 | 14 | ||
Ohio Partnership for People - Smithsonian Institution's 1971 Festival of American Folklife | 52 | 15 | ||
Ohio Regional China Council 1977-1982 | 53 | 1 | ||
Ohio, State of, Legislature 1980-1983 | 53 | 2 | ||
Ohio, State of, Miscellaneous Offices | 53 | 3 | ||
Ohio, State of, Office of the Governor 1962-1974 | 53 | 4 | ||
Ohio, State of - Sales Tax Law 1959-1960 | 53 | 5 | ||
Ohio State University 1958-1982 | 53 | 6 | ||
Ohio University 1958-1970 | 53 | 7 | ||
Ojetti, U. 1973 | 53 | 8 | ||
Olsen Press 1958-1959 | 53 | 9 | ||
Olympic Games Exhibitions -"World Cultures and Modern Art" 1971-1972 | 53 | 10 | ||
Oriental Antiquities 1967-1973 | 53 | 11 | ||
Oriental Art Gallery 1958-1959 | 53 | 12 | ||
Oriental Ceramic Society 1970-1981 | 53 | 13 | ||
Oriental Institute (India) 1968-1971 | 53 | 14 | ||
Ortiz, Geoge 1963-1976 | 53 | 15 | ||
Osaka World Exposition 1970 | 53 | 16 | ||
Osborn, Henry Chisholm, Jr, Contributions in Memory of 1970 | 53 | 17 | ||
Owen, H. G. 1960-1964 | 53 | 18 | ||
O, Miscellaneous | 53 | 19 | ||
O, Objects Offered | 54 | 1 | ||
Pach, Raymond Peter 1960-1982 | 54 | 2 | ||
Packard, Harry 1963-1964 | 54 | 3 | ||
Paget, Gerald 1959-1960 | 54 | 4 | ||
Pahl, Sigrid 1971-1981 | 54 | 5 | ||
Pakistan. Embassy (U.S.) 1960 | 54 | 6 | ||
Palda, S. V. and Louise R., Estates of 1960-1964 | 54 | 7 | ||
Paley, Dr. 1979-1981 | 54 | 8 | ||
Panjab University (India) 1965-1970 | 54 | 9 | ||
Pappas, Louis 1966-1968 | 54 | 10 | ||
Parade of Progress Presents: Cleveland 1964 | 54 | 11 | ||
Parke-Bernet Galleries 1961-1972 | 54 | 12 | ||
Parkin, Margaret R. 1962-1965 | 54 | 13 | ||
Betty Parsons Gallery 1958-1963 | 54 | 14 | ||
Parsons, Harold Woodbury 1958-1967 | 54 | 15 | ||
Parsons, Mary Prescott, Estate of 1972 | 54 | 16 | ||
Pascu, Danila 1968-1982 | 54 | 17 | ||
Paul Mellon Center for British Art and British Studies 1970-1974 | 54 | 18 | ||
Payer, Dorothy Shepherd 1974-1982 | 54 | 19 | ||
Pennsylvania Academy of the Fine Arts 1961-1965 | 54 | 20 | ||
Percival David Foundation of Chinese Art 1963-1982 | 54 | 21 | ||
Perry, A. Dean and Helen Greene 1964-1983 | 54 | 22 | ||
Peterson Commission on Foundations 1969-1970 | 54 | 23 | ||
Petrequin, Mrs. Robert E. 1982 | 54 | 24 | ||
Philadelphia Academy of Fine Arts 1974-1979 | 54 | 25 | ||
Philadelphia Museum of Art 1959-1981 | 54 | 26 | ||
Philadelphia Museum of Art. Chinese Calligraphy Exhibition 1969-1972 | 54 | 27 | ||
Phillips Gallery 1959 | 54 | 28 | ||
Phillips, John G. 1977-1978 | 54 | 29 | ||
Phillips, Neil F. 1980-1982 | 55 | 1 | ||
Phoenix Art Museum 1959-1963 | 55 | 2 | ||
Photography in the Fine Arts 1961-1965 | 55 | 3 | ||
Pierpont Morgan Library 1959-1966 | 55 | 4 | ||
Pignatti, Teresio 1961-1964 | 55 | 5 | ||
Pita-Andrade, Jose M. 1960-1972 | 55 | 6 | ||
Pittman, Hobson L., Estate of [Folder 1] 1972 | 55 | 7 | ||
Pittman, Hobson L., Estate of [Folder 2] 1972 | 55 | 8 | ||
Plain Dealer 1959-1983 | 55 | 9 | ||
Plowden, Helen Hazeltine 1961 | 55 | 10 | ||
Pollak, F. A. 1963-1965 | 55 | 11 | ||
Porter, Frank H. and Nancy 1974-1983 | 55 | 12 | ||
Portland Art Museum 1960-1979 | 55 | 13 | ||
Portraits, Inc. 1961-1963 | 55 | 14 | ||
Post, J. J. 1959-1965 | 55 | 15 | ||
Powers, John G. 1961-1983 | 55 | 16 | ||
Prasse, Leona E. 1959-1983 | 55 | 17 | ||
Premsela & Hamburger 1959-1973 | 55 | 18 | ||
Prescott, Mr. and Mrs. Wilbur D. 1965-1980 | 56 | 1 | ||
Prince of Wales Museum (India) 1965-1977 | 56 | 2 | ||
Princeton University 1964-1980 | 56 | 3 | ||
Print Club of Cleveland 1958-1973 | 56 | 4 | ||
Print Club of Cleveland 1974-1983 | 56 | 5 | ||
Print Council of America 1961 | 56 | 6 | ||
Putnam, Mildred (Mrs. John B.) and Peter 1958-1982 | 56 | 7 | ||
Putnam, Mildred (Mrs. John B.) and Peter - Picasso Sculpture 1973-1974 | 56 | 8 | ||
Putnam, Mildred (Mrs. John B.) and Peter - Noguchi Sculpture 1980-1981 | 56 | 9 | ||
Putnam, Peter (Mildred Andrews Fund) - Louise Nevelson Sculpture 1974 | 56 | 10 | ||
Pa-Ph, Miscellaneous | 56 | 11 | ||
Pi-Pz, Miscellaneous | 56 | 12 | ||
Pa-Ph, Objects Offered | 56 | 13 | ||
Pi-Pz, Objects Offered | 56 | 14 | ||
Q, Miscellaneous | 57 | 1 | ||
K. Rabenou, Ltd. 1958-1971 | 57 | 2 | ||
Rajasthan Archaeology and Museum Department (India) 1961-1975 | 57 | 3 | ||
Ramachandra Rao, P. R. 1964-1967 | 57 | 4 | ||
Randall, Glenn C. 1965-1966 | 57 | 5 | ||
Randall, L. V. 1966-1970 | 57 | 6 | ||
Rankin, Alfred M. and Clara T. 1961-1983 | 57 | 7 | ||
Galerie A. Raphael 1981-1982 | 57 | 8 | ||
Rapid Recovery 1976-1982 | 57 | 9 | ||
Rassiga, Everett D. 1963-1981 | 57 | 10 | ||
Ratner, Max and Betty 1979-1982 | 57 | 11 | ||
Rebay, Hilla 1958-1962 | 57 | 12 | ||
Red Lantern Shop 1971-1973 | 57 | 13 | ||
Reed, Charles II 1959-1968 | 57 | 14 | ||
Republic Steel Corporation 1969-1980 | 57 | 15 | ||
Resch, Franz 1960 | 57 | 16 | ||
Reunion des Musees Nationaux (France) 1958-1980 | 57 | 17 | ||
Rewald, John 1960-1961 | 57 | 18 | ||
Reynalda House 1983 | 57 | 19 | ||
Rhode Island School of Design 1962-1982 | 57 | 20 | ||
Howard Ricketts, Ltd. 1976-1983 | 57 | 21 | ||
Riddell, Sheila (Mrs. John D.) 1976-1978 | 57 | 22 | ||
Rijksmuseum (Amsterdam) 1959-1975 | 57 | 23 | ||
Rochester Memorial Art Gallery 1959 | 57 | 24 | ||
Rochester Museum of Arts and Science 1963 | 57 | 25 | ||
Rockefeller Brothers Fund 1966-1977 | 58 | 1 | ||
Rockefeller, David 1966-1975 | 58 | 2 | ||
Rockefeller Foundation 1971-1982 | 58 | 3 | ||
Rockefeller, John D., Jr., Estate of 1960-1964 | 58 | 4 | ||
Grace Rainey Rogers Room 1973-1977 | 58 | 5 | ||
Rogers, Howard 1979-1982 | 58 | 6 | ||
Romano, Francesco 1959-1967 | 58 | 7 | ||
Rorimer, Kay (Mrs. James J.) 1966-1983 | 58 | 8 | ||
Rose, Milton Curtiss and Emily 1959-1981 | 58 | 9 | ||
Rosenberg & Stiebel 1958-1963 | 58 | 10 | ||
Rosenberg & Stiebel 1964-1982 | 58 | 11 | ||
Rosenberg, James N. 1964-1968 | 58 | 12 | ||
Paul Rosenberg & Co. (Alexandre Rosenberg) 1958-1974 | 58 | 13 | ||
Paul Rosenberg & Co. (Alexandre Rosenberg) 1975-1983 | 58 | 14 | ||
Ross, Marvin 1958-1960 | 59 | 1 | ||
Rossacher, Kurt 1958-1966 | 59 | 2 | ||
Rossacher, Kurt 1967-1982 | 59 | 3 | ||
Royal Ontario Museum 1959-1983 | 59 | 4 | ||
Ra-Ri, Miscellaneous | 59 | 5 | ||
Ro-Rz, Miscellaneous | 59 | 6 | ||
R, Objects Offered | 59 | 7 | ||
Saafield, Agnes (Mrs. Albrecht) 1967-1982 | 59 | 8 | ||
Sachs, Arthur 1958-1965 | 59 | 9 | ||
Hiroko Saeki, Inc. 1976-1977 | 59 | 10 | ||
Safani Gallery 1968-1980 | 59 | 11 | ||
Saisselin, Remy G 1960-1983 | 59 | 12 | ||
Salocchi e Freschi 1959-1962 | 60 | 1 | ||
Salzburger Barockmuseum (Austria) 1982-1983 | 60 | 2 | ||
Sampliner, Paul H. and Sophie U. 1964-1975 | 60 | 3 | ||
Samuel H. Kress Foundation 1958-1965 | 60 | 4 | ||
Spencer A. Samuels & Co., Ltd. 1965-1980 | 60 | 5 | ||
San Francisco Museum of Art 1958-1964 | 60 | 6 | ||
Sandak, Inc. 1961-1973 | 60 | 7 | ||
Sanskrit University (India) 1963 | 60 | 8 | ||
Santa Barbara Museum of Art 1959-1977 | 60 | 9 | ||
Sarkisian, H. Medill 1958-1961 | 60 | 10 | ||
Saskia 1973-1975 | 60 | 11 | ||
Sawers, Robert G. 1975-1979 | 60 | 12 | ||
Schab, William H. 1962-1979 | 60 | 13 | ||
Schaefer, Gilbert H. and Frances 1960-1963 | 60 | 14 | ||
Schaeffer Galleries, Inc. 1958-1981 | 60 | 15 | ||
Schapiro, Meyer 1965-1974 | 60 | 16 | ||
Schimmel, Norbert 1970-1974 | 60 | 17 | ||
Schleier, Erich 1977-1979 | 60 | 18 | ||
Galerie Schmit 1960-1981 | 60 | 19 | ||
Schmitt, Ralph S. and Dorothy 1961-1975 | 60 | 20 | ||
Robert Schoelkopf Gallery 1963-1979 | 60 | 21 | ||
Galerie von Schroeder 1972-1975 | 60 | 22 | ||
Schroeder, Ulrich von 1975-1983 | 60 | 23 | ||
Schweitzer, M. R. 1961-1979 | 61 | 1 | ||
Seattle Art Museum 1958-1969 | 61 | 2 | ||
Seattle Art Museum 1970-1983 | 61 | 3 | ||
Seattle Art Museum - Search for New Director 1973 | 61 | 4 | ||
Sedgwick, Ellery, Jr. 1979-1981 | 61 | 5 | ||
Seefried, Gabrielle 1959-1979 | 61 | 6 | ||
Selden, Carl L. and Florence 1958-1981 | 61 | 7 | ||
Seligmann, F. G. 1980 | 61 | 8 | ||
Jacques Seligmann & Co. (Germain Seligman) 1958-1964 | 61 | 9 | ||
Jacques Seligmann & Co. (Germain Seligman) 1965-1978 | 61 | 10 | ||
Selz, George 1959-1964 | 61 | 11 | ||
Seo, Joseph U. 1958-1982 | 61 | 12 | ||
M. & C. Sestieri 1962-1969 | 61 | 13 | ||
Setsu Gatodo (Inosuke Setsu) 1959-1962 | 61 | 14 | ||
Setsu Gatodo (Inosuke Setsu) 1963-1969 | 62 | 1 | ||
Setsu Gatodo Co., Ltd. (Iwao Setsu) 1969-1972 | 62 | 2 | ||
Setsu Gatodo Co., Ltd. (Iwao Setsu) 1973-1983 | 62 | 3 | ||
Shepherd Gallery Associates 1970-1981 | 62 | 4 | ||
Sherrier, Julian 1975-1980 | 62 | 5 | ||
Sherwick Fund 1973-1980 | 62 | 6 | ||
Sherwin, James N. and Colleen 1961-1979 | 62 | 7 | ||
H. Shickman Gallery 1965-1975 | 62 | 8 | ||
Silver, Daniel Jeremy and Adele 1963-1983 | 62 | 9 | ||
Simkovitch, Vladimir G., Estate of (Helena Simkovitch) 1958-1960 | 62 | 10 | ||
Simmons, Robert H. 1958-1972 | 62 | 11 | ||
Simsar, Mehmed A. 1963-1968 | 62 | 12 | ||
Simsar, Mehmed A. 1969-1983 | 62 | 13 | ||
Singh, Madenjeet 1967 | 63 | 1 | ||
Major Duke Singh & Sons. 1964 | 63 | 2 | ||
Sizer, Theodore 1960-1966 | 63 | 3 | ||
Skira International Corporation 1963-1966 | 63 | 4 | ||
Charles E. Slatkin Galleries 1958-1963 | 63 | 5 | ||
Robert S. Sloan Gallery 1964-1966 | 63 | 6 | ||
Sloan and Roman, Inc. 1966-1974 | 63 | 7 | ||
Judith A. Small Galleries 1960-1964 | 63 | 8 | ||
Smith College 1964-1965 | 63 | 9 | ||
Smith College Museum of Art 1960-1974 | 63 | 10 | ||
Smith, Kelvin 1965-1972 | 63 | 11 | ||
Smith, Kelvin 1973-1975 | 63 | 12 | ||
Smith, Kelvin 1976-1983 | 63 | 13 | ||
Smith, Susan 1974-1979 | 63 | 14 | ||
Smithsonian Institution 1959-1983 | 63 | 15 | ||
Smithsonian Institution. Foreign Currency Program. Advisory Council Meeting Minutes 1966-1969 | 64 | 1 | ||
Smithsonian Institution. Foreign Currency Program. Correspondence and Proposal Ratings 1966-1969 | 64 | 2 | ||
Smithsonian Institution Traveling Exhibition Service (SITES) 1958-1983 | 64 | 3 | ||
Solomon R. Guggenheim Museum (New York) 1960-1981 | 64 | 4 | ||
Sommerville & Simpson, Ltd. 1974-1982 | 64 | 5 | ||
Sotheby & Co. (London) 1958-1976 | 64 | 6 | ||
Sotheby Parke Bernet & Co. (London) 1976-1983 | 64 | 7 | ||
Sotheby Park Bernet, Inc. (New York) 1972-1983 | 64 | 8 | ||
Soviet Minister of Culture 1973 | 64 | 9 | ||
Spanierman, Ira 1964-1979 | 64 | 10 | ||
Spark, Victor D. 1958-1962 | 64 | 11 | ||
Spark, Victor D. 1963-1983 | 64 | 12 | ||
John Sparks, Ltd. (Peter Vaughan) 1958-1968 | 64 | 13 | ||
John Sparks, Ltd. (Peter Vaughan) 1970-1983 | 65 | 1 | ||
Spear, Athena Tacha - Rodin Catalogue 1964-1969 | 65 | 2 | ||
Spear, Richard and Athena Tacha 1969-1982 | 65 | 3 | ||
Edward Speelman, Ltd. 1959-1983 | 65 | 4 | ||
Spencer-Churchill Sale 1964-1965 | 65 | 5 | ||
Spink & Son, Ltd. (London) 1958-1970 | 65 | 6 | ||
Spink & Son, Ltd. (London) 1971-1973 | 65 | 7 | ||
Spink & Son, Ltd. (London) 1974-1978 | 65 | 8 | ||
Spink & Son, Ltd. (London) 1979-1983 | 65 | 9 | ||
Spink & Son, Ltd. (Zurich, Isidor Kahane) 1972-1980 | 65 | 10 | ||
Spink, C. Marshall 1959-1976 | 65 | 11 | ||
Srividya, J. 1976 | 65 | 12 | ||
St. Louis Art Museum 1963-1979 | 65 | 13 | ||
Staatliche Graphische Sammlung Munchen 1960-1961 | 66 | 1 | ||
Staatliche Kunsthalle Karlsruhe (Germany) 1958-1977 | 66 | 2 | ||
Staatliche Museen Preussicher Kulturbesitz (Berlin-Beatrix von Rague) 1964-1983 | 66 | 3 | ||
Standard Oil Company 1979-1983 | 66 | 4 | ||
Stanford University 1964-1979 | 66 | 5 | ||
Stassart, Andree 1977-1981 | 66 | 6 | ||
State Hermitage Museum (Russia) 1967-1982 | 66 | 7 | ||
State University of New York at Buffalo 1965-1979 | 66 | 8 | ||
Stechow, Wolfgang and Ursula 1959-1975 | 66 | 9 | ||
Stehli Brothers, Ltd. 1958-1959 | 66 | 10 | ||
Stein, Adolphe 1970-1977 | 66 | 11 | ||
Steinberg, Henry and Lillian 1959-1983 | 66 | 12 | ||
Steiner, Oscar H. and Dorothy Pasch 1964-1970 | 66 | 13 | ||
Stendahl Galleries 1970-1973 | 66 | 14 | ||
Sterling and Francine Clark Art Institute 1962-1976 | 66 | 15 | ||
Stermole, R. W. 1958-1959 | 66 | 16 | ||
Sterne, Vera Segal (Mrs. Maurice) 1959-1965 | 66 | 17 | ||
Stoclet Krishna (Krishna Govardhana 1973.106) 1968-1978 | 66 | 18 | ||
Stoclet, Phillippe 1963-1972 | 66 | 19 | ||
Stokes, John 1966-1968 | 66 | 20 | ||
Stolper, Robert L. 1960-1981 | 66 | 21 | ||
Stone, Louise (Mrs. Edgar J.) 1963-1983 | 66 | 22 | ||
R. Stora 1958-1963 | 66 | 23 | ||
Strauss, Jean Jacques 1960 | 66 | 24 | ||
Strauss, Marion Halle (Mrs. Abraham) 1960-1971 | 66 | 25 | ||
Strong, William 1958 | 66 | 26 | ||
Sud, O. C. 1968 | 66 | 27 | ||
Suhr, William 1958-1967 | 66 | 28 | ||
Surveys - Japanese Studies in the 1980s 1983 | 66 | 29 | ||
Surveys - Miscellaneous 1969-1970 | 67 | 1 | ||
Surveys - Miscellaneous 1972-1983 | 67 | 2 | ||
Surveys - Museum Compensation 1980 | 67 | 3 | ||
Surveys - Museum Insurance 1973 | 67 | 4 | ||
Sussex Armoury 1973-1976 | 67 | 5 | ||
Sutherland, Asbill, & Brennan (Kenneth H. Liles) 1965-1983 | 67 | 6 | ||
Swenson, John F. 1965 | 67 | 7 | ||
Sylvester, Edmund Q. 1968-1977 | 67 | 8 | ||
Symes, Robert 1971-1979 | 67 | 9 | ||
Syracuse Museum of Fine Arts 1958-1960 | 67 | 10 | ||
Sa-Scho, Miscellaneous | 67 | 11 | ||
Schr-Sl, Miscellaneous | 67 | 12 | ||
Sm-Ste, Miscellaneous | 68 | 1 | ||
St-Sz, Miscellaneous | 68 | 2 | ||
Sa-Schm, Objects Offered | 68 | 3 | ||
Schn-Se, Objects Offered | 68 | 4 | ||
Sh-Sn, Objects Offered | 68 | 5 | ||
So-Sz, Objects Offered | 68 | 6 | ||
Taft, Frances P. (Mrs. Seth) 1973-1981 | 68 | 7 | ||
Taft Museum (Cincinnati) 1958-1982 | 68 | 8 | ||
J. T. Tai & Co., Inc. 1958-1970 | 68 | 9 | ||
Talbot, Mr. and Mrs. Nelson (Nelson Talbot Foundation) 1964-1982 | 69 | 1 | ||
Taplin, Frank E. 1958-1968 | 69 | 2 | ||
Tarassuk, Leonid 1972 | 69 | 3 | ||
Tate Gallery (London) 1960-1961 | 69 | 4 | ||
Telegrams Received by Telephone 1959-1963 | 69 | 5 | ||
Temple 1958-1974 | 69 | 6 | ||
Ternbach, Joseph 1963-1964 | 69 | 7 | ||
Terry-Engell, H. 1959-1967 | 69 | 8 | ||
Textile Arts Club 1959-1982 | 69 | 9 | ||
Thannhauser, J. K. 1959-1964 | 69 | 10 | ||
"Thinker" by Rodin (1917.42) - Bombing 1970-1976 | 69 | 11 | ||
E. V. Thaw & Co. 1963-1975 | 69 | 12 | ||
E. V. Thaw & Co. 1976-1983 | 69 | 13 | ||
Thayer, Katharine Holden (Mrs. Basil G.) 1959-1970 | 69 | 14 | ||
Thyssen-Bornemisza, H. H. 1971-1980 | 69 | 15 | ||
Tishman, Paul 1962-1973 | 69 | 16 | ||
Tokugawa Art Museum (Japan) 1977 | 69 | 17 | ||
Tokyo Gallery Limited 1976-1977 | 69 | 18 | ||
Tokyo Metropolitan Art Museum 1982 | 69 | 19 | ||
Tokyo National Museum 1970-1983 | 69 | 20 | ||
Toledo Museum of Art 1958-1983 | 70 | 1 | ||
Tonying & Company 1958-1964 | 70 | 2 | ||
Topic-Mimara, A. 1958-1965 | 70 | 3 | ||
Trafalgar Galleries 1976-1983 | 70 | 4 | ||
David Tremayne, Ltd. 1977-1983 | 70 | 5 | ||
Treuhaft, William C. and Elizabeth 1958-1983 | 70 | 6 | ||
Trinity Cathedral 1959-1967 | 70 | 7 | ||
Tripp, Jane (Mrs. Chester D.) 1959-1980 | 70 | 8 | ||
Tung Yung Trading Co., (Charles L. Doue) 1959-1960 | 70 | 9 | ||
Tuti-Nama Manuscript (1962.279) 1962-1966 | 70 | 10 | ||
Tuti-Nama Manuscript (1962.279) 1973-1974 | 70 | 11 | ||
Tuti-Nama Manuscript (1962.279) 1975-1977 | 70 | 12 | ||
David Tunick, Inc. 1971-1982 | 70 | 13 | ||
Twentieth Century Club 1958-1982 | 70 | 14 | ||
Ta-Ti, Miscellaneous | 70 | 15 | ||
To-Tz, Miscellaneous | 70 | 16 | ||
Ta-Tl, Objects Offered | 71 | 1 | ||
To-Tz, Objects Offered | 71 | 2 | ||
Ullein-Reviczky, Lovice 1978-1982 | 71 | 3 | ||
UNESCO 1960-1981 | 71 | 4 | ||
Union Commerce Bank 1973-1982 | 71 | 5 | ||
Universitat Heidelberg. Kunsthistorisches Institut 1965 | 71 | 6 | ||
Universiteit van Amsterdam 1982 | 71 | 7 | ||
University Circle Development Foundation 1958-1970 | 71 | 8 | ||
University Circle Incorporated 1972-1974 | 71 | 9 | ||
University Circle Incorporated 1975 | 71 | 10 | ||
University Circle Incorporated 1976-1977 | 72 | 1 | ||
University Circle Incorporated 1978-1980 | 72 | 2 | ||
University Circle Incorporated 1981 | 72 | 3 | ||
University Circle Incorporated 1982-1983 | 72 | 4 | ||
University Circle Incorporated - Doan Creek Culvert 1982-1983 | 72 | 5 | ||
University Circle Police Department 1973-1983 | 72 | 6 | ||
University of Arizona 1964-1973 | 72 | 7 | ||
University of California, Berkeley 1965 | 72 | 8 | ||
University of California, Berkeley. University Art Museum 1971 | 72 | 9 | ||
University of California, Los Angeles 1959-1982 | 72 | 10 | ||
University of California Press - The Art Museum as Educator 1976-1977 | 72 | 11 | ||
University of Calcutta (India) 1976 | 72 | 12 | ||
University of Cincinnatti 1972-1978 | 73 | 1 | ||
University of Georgia 1960-1974 | 73 | 2 | ||
University of Glasgow 1964-1967 | 73 | 3 | ||
University of Illinois at Chicago 1968-1971 | 73 | 4 | ||
University of Illinois at Urbana-Champaign 1963-1969 | 73 | 5 | ||
University of Iowa. Museum of Art 1969-1974 | 73 | 6 | ||
University of Kansas 1979-1981 | 73 | 7 | ||
University of Kansas. Museum of Art 1958-1959 | 73 | 8 | ||
University of Michigan. Asian Art Archive 1964-1981 | 73 | 9 | ||
University of Michigan. Center for Chinese Studies. Board of Visitors in East Asian Studies 1973-1976 | 73 | 10 | ||
University of Michigan. Department of the History of Art 1958-1982 | 73 | 11 | ||
University of Michigan. Museum of Anthropology 1961-1967 | 73 | 12 | ||
University of Michigan. Museum of Art 1961-1979 | 73 | 13 | ||
University of Minnesota 1960-1976 | 73 | 14 | ||
University of Notre Dame 1960 | 73 | 15 | ||
University of Pennsylvania 1980-1983 | 73 | 16 | ||
University of Pennsylvania. University Museum 1958-1977 | 73 | 17 | ||
University of Rochester 1962-1981 | 73 | 18 | ||
University of Rochester. Memorial Museum of Art 1961-1975 | 73 | 19 | ||
University of Saint Thomas (Houston) 1966-1968 | 73 | 20 | ||
University of Texas at Austin 1965-1974 | 73 | 21 | ||
University of Texas at Austin. Art Museum Evaluation 1978 | 73 | 22 | ||
University of Texas at Austin. Art Museum Evaluation. Supporting Materials (folder 1) 1978 | 73 | 23 | ||
University of Texas at Austin. Art Museum Evaluation. Supporting Materials (folder 2) 1978 | 74 | 1 | ||
University of Toronto 1964 | 74 | 2 | ||
U, Miscellaneous | 74 | 3 | ||
U, Objects Offered | 74 | 4 | ||
Vail, Thomas H. and Iris J. 1960-1977 | 74 | 5 | ||
Valentiner, William R., Estate of 1958-1965 | 74 | 6 | ||
Vancouver Art Gallery 1963-1964 | 74 | 7 | ||
Vanecek, Karl 1966 | 74 | 8 | ||
Vassar College Art Gallery 1960-1973 | 74 | 9 | ||
Verdier, Philippe 1979-1982 | 74 | 10 | ||
Victoria and Albert Museum (London) 1958-1978 | 74 | 11 | ||
Vignos, Paul J. and Edith Ingalls 1960-1982 | 74 | 12 | ||
Virginia Museum of Fine Arts 1958-1981 | 74 | 13 | ||
Vishniac, Roman 1961-1980 | 74 | 14 | ||
Visual Media for the Arts and Humanities 1978 | 74 | 15 | ||
Catherine Viviano Gallery 1959-1968 | 74 | 16 | ||
Vose Galleries of Boston 1958-1965 | 75 | 1 | ||
V, Miscellaneous | 75 | 2 | ||
V, Objects Offered | 75 | 3 | ||
Waddington Galleries 1965-1974 | 75 | 4 | ||
Wade, Jeptha H., III 1962-1976 | 75 | 5 | ||
Wade Oval 1969-1971 | 75 | 6 | ||
Wadsworth Atheneum (Hartford) 1959-1981 | 75 | 7 | ||
Walker Art Center (Minneapolis) 1959-1980 | 75 | 8 | ||
Walker, Mildred F. 1959-1983 | 75 | 9 | ||
Wallace Collection (London) 1965-1977 | 75 | 10 | ||
Walters Art Gallery (Baltimore) 1964-1975 | 75 | 11 | ||
Wang, Chi-Chuan 1957-1980 | 75 | 12 | ||
Ward, William E. and Evelyn Svec 1971-1983 | 75 | 13 | ||
Warner, Helen B. 1960-1972 | 75 | 14 | ||
Wasada University 1970 | 75 | 15 | ||
Washington University (St. Louis) 1961-1966 | 75 | 16 | ||
Watteau, Andre 1974-1978 | 75 | 17 | ||
Wayne State University (Detroit) 1961-1977 | 75 | 18 | ||
WCLV Art Comment 1978-1980 | 75 | 19 | ||
WCLV Art Comment 1981-1983 | 76 | 1 | ||
Weatherhead Foundation 1969-1982 | 76 | 2 | ||
Weaver, Robert A. 1958-1976 | 76 | 3 | ||
Weeks, Donald 1959-1973 | 76 | 4 | ||
Weimann, Robert Paul, Jr. 1964-1979 | 76 | 5 | ||
Weitzner, Julius H. 1959-1980 | 76 | 6 | ||
Welch, Stuart Cary 1962-1978 | 76 | 7 | ||
Welchans, Roger A. 1967-1973 | 76 | 8 | ||
Welfare Federation of Cleveland 1958-1959 | 76 | 9 | ||
Wellesley College 1959-1970 | 76 | 10 | ||
Weng, Wan-Go H. C. 1959-1980 | 76 | 11 | ||
Alex Wengraf, Ltd. 1981-1982 | 76 | 12 | ||
Herner Wengraf, Ltd. 1972-1976 | 76 | 13 | ||
Wertheimer, Otto and Anne 1962-1976 | 76 | 14 | ||
Western Reserve Historical Society 1959-1983 | 76 | 15 | ||
Westmoreland County Museum of Art (Pennsylvania) 1958-1973 | 76 | 16 | ||
Weston, Faith B. (Mrs. Harold F.) 1972-1980 | 77 | 1 | ||
E. Weyhe, Inc. 1958-1960 | 77 | 2 | ||
Wheelock Marden & Co., (D. A. J. Latchford) 1972 | 77 | 3 | ||
White, Amelia Elizabeth 1964-1965 | 77 | 4 | ||
White, Fred R. and Emma (Norton-White-Gale Trust) 1961-1982 | 77 | 5 | ||
White, Katherine C. 1959-1970 | 77 | 6 | ||
White, Katherine C. 1971-1980 | 77 | 7 | ||
Whitehouse, Alton W. 1975-1982 | 77 | 8 | ||
Whiteside, Elinor Irwin (Mrs. John Robertson) 1963-1964 | 77 | 9 | ||
Whiting, Frederic Allen 1958-1960 | 77 | 10 | ||
Whitney Museum of American Art (New York) 1958-1973 | 77 | 11 | ||
Doris Wiener Gallery 1964-1983 | 77 | 12 | ||
Wilbur, John S. and Atheline 1958-1982 | 77 | 13 | ||
Wildenstein & Co., Inc. 1958-1981 | 77 | 14 | ||
Willard Gallery 1959-1963 | 77 | 15 | ||
William Rockhill Nelson Gallery of Art/Atkins Museum of Fine Art (Kansas City) 1958-1982 | 77 | 16 | ||
Williams College Museum of Art (Massachusetts) 1961-1968 | 77 | 17 | ||
Williams, Lewis B. and Helen Croxton 1958-1961 | 77 | 18 | ||
Williams, Lewis B. and Helen Croxton 1962-1966 | 78 | 1 | ||
Williams, Lewis C. and Lydia E. 1966-1983 | 78 | 2 | ||
Winnipeg Art Gallery Association 1958-1962 | 78 | 3 | ||
Winter, Edward 1960-1964 | 78 | 4 | ||
Wise, Howard 1958-1962 | 78 | 5 | ||
John Wise, Ltd. 1958-1981 | 78 | 6 | ||
Wittke, Mr. and Mrs. Carl Frederick 1964-1972 | 78 | 7 | ||
Wixom, William D. and Nancy Coe 1968-1983 | 78 | 8 | ||
Wolfe, Emile E. 1963-1964 | 78 | 9 | ||
William H. Wolff, Inc. 1970-1983 | 78 | 10 | ||
Worcester Art Museum 1959-1964 | 78 | 11 | ||
Worch, Edgar 1957-1967 | 78 | 12 | ||
World Antiquities, Ltd. 1962-1963 | 78 | 13 | ||
Worthington's Chinese Porcelain 1967-1976 | 78 | 14 | ||
Wurzberger, Paul D. and Odette V. 1960-1979 | 78 | 15 | ||
WVIZ-TV 1975-1983 | 78 | 16 | ||
Wa-Wh, Miscellaneous | 78 | 17 | ||
Wi-Wz, Miscellaneous | 79 | 1 | ||
Wa-Wh, Objects Offered | 79 | 2 | ||
Wi-Wz, Objects Offered | 79 | 3 | ||
Xavier University 1981 | 79 | 4 | ||
S. Yabumoto Co., Ltd. 1962-1983 | 79 | 5 | ||
Yabumoto, Shogoro 1971-1983 | 79 | 6 | ||
Yale University 1960-1982 | 79 | 7 | ||
Yale University Art Gallery 1959-1983 | 79 | 8 | ||
Yale University. Committee on the Art Gallery and Melon Center 1967-1970 | 79 | 9 | ||
Yamada, Chisaburoh 1958-1980 | 79 | 10 | ||
Yamanaka & Co. 1958-1983 | 79 | 11 | ||
Yamaoka, Seibei and Kinkichi 1971-1980 | 80 | 1 | ||
Yamato Bunkakan (Japan) 1960-1967 | 80 | 2 | ||
Yanagi, Takashi 1970-1983 | 80 | 3 | ||
Yoseido Gallery (Yuji Abe) 1959-1974 | 80 | 4 | ||
Yoseido Gallery (Yuji Abe) 1975-1983 | 80 | 5 | ||
Yu, H. C. 1958-1980 | 80 | 6 | ||
Yuey, Joe 1958-1983 | 80 | 7 | ||
Y, Miscellaneous | 80 | 8 | ||
Zampetti, Pietro 1958-1964 | 80 | 9 | ||
Zaworski, Norman 1962-1983 | 80 | 10 | ||
Zeri, Frederico 1962-1966 | 80 | 11 | ||
Zinser, Richard W. 1960-1971 | 80 | 12 | ||
Zverina, Frances S. 1965-1978 | 80 | 13 | ||
Zverina, Justin and Silvia 1966-1983 | 80 | 14 | ||
Z, Miscellaneous | 80 | 15 | ||
Administrative RecordsScope and Contents noteThe records in this series document Sherman Lee's interactions with museum departments and the board of trustees. The series includes internal communication about museum events, the gallery renovation project of the 1970s, and the museum's gala celebrations. It provides documentation on the museum's organizational structure and its internal transactions. The series is organized into five subseries: Advisory Council and Board of Trustees, Appointment Books and Calendars, Departmental Files, Entertainment, Gallery Renovation, and Interdepartmental Files. The first subseries contains the director's office working papers and annotated agendas for trustees and the advisory council meetings as well as records relating to some of the committees of the board of trustees. The second subseries contains daily appointment books and monthly calendars maintained by the director's office. The third subseries, the largest of the five, contains the director's office written communication with museum departments. The forth contains information about entertainment and celebrations planned at the museum, specifically for the museum's 50th anniversary and for the opening of the 1971 addition. The fifth subseries contains records relating to the five-step gallery reorganization project of the 1970s. The sixth subseries has records on interdepartmental issues, such as stolen artwork and the curator's meetings. More detailed information about each subseries is available preceding the box list for each subseries. | Box | Folder | ||
Appointment Books and CalendarsScope and Contents noteThe daily appointment books and monthly calendars maintained by the directors office are located in this subseries. The appointment books, 1971-1983, were most likely carried by Lee to keep track of his daily business. Each day is listed a separate page. The monthly calendars, 1958-1983, were most likely maintained in the office as a records of Lee's appointments. Entries in both in the appointment books and calendars were written in by Lee, his secretary, and his administrative assistant. The appointments and meetings listed are almost all professional, though Lee did keep track of his tennis schedule, which he played with members of the board of trustees. There are listings for meetings with staff, meetings with trustees, social engagements (where Lee appeared in his professional capacity), conferences, and travel iteneraries. | ||||
| Oversize | Folder | |||
Monthly Calendar (Oversize) 1983 | ||||
| Box | Folder | |||
Appointment Books 1971-June 1972 | 128 | 1 | ||
Appointment Books, July 1972-1973 | 128 | 2 | ||
Appointment Books 1974-1975 | 128 | 3 | ||
Appointment Books 1976-1977 | 128 | 4 | ||
Appointment Books 1978-1979 | 129 | 1 | ||
Appointment Books 1980-1981 | 129 | 2 | ||
Appointment Books 1982-1983 | 129 | 3 | ||
Monthly Calendars 1958-1964 | 129 | 4 | ||
Monthly Calendars 1965-1971 | 130 | 1 | ||
Monthly Calendars 1972-1977 | 130 | 2 | ||
Monthly Calendars 1978-1982 | 130 | 3 | ||
Departmental FilesScope and Contents noteThis subseries contains memoranda, correspondence, and notes between the director and museum departments. The records are organized alphabetically by the department's name at the time the records were created. Departmental name changes can be followed by referring to the appendix. Within each folder the records are organized chronologically. Departmental names do not represent organizational hierarchy, but rather reflect their relative importance to Sherman Lee. He was primarily interested in the curatorial departments and in the purchase of art, particularly in the oriental department, where he served as chief curator. Curatorial departments are all listed separately whereas departments such as development and operations administration group all internal divisions together. Some department records are further organized by staff member, while other departments have all of the correspondence grouped together chronologically. Subject areas include the purchase, exhibition, and safety of artwork, personnel issues, and museum policies and procedures. High-level staff members hired during Lee's directorship often have the initial job search correspondence included in the folder. Records under "Director's Office" include policy and memoranda sent out to all museum staff as well as information maintained by Lee's secretaries. | ||||
| Box | Folder | |||
Ancient Art - John D. Cooney and Arielle Kozloff 1968-1983 | 83 | 1 | ||
Ancient Art - Corpus Vasorum Antiquorum 1964-1972 | 83 | 2 | ||
Archives (Study) 1982 | 83 | 3 | ||
Art History and Education 1970-1973 | 83 | 4 | ||
Art History and Education 1974-1976 | 83 | 5 | ||
Art History and Education 1977-1979 | 83 | 6 | ||
Art History and Education 1980-1983 | 83 | 7 | ||
Art History and Education - Quarterly and Annual Reports 1970-1982 | 83 | 8 | ||
Art History and Education - Staff Meeting Minutes 1978-1983 | 83 | 9 | ||
Art History and Education. Extensions Division 1974-1981 | 84 | 1 | ||
Art History and Education. Extensions Division - Lakewood High School 1975-1977 | 84 | 2 | ||
Art History and Education. Teacher Resource Center 1981-1983 | 84 | 3 | ||
Assistant Director for Administration - William S. Talbot 1981-1983 | 84 | 4 | ||
Assistant to the Director - Edward B. Henning 1959-1969 | 84 | 5 | ||
Building and Grounds. Building Service and Maintenance Union 1960-1966 | 84 | 6 | ||
Building and Grounds. Fire Detection and Sprinkler Systems 1959-1962 | 84 | 7 | ||
Building and Grounds. Guards - Discrimination Problems 1973-1976 | 84 | 8 | ||
Building and Grounds. Inspection Report - Ruth, Heddle, White, and Howe 1962 | 84 | 9 | ||
Building and Grounds. Leakage 1959-1962 | 84 | 10 | ||
Building and Grounds. Plant Operations 1960-1982 | 84 | 11 | ||
Building and Grounds. Service, Hospital, Nursing Home, and Public Employees Union, Local 47 1976-1982 | 84 | 12 | ||
Cafeteria 1958-1975 | 84 | 13 | ||
Classical and Egyptian Art - E. Mansoor Forgeries 1959-1960 | 84 | 14 | ||
Conservation 1975-1978 | 84 | 15 | ||
Conservation 1979-1983 | 84 | 16 | ||
Contemporary Art - Edward B. Henning 1962-1971 | 85 | 1 | ||
Decorative Arts - Helen S. Foote 1958 | 85 | 2 | ||
Decorative Arts - Henry Hawley 1960-1977 | 85 | 3 | ||
Decorative Arts - William D. Wixom 1958-1977 | 85 | 4 | ||
Design - William E. Ward 1959-1982 | 85 | 5 | ||
Development and Membership - James Szubski 1982-1983 | 85 | 6 | ||
Development and Membership. Membership 1981-1983 | 85 | 7 | ||
Development and Membership. Membership Reports 1980-1983 | 85 | 8 | ||
Director's Office - Evan H. Turner, Director Designate 1982-1983 | 85 | 9 | ||
Director's Office - Itineraries 1980-1983 | 85 | 10 | ||
Director's Office - Policy and Memoranda 1958-1983 | 85 | 11 | ||
Director's Office - Retirement 1983 | 85 | 12 | ||
Early to Later Western Art. Paintings - Ann Tzeutschler Lurie 1978-1983 | 85 | 13 | ||
Early Western Art - William D. Wixom 1978-1979 | 85 | 14 | ||
Early Western Art - Patrick de Winter 1980-1983 | 85 | 15 | ||
Education 1958-1967 | 85 | 16 | ||
Education. Adult Course -"The Knowing and Collecting of Contemporary Art," 1958 | 85 | 17 | ||
Egyptian and Classical Art - John D. Cooney 1963-1967 | 85 | 18 | ||
Extension Exhibitions - Doris Dunlavy 1959-1972 | 86 | 1 | ||
General Manager - A. Beverly Barksdale 1969-1980 | 86 | 2 | ||
Junior Council 1958-1971 | 86 | 3 | ||
Junior Council 1972-1983 | 86 | 4 | ||
Junior Council. Lecture Series -"German Painting in the Nineteenth Century," 1970-1971 | 86 | 5 | ||
Later Western Art - Henry Hawley 1978-1983 | 86 | 6 | ||
Later Western Art - William S. Talbot 1978-1979 | 86 | 7 | ||
Library 1967-1976 | 86 | 8 | ||
Library 1977-1983 | 86 | 9 | ||
Library - Su-Lee Huang Case 1983 | 86 | 10 | ||
Modern Art - Edward B. Henning and Tom Hinson 1972-1977 | 86 | 11 | ||
Modern Art - Edward B. Henning and Tom Hinson 1978-1983 | 87 | 1 | ||
Musical Arts 1963-1983 | 87 | 2 | ||
Operations Administration 1961-1979 | 87 | 3 | ||
Operations Administration. Personnel 1975-1979 | 87 | 4 | ||
Operations and Finance Administration 1980-1982 | 87 | 5 | ||
Operations and Finance Administration. Personnel 1980-1983 | 87 | 6 | ||
Oriental Art 1961-1983 | 87 | 7 | ||
Oriental Art - Michael Cunningham 1976-1983 | 87 | 8 | ||
Oriental Art - Stanislaw Czuma 1970-1982 | 87 | 9 | ||
Oriental Art - Wai-Kam Ho 1958-1983 | 87 | 10 | ||
Oriental Art - Sherman Lee 1952-1955 | 87 | 11 | ||
Paintings - Henry Sayles Francis 1959-1970 | 87 | 12 | ||
Paintings - Ann Tzeutschler Lurie 1963-1977 | 87 | 13 | ||
Paintings - William S. Talbot 1967-1977 | 87 | 14 | ||
Prints and Drawings 1959-1983 | 87 | 15 | ||
Photographic Studio 1961-1969 | 88 | 1 | ||
Printing Department 1967-1970 | 88 | 2 | ||
Public Information 1982-1983 | 88 | 3 | ||
Public Relations - Richard Burton 1962-1963 | 88 | 4 | ||
Public Relations and Membership 1966-1981 | 88 | 5 | ||
Public Relations and Membership - Susan de Ferranti Case 1973-1974 | 88 | 6 | ||
Public Relations and Membership. Membership 1967-1980 | 88 | 7 | ||
Public Relations and Membership. Membership - Corporate Membership 1969-1981 | 88 | 8 | ||
Public Relations and Membership. Membership Committee Meetings 1979 | 88 | 9 | ||
Public Relations and Membership. Membership Reports 1976-1980 | 88 | 10 | ||
Publications 1959-1979 | 88 | 11 | ||
Publications 1980-1983 | 88 | 12 | ||
Registrar's Office 1969-1983 | 88 | 13 | ||
Restaurant 1978-1981 | 88 | 14 | ||
Restoration 1966-1973 | 88 | 15 | ||
Sales Desk 1967-1977 | 88 | 16 | ||
Textile Arts 1983 | 88 | 17 | ||
Textiles - Dorothy Shepherd 1958-1967 | 88 | 18 | ||
Textiles - Dorothy Shepherd 1968-1978 | 89 | 1 | ||
Textiles and Islamic Art 1979-1982 | 89 | 2 | ||
EntertainmentScope and Contents notePrior to the creation of the special events department the director's office handled the planning of receptions, dinner parties, and other events to honor donors, trustees, and museum benefactors. Important museum events during Lee's tenure included the Golden Anniversary in 1966-1967, the renovation of the former auditorium into the Oriental galleries (today the Asian galleries) in 1970-one which Lee took particular interest in given his inclination toward Asian art-and the opening in 1971 of the education wing designed by Marcel Breuer. By far the largest of these events was the Golden Anniversary Year, with Lee working with museum president Emery May Norweb to organize banquets honoring benefactors, dealers, members, and local artists; and arranging special musical concerts and entertainment for special exhibitions. After 1966 it increasingly became the responsibility of the public relations department and A. Beverly Barksdale (general manager from 1970-1980) and later William Talbot (assistant director for administration beginning in 1980) to plan and organize entertainment events. The records include invitations, programs, menus, itineraries, equipment needs, guest lists, correspondence with potential lecturers or entertainers and others involved in the event, seating charts, congratulatory letters, and regrets letters. Folder titles are consistent with those assigned by the director's office.They are organized chronologically by event, starting with records relating to the foreign medical graduates reception, held annually at the museum during the early 1960s. The records from the Golden Anniversary Year follow, with general information preceding folders on specific banquets and other special events. Records for the entertainment at the opening of the education (Breuer) wing are arranged in a similar fashion. At the end of the subseries is a folder of records, organized chronologically, for dinner parties and receptions for various exhibitions held between 1958 and 1983. | ||||
| Box | Folder | |||
Foreign Medical Graduates Reception 1961-1965 | 89 | 3 | ||
Golden Anniversary Year 1966-1967 | 89 | 4 | ||
Golden Anniversary Year - Cost Estimates and Expenses | 89 | 5 | ||
Golden Anniversary Year - Fiftieth Anniversary Banquet 1966 | 89 | 6 | ||
Golden Anniversary Year - Golden Anniversary Acquisitions Banquet 1966 | 89 | 7 | ||
Golden Anniversary Year - Music | 89 | 8 | ||
Golden Anniversary Year - Treasures from Medieval France Opening 1966 | 89 | 9 | ||
Laying the Corner Stone of the Education Wing 1969 | 89 | 10 | ||
Oriental Galleries Opening 1970 | 89 | 11 | ||
Oriental Galleries Opening - Congratulatory Letters | 89 | 12 | ||
Opening of the Education Wing 1971 | 89 | 13 | ||
Opening of the Education Wing - Guest Lists and Invitations | 89 | 14 | ||
Opening of the Education Wing - Congratulatory Letters | 90 | 1 | ||
Opening of the Education Wing - Gartner Auditorium Inaugural Concert | 90 | 2 | ||
Caravaggio and His Followers Dinner and Symposium 1971 | 90 | 3 | ||
Dinner Honoring Norbert Schimmel and John Cooney 1974 | 90 | 4 | ||
Dinner Parties 1959-1983 | 90 | 5 | ||
Gallery RenovationScope and Contents noteWith the addition of the wing designed by the architectural firm of Hayes & Ruth in 1958, the galleries at The Cleveland Museum of Art lost the natural symmetry provided by the original building as well as their chronological arrangement. The initial arrangement of art after the addition was not satisfactory to Sherman Lee, and he began to consider alternatives as early as the 1960s. The museum funded a trip by Paul C. Ruth (of Hayes & Ruth) to Europe where he explored gallery arrangements at famous museums. After returning Ruth reported his findings to museum staff and continued to work with the museum toward implementing changes in the gallery structure. By 1964, however, the museum staff felt pressure to plan for the Golden Anniversary and Lee and the trustees decided to table any action on gallery rearrangement until after 1966. By that time the need not only for gallery rearrangement but also for more space in general became apparent to Lee and the trustees. The focus shifted to designing a new wing for the museum along with a new auditorium. The former auditorium was renovated to provide gallery space for the Asian collection, which had grown exponentially under Lee's supervision as curator of Oriental art. The 1971 addition provided new special exhibition galleries, a necessity given the increasing importance of special exhibitions. During the building of the new wing the trustees and Lee were finally able to tackle the problem of gallery arrangement, deciding upon a chronological arrangement that would follow current thinking on the development of Western art. The sequence would begin with the art of Classical and Mediterranean civilizations and progress forward chronologically through early Christian art, Medieval, Renaissance, and so forth, until the present day. Art of the Americas, prior to Western influence, and Asian art would be shown separately. African and Pacific tribal art would be shown in relation to their impact on Western Art. The new arrangement would also combine work in different media into the same galleries, a fairly radical idea for the time. The process required the renovation and renumbering of nearly all of the galleries on the second floor of the museum. The museum described the gallery renovations as phases III-V of a five step renovation process that began with the creation of the Oriental galleries. Phase II consisted of the installation of an eighteenth-century French room from Rouen, with adjacent galleries. Phase III was the renovation of the east galleries of the 1958 building covering ancient, Islamic and Byzantine art. The west side of the 1958 building, which once held the Asian art collection, was renovated for nineteenth-century American and European art galleries in phase IV. The Medieval, Renaissance, Baroque, and Rococo galleries in the original 1916 building were renovated in phase V. The last three phases, the focus of these records, took place between 1972 and 1976 with money from grants from the National Endowment for the Arts and funds raised by the museum. Phases III-V were the heart of the renovation and reinstallation of the upper-level galleries. Maps detailing the renovation focus solely on the last three phases. Perhaps to make the renovation process seem part of a larger scheme, the project was described in five phases, though the inclusion of the renovation of the eighteenth-century French galleries as phase II appeared to have happened after the other phases had already been planned, indicated by hand-written renumbering of the phases in the records. The records begin with a description of the overall plan of the renovation, including some annotated maps detailing the locations of the renovations. The records include fund-raising letters, detailed cost analyses, descriptions of the work, and copies of contracts for phase III. Records relating to phase III make up the bulk of the material. There are no records relating specifically to phase II. All the records relating to the Oriental gallery renovation are located separately with the records of the 1971 building. | ||||
| Box | Folder | |||
Study - Paul C. Ruth 1963-1964 | 90 | 6 | ||
Description 1971-1974 | 90 | 7 | ||
Phase III 1972-1973 | 90 | 8 | ||
Phase III - Contracts | 90 | 9 | ||
Phase IV 1974-1975 | 90 | 10 | ||
Phase V 1975-1976 | 90 | 11 | ||
Library / Gallery AdditionScope and Contents noteSherman Lee guided the growth of the museum through the building of a new wing by Marcel Breuer that opened to the public in 1971. By 1978, however, it was apparent that the museum was in need of further expansion. The museum library, located above the galleries in the 1958 wing, had reached a space crisis of dire proportions. Built to hold approximately 80,000 volumes of books, the library had no room left to expand. Books were piled along the stack aisles and in the hallway, hampering reference service and reducing space for researchers. Though the 1971 addition added room for the department of art history and education and created new galleries for special exhibitions, it added little gallery space for the permanent collection. As modern art grew in size the museum staff found they had to keep too much of the collection in storage due to a lack of exhibition space. The conservation department, which had begun under Lee's direction and had steadily grown during his tenure, also was in need of better facilities. In 1979 the board of trustees authorized the Cleveland architectural firm of Dalton, van Dijk, Johnson & Partners to perform a feasibility study to determine if a new wing could be added to the museum. Architect Peter van Dijk designed an addition on the west side of building along the wall of the 1958 wing, nestled between the loading area of the 1971 wing and the west side of the original 1916 building. The addition had four levels: two levels for the library, one level for additional gallery space, and one level for equipment. The design would allow the renovation of the conservation department, which would move into the library's former location, providing contiguous workspace for painting and three-dimensional object conservation and space for the increasingly sophisticated machinery needed to perform conservation work. The trustees, however, were skeptical about adding another addition as the museum did not have sufficient funds to cover the full cost of constructing the wing and its accompanying ongoing operating expenses. Up to this point, the Cleveland Museum of Art had never conducted an extensive capital campaign. The extreme generosity of Leonard Hanna, Jr. helped fund both the 1958 and 1971 additions. Although the museum was still in a better financial situation than many other museums during that time period, some sort of fund raising action was necessary in order to be able to afford the new wing. Despite the trustees' reservations the museum entered into a contract in 1979 with Dalton, Van Dijk, Johnson & Partners for the preparation of schematics and specifications for the addition. To address the fund-raising issue the trustees appointed a development committee. The trustees and Sherman Lee argued about the propriety of building a new wing without all of funds in place and how much money was needed both to fund the construction and operating expenses. The museum had never before had a development department but by 1980 there was a general call for a development office not only to oversee the raising of money for this project, but also for future needs. Eventually the trustees agreed that approximately six million dollars would be needed to fund the construction of the new wing and to create an endowment to cover the additional operating expenses. In 1981 the museum hired the firm of Brakely, John Price Jones, Inc. to perform a capital campaign feasibility study. The firm interviewed community leaders to gather opinions about the best way to run the campaign and presented the trustees with a report in May 1982. Nevertheless, with the creation of the new department of development and membership, headed by James Szubski, the development committee recommended that the museum not create a highly visible public campaign and instead rely on money from the general reserve, grant money, and money raised through smaller campaign efforts. Ultimately, part of the funding came from a $500,000 challenge grant awarded by the National Endowment for the Arts which required the museum to raise $3.50 in new money (e.g. excluding membership dues) for every one dollar of the grant. Another portion came from a grant from the Kresge Foundation that also had matching requirements. In the end, the $6.7 million campaign for the building resembled an all-out public campaign. By mid-1982 Lee and the trustees decided to go ahead with the building plans and selected R. P. Carbone as the contractor for construction. The company broke ground on August 19, 1982. Complicating the capital campaign the head of development and membership, James Szubski, abruptly resigned in January 1983, after having worked for the museum for less than a year. The museum hired consultants Charles L. Feldstein & Co. to manage the capital campaign after Szubski's departure. Sherman Lee retired on June 30, 1983 in the midst of construction, so it was the next director, Evan Hopkins Turner, who presided over new wing's dedication and opening to the public. On January 30, 1984 the museum library was dedicated as the Ingalls library, honoring former trustees Jane Taft Ingalls and Louise Harkness Ingalls, and the gifts of many members of the Ingalls family, especially David and Frances Ingalls. The library nearly tripled its stack space to 21,000 square feet. The basement level of the wing was devoted to stack space and storage, with the first floor containing the reference area and offices for the library, photograph library, and slide library. The museum held a gala opening for the galleries above the library on February 7, 1984. The new wing provided additional space for nineteenth- and twentieth-century art in nine galleries above the library, allowing more of the museum's artwork to be displayed. Renovation of the former library for the conservation department continued during 1984. The department moved into its new quarters in 1985. The records in this series are organized into three subseries: Fund-Raising, Architect's Records, and Miscellaneous. Fund-raising records begin with the capital campaign feasibility study performed by Brakely, John Price Jones, Inc., including the final report. Records relating to the capital campaign conducted by the development and membership department follow and include information on donors, pledges, expenses, and brochures for the capital campaign. Sample solicitation letters and lists to which they were sent are contained in a separate folder. There is also a small amount of material relating to the company Charles L. Feldstein & Co. which took over management of the capital campaign in 1983. The architect's records are from the firm of Dalton, van Dijk, Johnson & Partners. The subseries begins with records relating to the initial feasibility study that recommended a new wing. Floor plans of the proposed addition and photographs of the architect's model follow. Contracts, invoices, job management meetings, building specifications, and change orders are included in this subseries. The final subseries of miscellaneous records contains the conservation department's requirements for renovating the space formerly occupied by the library, the approval papers from the Cleveland City Planning Commission, and photographs of Sherman and Ruth Lee in front of the new wing construction. | Box | Folder | ||
Fund-Raising | ||||
| Box | Folder | |||
Brakely, John Price Jones, Inc. Capital Campaign Feasibility Study 1980-1983 | 91 | 9 | ||
Capital Campaign 1980-1983 | 91 | 10 | ||
Solicitation Letters 1979-1983 | 91 | 11 | ||
Charles R. Feldstein & Company 1983 | 92 | 1 | ||
Architect's Records | ||||
| Box | Folder | |||
Dalton, van Dijk, Johnson & Partners. Building Feasibility Study 1979-1982 | 92 | 2 | ||
Dalton, van Dijk, Johnson & Partners. Floor plans and Architect's Model | 92 | 3 | ||
Dalton, van Dijk, Johnson & Partners. Contract Administration Procedures & Forms | 92 | 4 | ||
Dalton, van Dijk, Johnson & Partners. Contract and Certificates for Payment 1980-1983 | 92 | 5 | ||
Dalton, van Dijk, Johnson & Partners. Invoices 1979-1983 | 92 | 6 | ||
Dalton, van Dijk, Johnson & Partners. Job Management Meetings 1982-1983 | 92 | 7 | ||
Dalton, van Dijk, Johnson & Partners. Specifications, Parts A-C, Divisions 1-2 | 92 | 8 | ||
Dalton, van Dijk, Johnson & Partners. Specifications, Divisions 3-10 | 92 | 9 | ||
Dalton, van Dijk, Johnson & Partners. Specifications, Divisions 11-16 | 92 | 10 | ||
Dalton, van Dijk, Johnson & Partners. Change Orders 1982-1983 | 92 | 11 | ||
Miscellaneous | ||||
| Box | Folder | |||
Architectural Program for the Renovation of the Library. Conservation Department, Feb. 4 1980 | 92 | 12 | ||
Cleveland Museum of Art Architecture Program. Renovation of the Present Library, June 1980 | 92 | 13 | ||
Cleveland City Planning Commission Approval 1981-1982 | 92 | 14 | ||
Photographs | 92 | 15 | ||
Case Western Reserve UniversityScope and Contents noteTwo educational institutions that resided on University Circle along with the Cleveland Museum of Art were Western Reserve University, founded in 1826, and Case Institute of Technology, founded in 1880. The two merged to form Case Western Reserve University in 1967. Prior to their merger, the museum had an informal relationship with the art history Department of Western Reserve University, providing students and faculty with the use of museum resources when asked. With the merger of the two universities imminent, a study commission was formed to strengthen the bonds between the newly formed CWRU and the museum. Sherman Lee and professor Harvey Buchanan of CWRU met in 1966 and 1967 to work out the terms of a partnership between the museum and the university for the purpose of educating students in art history and museum studies. The joint program in art history began in the fall of 1967. Curators of the Cleveland Museum of Art (Sherman Lee included) served as adjunct faculty of CWRU, teaching courses to both undergraduate and graduate students. The university also employed approximately five full-time professors of art history. Courses were taught at the Cleveland Museum of Art. Students used the museum's library for their studies. The joint program evolved to offer students several advanced degree options: a Master of Arts in Art History; a double master's program between art history and library science; a Master of Science in Art Education; a Doctor of Philosophy in Art History; and a Doctor of Philosophy in Art Museum Studies. Although some of the degree programs were eliminated, as of 2001 the joint program still offered both the graduate degree programs in art history (M.A. and Ph.D.), and art history and museum studies (M.A. and Ph.D.). CWRU also began offering an Asian Civilization major to undergraduates in the spring of 1973. A committee at CWRU, of which Sherman Lee was a member, fought for the creation of this undergraduate major. The courses created for the major were also taken by PhD students studying Asian art. Professor Morris Rossabi became the program's coordinator. Sherman Lee served as an advisor, and curator Wai-Kam Ho taught some of the courses. The program fell on hard times in 1976 when the university cut part of its budget due to too small of an enrollment, but it was able to weather this setback, and existed as of 2001. This series contains records documenting Case Western University's involvement with the museum and with Sherman Lee. The records begin with general correspondence between Lee and the university, organized chronologically. Topics cover the formation of the university, reports on its academic status, changes in its program, and other curriculum-related issues. Lee was very interested in the well-being of the university due the CMA-CWRU joint program and the university's importance to the University Circle area. Other topics include faculty searches, special programs, and research questions relating to artwork. Correspondence with specific faculty members follows the general correspondence. The next portion of this series documents the formation and administration of various academic programs at CWRU. There is a small amount of information about the Asian Civilization (later called Asian Studies) program and History and Museum Studies program. Most of the records relate to the joint program in art history. These begin with reports from the study commission and the agreement set forth by Harvey Buchanon and Sherman Lee. They are then divided into folders by function: general correspondence; rules and guidelines; evaluation; grants, foundations, and fellowships; staff; exams; and students. The joint program was constantly examined and revised. The tension between the university's and the museum's wants and needs is evident in the documents. Correspondence, memoranda, reports and other documents are from the faculty, trustees, and students of CWRU. Some of the records are addressed directly to Lee; others are documents sent to all parties with an interest in the joint program. There is also a small amount of interdepartmental correspondence between Lee and other museum staff, particularly Gabriel Weisberg, who was curator of art history and education from 1972-1980. This section ends with folders for individual students Sherman Lee taught directly and includes correspondence on program-related issues and numerous requests for recommendations. The series ends with correspondence between the museum and the Press of Case Western University, the university press in charge of publishing CMA's imprint from 1967 to 1975. Prior to 1967 it was the Press of Western Reserve University. Correspondence includes sales figures. The university eliminated the press in 1973; the records end with an article from 1975 reflecting on the end of the press. | ||||
| Box | Folder | |||
Case Institute of Technology 1960-1969 | 93 | 1 | ||
Western Reserve University 1958-1966 | 93 | 2 | ||
Case Western Reserve University. General Correspondence 1967-1968 | 93 | 3 | ||
Case Western Reserve University. General Correspondence 1969-1977 | 93 | 4 | ||
Case Western Reserve University. General Correspondence 1978-1983 | 93 | 5 | ||
Case Western Reserve University. Staff. Gibson, Walter S. 1969-1971 | 93 | 6 | ||
Case Western Reserve University. Staff. Rossabi, Morris 1970-1982 | 93 | 7 | ||
Case Western Reserve University. Asian Studies Program 1970-1974 | 94 | 1 | ||
Case Western Reserve University. Asian Studies Program 1975-1981 | 94 | 2 | ||
Case Western Reserve University. History and Museum Studies Program 1973-1974 | 94 | 3 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Study Commission 1966-1968 | 94 | 4 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Correspondence 1968-1980 | 94 | 5 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Rules and Guidelines 1969-1983 | 94 | 6 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Art Museum Studies Program 1970-1978 | 95 | 1 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Evaluation of Program 1974-1975 | 95 | 2 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Grants, Foundations, and Fellowships 1967-1981 | 95 | 3 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Mellon Post-Doctoral Fellowship in Oriental Art 1976-1977 | 95 | 4 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Mellon Foundation Grant 1978-1979 | 95 | 5 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Samuel H. Kress Foundation Grants 1970-1980 | 95 | 6 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Adjunct Staff Appointments 1967-1982 | 95 | 7 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Staff Appointments and Recommendations. Heckscher, William 1963-1974 | 95 | 8 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Staff Appointments and Recommendations | 95 | 9 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Masters Comprehensive Exam 1971-1975 | 95 | 10 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Doctoral Exam 1973-1975 | 95 | 11 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Student Roster 1972-1978 | 95 | 12 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Miscellaneous Students | 95 | 13 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Students. Bills, Sheila C. 1972-1983 | 96 | 1 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Students. Bliss, Joseph 1981-1983 | 96 | 2 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Students. Carter, Martha L. 1961-1974 | 96 | 3 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Students. Choi, Suing Kew 1981-1982 | 96 | 4 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Students. Devapriam, Emma 1969-1982 | 96 | 5 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Students. Donaldson, Thomas E. 1969-1977 | 96 | 6 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Students. Feinstein, Deborah Wise 1973-1975 | 96 | 7 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Students. Ishida, Hou-Mei 1977-1983 | 96 | 8 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Students. Karger, Mary 1974-1982 | 96 | 9 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Students. Kleinhenz, Henry 1973-1982 | 96 | 10 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Students. Leach, Linda 1974-1983 | 96 | 11 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Students. May, Marion 1974 | 96 | 12 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Students. Swope, Sally 1975-1983 | 96 | 13 | ||
Case Western Reserve University - Cleveland Museum of Art Joint Program in Art History. Students. Vlak, James T. 1982 | 96 | 14 | ||
Press of Case Western Reserve University 1967-1975 | 96 | 15 | ||
Press of Western Reserve University 1964-1966 | 96 | 16 | ||
National Arts OrganizationsScope and Contents noteSherman Lee served in numerous national arts organizations and was an active member on many of their governing bodies. Included in this series are the records relating to the American Arts Alliance, the American Association of Museums, the American Federation of Arts, the Asia Society, the Association of Art Museum Directors, the College Art Association, the Council on Museum Education in the Visual Arts, CULCON (United States - Japan Conference on Cultural and Educational Interchange), the International Council of Museums, JDR 3rd Fund, the Museum Presidents Council, the National Foundation for the Arts and Humanities, and the Ohio Arts Council. The American Arts Alliance was a lobbying organization dedicated to supporting the visual arts. Sherman Lee was appointed to its board of directors in 1977, serving until 1983. He also was the board's chair from April 1979 through April 1982. The American Association of Museums, a professional association for all types of museums, was the largest organization to which Sherman Lee belonged. Lee participated in the annual meetings and served on a variety of committees of AAM while director of the Cleveland Museum of Art, including the committee on the revision of the constitution and bylaws, 1958-1959, the finance committee, 1958-1959, the membership committee, 1980-1981, and the International Council of Museums committee from its founding in 1973 to 1977. Additionally, he served as councilor-at-large from 1978-1981 and contributed to the AAM's legislative program which created its first Legislative Service Notebook in 1981. Lee was also a member of the board of trustees for the American Federation of Arts, a national organization which provided traveling art exhibition service; published art books; and sponsored film festivals and educational programs. He served from 1959 to 1977, although he was not very active and rarely attended meetings. An important Asian art organization, the Asia Society was founded by John D. Rockefeller III in 1957. Lee, who additionally served as Rockefeller's advisor for his personal Asian art collection, was offered membership to the society in 1958. He quickly became involved in organizing exhibitions at the Asia Society's gallery in New York City. He served on the committee overseeing the opening exhibition in 1960, Thirty Masterpieces of Asian Art from American Collections, and contributed to many subsequent exhibitions. He participated on various committees and served as a trustee from 1979-1983. Lee was perhaps most active with the Association of Art Museum Directors (AAMD). He served on numerous committees but devoted most of his energies to the legislative committee, (also called the government and art committee) on which he served on from 1973-1978, chairing from 1975-1978. Lee worked on promoting tax legislation that was favorable to museums and other charitable institutions. The committee, with the aid of other AAMD committees, lobbied for legislation that would enable the United States to follow the recommendations set forth by Unesco to curb the illicit export, import, and transfer of ownership of cultural property. He testified in 1977 and 1978 as the AAMD representative before committees of the House of Representatives and the Senate, regarding H.R. 5643, a bill to support the UNESCO recommendations. The bill was not successful. Lee resigned as chair of the government and art committee (the successor to the legislative committee) in 1978. His involvement in AAMD decreased dramatically after 1979 although he continued to serve on other committees. A more scholarly association to which Sherman Lee belonged was the College Art Association which promoted and disseminated scholarly art research through conferences and publications. Lee served a term on the board of directors from 1974 to January 1978. He also chaired the museum committee of the CAA from 1973-1976. Lee reduced his activity in the CAA after 1978. The Council on Museum Education in the Visual Arts (COMEVA) existed from 1972-1978 to study educational methods and programs in museums around the country and publish their results for the museum and education community. Sherman Lee chaired the council and Adele Silver, manager of public information at CMA, served as deputy director of the project. The reports were edited by COMEVA members and brought together in a large monograph, The Art Museum as Educator, published by the University of California Press in 1978. The United States - Japan Conference on Cultural and Education Interchange, known as CULCON, was founded by an agreement between Prime Minister Hayoto Ikeda and President John F. Kennedy in 1961 to foster the growth and exchange of cultural resources between the two countries. Sherman Lee began serving on the subcommittee on museum interchange (later the subcommittee on museum exchange) in 1973. He helped organize an exhibition held in honor of the United State's bicentennial, Masterpieces of World Art from American Collections: From Ancient Egyptian to Contemporary Art, for which the Japanese government named him a member of the Order of Sacred Treasure. Another international organization in which Lee was a member was the International Council of Museums. He occasionally attended the international meetings and was a member of US-ICOM committee. The US-ICOM Committee merged with AAM's Committee for ICOM to form AAM/ICOM. John D. Rockefeller III's interest in Asian art and culture, already evident by the founding of the Asia Society, continued with the formation of the Asian Cultural Program as a branch of the JDR 3rd Fund. Rockefeller asked Sherman Lee to join the board of trustees in 1965, a role in which Lee served from 1966 through the fund's dissolution in 1979. Lee's primary interest was with the Asian Cultural Program, although the records also include information on the Youth Program, education programs in the arts, and other projects. The Museum President's Conference was a group of select museum presidents, directors, and financial administrators who met on a yearly basis beginning in 1970 as a way to exchange strategic and financial information. Sherman Lee, the president of the CMA board of trustees (first Lewis Williams and later James Dempsey) and the operations administrator, Albert Grossman attended the meetings. Lee was active with governmental arts organizations, both at the national and state level. With the passage of the National Foundation on the Arts and Humanities Act in 1965, two individual federal endowments were created: the National Endowment for the Arts and the National Endowment for the Humanities. Sherman Lee served on the National Humanities Council, an advisory committee for the National Endowment for the Humanities, from 1969-1975, serving his last two years as vice-chair of the council. His art expertise was called upon by both organizations to evaluate grant proposals and programs. Records documenting the formation of the National Foundation on the Arts and Humanities are located in series six, Governmental and Legislative Records, in order to maintain the original order of the records. The Ohio Arts Council was created in 1965 to provide state money for the arts. Sherman Lee served two consecutive terms as a member of the council, from 1965-1973. The records in this series are organized alphabetically by organization. Within each organization, the records may be strictly chronological, or may be further divided by subject matter. For example, many of the records are organized chronologically by meeting, followed by records relating to specific committees. Although Lee was a member of many of the organizations during the first half of his directorship, he was most active as a committee member and governing representative between 1970 and 1980, so most of the records are from that time period. The records include meeting minutes, agendas, correspondence, working papers, membership lists, and occasional publications or newsletters of the organizations. Lee's work as a lobbiest on behalf of other organizations is documented under the organization's name in this series, but Lee's work as a lobbiest on behalf of the Cleveland Museum of Art is located in series six, Government and Legislative Records, maintaining the original order of the records. Some records of particular note bear mentioning here. The Cleveland Museum of Art's accreditation by the American Association of Museums in 1973 is included in this series. The records from the Association of Art Museum Directors document all of Sherman Lee's work on the legislative subcommittee and his work relating to the UNESCO resolution. Because materials relating to the UNESCO resolutions regarding the traffic of cultural property fall under so many different committees and subcommittees, that material was brought together as a subject file under AAMD. The records contain bills, correspondence, articles regarding traffic in cultural property, and testimony before House and Senate Committees. Documentation regarding exhibitions that Sherman Lee organized for the Asia Society and for CULCON is found under their respective organizations. | ||||
| Box | Folder | |||
American Arts Alliance. Board of Trustees Organizational Meeting, April 27 1977 | 97 | 1 | ||
American Arts Alliance. Board of Directors Meeting, March 17-18 1979 | 97 | 2 | ||
American Arts Alliance. Board of Directors Meeting, May 14 1979 | 97 | 3 | ||
American Arts Alliance. Board of Directors Meeting, Feb. 19-20 1980 | 97 | 4 | ||
American Arts Alliance. Board of Directors Meeting, May 12 1980 | 97 | 5 | ||
American Arts Alliance. Board of Directors Meeting, Oct. 20 1980 | 97 | 6 | ||
American Arts Alliance. Board of Directors Meeting, Dec. 12 1980 | 97 | 7 | ||
American Arts Alliance. Board of Directors Meeting, Feb. 23 1981 | 97 | 8 | ||
American Arts Alliance. Board of Directors Meeting, April 26-28 1981 | 97 | 9 | ||
American Arts Alliance. Board of Directors Meeting, Nov. 4-5 1981 | 97 | 10 | ||
American Arts Alliance. Board of Directors Meeting, April 24-26 1982 | 97 | 11 | ||
American Arts Alliance. Executive Committee Meeting, Sept. 17 1979 | 98 | 1 | ||
American Arts Alliance. Executive Committee Meeting, Oct. 18 1979 | 98 | 2 | ||
American Arts Alliance. Executive Committee Meeting, Dec. 8 1979 | 98 | 3 | ||
American Arts Alliance. Executive Committee Meeting, Aug. 7 1980 | 98 | 4 | ||
American Arts Alliance. Executive Committee Meeting, Jan. 27 1982 | 98 | 5 | ||
American Arts Alliance. Executive Committee Meeting, March 13 1982 | 98 | 6 | ||
American Arts Alliance. General Correspondence 1977 - June; 1979 | 98 | 7 | ||
American Arts Alliance. General Correspondence, July - Dec. 1979 | 98 | 8 | ||
American Arts Alliance. General Correspondence 1980 | 98 | 9 | ||
American Arts Alliance. General Correspondence 1981 | 98 | 10 | ||
American Arts Alliance. General Correspondence 1982-1983 | 99 | 1 | ||
American Arts Alliance. Appropriations Subcommitee 1979 | 99 | 2 | ||
American Arts Alliance. By-laws and History, Goals and Objectives 1979-1980 | 99 | 3 | ||
American Arts Alliance. Board of Directors Roster, Aug. 22 1980 | 99 | 4 | ||
American Arts Alliance. Board of Directors Notebook 1981 | 99 | 5 | ||
American Arts Alliance. Task Force on the Arts and Humanities 1981 | 99 | 6 | ||
American Arts Alliance. Task Force on the Arts and Humanities, Staff Reports [Folder 1] 1980-1981 | 99 | 7 | ||
American Arts Alliance. Task Force on the Arts and Humanities, Staff Reports [Folder 2] 1980-1981 | 99 | 8 | ||
American Arts Alliance. Proposed Budget Cuts 1981-1983 | 99 | 9 | ||
American Association of Museums. Aspen Conference 1967 | 100 | 1 | ||
American Association of Museums. Belmont Conference 1968 | 100 | 2 | ||
American Association of Museums. Annual Meeting, June 1-5 1971 | 100 | 3 | ||
American Association of Museums. Aspen Conference, Sept. 23-25 1973 | 100 | 4 | ||
American Association of Museums. Annual Meeting, June 2-6 1974 | 100 | 5 | ||
American Association of Museums. Annual Meeting, May 30 - June 3 1976 | 100 | 6 | ||
American Association of Museums. Annual Meeting, May 29 - June 2 1977 | 100 | 7 | ||
American Association of Museums. Annual Meeting, May 27-31 1978 | 100 | 8 | ||
American Association of Museums. Council Meeting, Jan. 18-19 1979 | 100 | 9 | ||
American Association of Museums. Council Meeting, June 2 1979 | 100 | 10 | ||
American Association of Museums. Annual Meeting, Planning Committee, June 3-7 1979 | 100 | 11 | ||
American Association of Museums. Annual Meeting, June 3-7 1979 | 101 | 1 | ||
American Association of Museums. Museum Trustees Committee Meeting, Oct. 11-13 1979 | 101 | 2 | ||
American Association of Museums. Council Meeting, Jan. 24-25 1980 | 101 | 3 | ||
American Association of Museums. Council Meeting, June 7 1980 | 101 | 4 | ||
American Association of Museums. AAM/Canadian Museum Association Joint Annual Meeting, June 8-12 1980 | 101 | 5 | ||
American Association of Museums. Council Meeting, Jan.23-24 1981 | 101 | 6 | ||
American Association of Museums. Council Meeting, June 6 1981 | 101 | 7 | ||
American Association of Museums. Annual Meeting, June 7-11 1981 | 101 | 8 | ||
American Association of Museums. Annual Meeting, June 20-24 1982 | 101 | 9 | ||
American Association of Museums. General Correspondence 1958-1959 | 101 | 10 | ||
American Association of Museums. General Correspondence 1961-1964 | 102 | 1 | ||
American Association of Museums. General Correspondence 1965-1972 | 102 | 2 | ||
American Association of Museums. General Correspondence 1973-1980 | 102 | 3 | ||
American Association of Museums. General Correspondence 1981-1982 | 102 | 4 | ||
American Association of Museums. General Correspondence 1983 | 102 | 5 | ||
American Association of Museums. History 1905-1971 | 102 | 6 | ||
American Association of Museums. Constitution and Bylaws 1952-1977 | 102 | 7 | ||
American Association of Museums. Legislation in Congress 1961-1965 | 102 | 8 | ||
American Association of Museums. National Museum Act 1965 | 102 | 9 | ||
American Association of Museums. Foreign Museum Professionals Visit, May 1966 | 102 | 10 | ||
American Association of Museums."The Conditions and Needs of Americs's Museums," - Report for the Federal Council for the Arts and Humanities 1968 | 102 | 11 | ||
American Association of Museums. Nominating Committee 1969 | 103 | 1 | ||
American Association of Museums. Accreditation of CMA 1973 | 103 | 2 | ||
American Association of Museums. Museum Services Act 1973 | 103 | 3 | ||
American Association of Museums. Ethics Committee 1974-1975 | 103 | 4 | ||
American Association of Museums. Institute for Museum Services (Museum Services Act) 1976-1977 | 103 | 5 | ||
American Association of Museums. Museum Studies Committee 1979 | 103 | 6 | ||
American Association of Museums. Member List 1979-1980 | 103 | 7 | ||
American Association of Museums. Museum Studies Committee 1980 | 103 | 8 | ||
American Association of Museums. Membership Committee 1981 | 103 | 9 | ||
American Association of Museums. Small Museums Committee 1981 | 103 | 10 | ||
American Association of Museums. Legislative Service Correspondence 1980-1982 | 103 | 11 | ||
American Association of Museums. Legislative Service Notebook 1981 | 103 | 12 | ||
American Association of Museums/International Council of Museums Committee. Correspondence 1972-1979 | 103 | 13 | ||
American Association of Museums / International Council of Museums Committee. Meeting, April 17 -"International Traffic in Cultural Property" 1973 | 103 | 14 | ||
American Association of Museums / International Council of Museums Committee. Meeting, Oct. 19 1973 | 103 | 15 | ||
American Association of Museums / International Council of Museums Committee. Mid-Winter Meeting, Jan. 27 1974 | 103 | 16 | ||
American Association of Museums / International Council of Museums Committee. Annual Meeting, June 4 1974 | 103 | 17 | ||
American Association of Museums / International Council of Museums Committee. Meeting, Dec. 10 -"International Traffic in Cultural Property" 1974 | 104 | 1 | ||
American Association of Museums / International Council of Museums Committee. Mid-Winter Meeting, Jan. 19 1975 | 104 | 2 | ||
American Association of Museums / International Council of Museums Committee. Annual Meeting, June 23 1975 | 104 | 3 | ||
American Association of Museums / International Council of Museums Committee. Mid-Winter Meeting, Jan 9 1976 | 104 | 4 | ||
American Association of Museums / International Council of Museums Committee. Annual Meeting, June 2-3 1976 | 104 | 5 | ||
American Association of Museums / International Council of Museums Committee. Mid-Winter Meeting, Jan. 13 1977 | 104 | 6 | ||
American Association of Museums / International Council of Museums Committee. Annual Meeting, June 1-2 1977 | 104 | 7 | ||
American Association of Museums / International Council of Museums Committee. Bylaws 1978 | 104 | 8 | ||
American Federation of Arts. Correspondence 1958-1965 | 104 | 9 | ||
American Federation of Arts. Board of Trustees 1958-1971 | 104 | 10 | ||
American Federation of Arts. Report of the Ad-Hoc Policy Review Committee 1973 | 104 | 11 | ||
American Federation of Arts. Executive Committee Meeting Minutes 1973-1975 | 104 | 12 | ||
American Federation of Arts. Executive Committee Meeting Minutes 1976-1977 | 104 | 13 | ||
American Federation of Arts. Correspondence 1978-1983 | 104 | 14 | ||
Asia Society. General Correspondence 1958-1968 | 105 | 1 | ||
Asia Society. General Correspondence 1969-1978 | 105 | 2 | ||
Asia Society. General Correspondence 1979-1980 | 105 | 3 | ||
Asia Society. General Correspondence 1981-1983 | 105 | 4 | ||
Asia Society. Indian Miniatures Exhibition 1960 | 105 | 5 | ||
Asia Society. Tea Taste in Japanese Art [Exhibition] 1963 | 105 | 6 | ||
Asia Society. Ancient Cambodian Sculpture [Exhibition] 1969 | 105 | 7 | ||
Asia Society. The Asians (WBGH) 1980 | 106 | 1 | ||
Asia Society. Board of Trustees Meetings 1979 | 106 | 2 | ||
Asia Society. Board of Trustees Meeting, Jan. 17 1980 | 106 | 3 | ||
Asia Society. Board of Trustees Meeting, May 13 1980 | 106 | 4 | ||
Asia Society. Board of Trustees Meeting, Oct. 9 1980 | 106 | 5 | ||
Asia Society. Board of Trustees Meeting, Jan. 14 1981 | 106 | 6 | ||
Asia Society. Board of Trustees New Building Inauguration, April 13 1981 | 106 | 7 | ||
Asia Society. Board of Trustees Meeting, May 14 1981 | 106 | 8 | ||
Asia Society. Board of Trustees Meeting, Oct. 1 1981 | 106 | 9 | ||
Asia Society. Board of Trustees Meeting, Aug. 10 1981 | 106 | 10 | ||
Asia Society. Board of Trustees Meeting, Jan. 14 1982 | 106 | 11 | ||
Asia Society. Board of Trustees Meeting, May 20 1982 | 106 | 12 | ||
Asia Society. Board of Trustees Meeting, Sept. 9 1982 | 106 | 13 | ||
Asia Society. Board of Trustees Meeting, Dec. 9 1982 | 106 | 14 | ||
Asia Society. Board of Trustees Meeting, March 10 1983 | 107 | 1 | ||
Asia Society. China Council 1978-1981 | 107 | 2 | ||
Asia Society. Committee on Monuments and Fine Arts in Southeast Asia 1971-1978 | 107 | 3 | ||
Asia Society. Executive Committee Meeting Minutes 1979 | 107 | 4 | ||
Asia Society. Executive Committee Meeting Minutes 1980 | 107 | 5 | ||
Asia Society. Executive Committee Meeting Minutes 1981 | 107 | 6 | ||
Asia Society. Exhibition Advisory Committee Report 1983 | 107 | 7 | ||
Asia Society. Gallery Advisory Committee 1976-1983 | 107 | 8 | ||
Asia Society. Members and Organization 1981-1982 | 107 | 9 | ||
Association of Art Museum Directors. Meeting, Jan. 28 1969 | 107 | 10 | ||
Association of Art Museum Directors. Meeting, May 30 - June 2 1969 | 107 | 11 | ||
Association of Art Museum Directors. Meeting, Jan. 27 1970 | 107 | 12 | ||
Association of Art Museum Directors. Meeting, May 28-31 1970 | 107 | 13 | ||
Association of Art Museum Directors. Meeting, Jan. 27 1971 | 107 | 14 | ||
Association of Art Museum Directors. Meeting, May 31 - June 1 1971 | 107 | 15 | ||
Association of Art Museum Directors. Meeting, Jan. 26 1972 | 107 | 16 | ||
Association of Art Museum Directors. Meeting, June 14-16 1972 | 108 | 1 | ||
Association of Art Museum Directors. Meeting, Jan. 22 1973 | 108 | 2 | ||
Association of Art Museum Directors. Meeting, June 8-10 1973 | 108 | 3 | ||
Association of Art Museum Directors. Meeting, Jan. 22 1974 | 108 | 4 | ||
Association of Art Museum Directors. Meeting, May 31 - June 2 1974 | 108 | 5 | ||
Association of Art Museum Directors. Meeting, Jan. 20-21 1975 | 108 | 6 | ||
Association of Art Museum Directors. Meeting, May 23-25 1975 | 108 | 7 | ||
Association of Art Museum Directors. Meeting, Jan. 31 - Feb. 1 1976 | 108 | 8 | ||
Association of Art Museum Directors. Meeting, May 28-30 1976 | 108 | 9 | ||
Association of Art Museum Directors. Meeting, Feb. 7-8 1977 | 108 | 10 | ||
Association of Art Museum Directors. Meeting, May 26-28 1977 | 108 | 11 | ||
Association of Art Museum Directors. Meeting, Jan. 23-24 1978 | 108 | 12 | ||
Association of Art Museum Directors. Meeting, May 24-26 1978 | 108 | 13 | ||
Association of Art Museum Directors. Meeting, Jan. 29-30 1979 | 109 | 1 | ||
Association of Art Museum Directors. Meeting, May 30 - June 1 1979 | 109 | 2 | ||
Association of Art Museum Directors. Meeting, Jan. 29-30 1980 | 109 | 3 | ||
Association of Art Museum Directors. Meeting, June 4-6 1980 | 109 | 4 | ||
Association of Art Museum Directors. Meeting, Jan. 19-20 1981 | 109 | 5 | ||
Association of Art Museum Directors. Meeting, June 3-5 1981 | 109 | 6 | ||
Association of Art Museum Directors. Meeting, Jan. 24-26 1982 | 109 | 7 | ||
Association of Art Museum Directors. Meeting, June 17-19 1982 | 109 | 8 | ||
Association of Art Museum Directors. Meeting, Jan. 24-25 1983 | 109 | 9 | ||
Association of Art Museum Directors. Meeting, June 2-4 1983 | 109 | 10 | ||
Association of Art Museum Directors. General Correspondence 1965-1966 | 109 | 11 | ||
Association of Art Museum Directors. General Correspondence 1970-1975 | 109 | 12 | ||
Association of Art Museum Directors. General Correspondence 1976-1982 | 109 | 13 | ||
Association of Art Museum Directors. Ethics Committee 1966-1971 | 109 | 14 | ||
Association of Art Museum Directors. Ethics and Standards Committee 1972 | 109 | 15 | ||
Association of Art Museum Directors. Ethics and Standards Committee 1973 | 109 | 16 | ||
Association of Art Museum Directors. Ethics and Standards Committee 1978-1981 | 109 | 17 | ||
Association of Art Museum Directors. Government and the Art Museum Committee 1965-1966 | 110 | 1 | ||
Association of Art Museum Directors. Government and Art Committee 1978-1979 | 110 | 2 | ||
Association of Art Museum Directors. Government and Art Committee 1979 | 110 | 3 | ||
Association of Art Museum Directors. Legislative Committee 1974-1976 | 110 | 4 | ||
Association of Art Museum Directors. Legislative Committee, Tax Reform Subcommittee 1965-1973 | 110 | 5 | ||
Association of Art Museum Directors. Legislative Committee, Tax Reform Subcommittee 1974-1975 | 110 | 6 | ||
Association of Art Museum Directors. Legislative Committee, Tax Reform Subcommittee 1976 | 110 | 7 | ||
Association of Art Museum Directors. Legislative Committee, Tax Reform Subcommittee, Jan. - June 1977 | 110 | 8 | ||
Association of Art Museum Directors. Legislative Committee, Tax Reform Subcommittee, July - Dec. 1977 | 110 | 9 | ||
Association of Art Museum Directors. Legislative Committee, Tax Reform Subcommittee 1978-1979 | 110 | 10 | ||
Association of Art Museum Directors. Legislative Committee, Correspondence re: Visual Arts Act of 1977 | 111 | 1 | ||
Association of Art Museum Directors. Membership Committee 1966-1968 | 111 | 2 | ||
Association of Art Museum Directors. Membership Committee 1970 | 111 | 3 | ||
Association of Art Museum Directors. Membership Committee 1972 | 111 | 4 | ||
Association of Art Museum Directors. Nominating Committee 1970 | 111 | 5 | ||
Association of Art Museum Directors. Nominating Committee 1971-1972 | 111 | 6 | ||
Association of Art Museum Directors. Nominating Committee 1981-1982 | 111 | 7 | ||
Association of Art Museum Directors. Professional Practices Committee 1969 | 111 | 8 | ||
Association of Art Museum Directors. Professional Practices Committee 1970-1972 | 111 | 9 | ||
Association of Art Museum Directors. Professional Practices Committee 1975 | 111 | 10 | ||
Association of Art Museum Directors. Works of Art Committee 1982 | 111 | 11 | ||
Association of Art Museum Directors. Accounting Principles for Non-profit Organizations | 111 | 12 | ||
Association of Art Museum Directors. Attorney General's Conference Of Museum Representatives, Oct. 19 1973 | 111 | 13 | ||
Association of Art Museum Directors. Bicentennial Exhibition Plans 1973-1974 | 111 | 14 | ||
Association of Art Museum Directors. Director's Severance 1974-1975 | 111 | 15 | ||
Association of Art Museum Directors. Education at the Art Museum Conference 1971-1972 | 111 | 16 | ||
Association of Art Museum Directors. Correspondence re: Educators and Professional Associations 1972 | 111 | 17 | ||
Association of Art Museum Directors. Museum Insurance Survey 1975 | 112 | 1 | ||
Association of Art Museum Directors. Photocopy Reproductions Fees [Representing the College Art Association] 1971-1975 | 112 | 2 | ||
Association of Art Museum Directors. Standards in Collections | 112 | 3 | ||
Association of Art Museum Directors. Unesco Reports on the Illicit Export, Import and Transfer of Ownership of Cultural Property 1965-1976 | 112 | 4 | ||
Association of Art Museum Directors. U.S. Legislation to Implement Unesco Recommendations | 112 | 5 | ||
Association of Art Museum Directors. Testimony Before the Subcommittee on Trade, House Ways and Means Committee, re: H.R. 5643, April 26 1977 | 112 | 6 | ||
Association of Art Museum Directors. Testimony Before the Subcommittee on International Trade, Senate Finance Committee, re: S. 2261 (H.R. 5643), Feb. 8 1978 | 112 | 7 | ||
Association of Art Museum Directors. Canadian Legislation to Implement Unesco Recommendations | 112 | 8 | ||
Association of Art Museum Directors. Articles re: Illicit Export, Import, and Transfer of Ownership of Cultural Property 1970-1983 | 112 | 9 | ||
Association of Art Museum Directors. Committee Reporting on Illicit Export, Import and Transfer of Ownership of Cultural Property 1964 | 113 | 1 | ||
Association of Art Museum Directors. Correspondence re: Illicit Export, Import and Transfer of Ownership of Cultural Property 1967-1971 | 113 | 2 | ||
Association of Art Museum Directors. Acquisitions Policy Committee to Prevent Illicit Export, Import, and Transfer of Ownership of Cultural Property 1972 | 113 | 3 | ||
Association of Art Museum Directors. Ethics of Acquisition Committee on Illicit Export Import, and Transfer of Ownership of Cultural Property 1972-1973 | 113 | 4 | ||
Association of Art Museum Directors. Correspondence re: Illicit Export, Import, and Transfer of Ownership of Cultural Property 1973-1975 | 113 | 5 | ||
Association of Art Museum Directors. Correspondence re: Illicit Export, Import, and Transfer of Ownership of Cultural Property 1976-1977 | 113 | 6 | ||
Association of Art Museum Directors. Correspondence re: Illicit Export, Import, and Transport of Ownership of Cultural Property 1978-1979 | 113 | 7 | ||
Association of Art Museum Directors. Incorporation and Bylaws | 113 | 8 | ||
Association of Art Museum Directors. Membership and Committee Lists | 113 | 9 | ||
Association of Art Museum Directors. Resolutions 1968-1982 | 113 | 10 | ||
College Art Association. Annual Meeting 1959 | 114 | 1 | ||
College Art Association. Annual Meeting 1963 | 114 | 2 | ||
College Art Association. Annual Meeting 1965 | 114 | 3 | ||
College Art Association. Annual Meeting 1966 | 114 | 4 | ||
College Art Association. Annual Meeting (Cleveland) 1967 | 114 | 5 | ||
College Art Association. Annual Meeting 1968 | 114 | 6 | ||
College Art Association. Annual Meeting 1969 | 114 | 7 | ||
College Art Association. Annual Meeting 1970 | 114 | 8 | ||
College Art Association. Closed Session on Exhibitions and Conservation 1970 | 114 | 9 | ||
College Art Association. Annual Meeting 1971 | 114 | 10 | ||
College Art Association. Annual Meeting 1972 | 114 | 11 | ||
College Art Association. Annual Meeting 1974 | 114 | 12 | ||
College Art Association. Annual Meeting 1975 | 114 | 13 | ||
College Art Association. Annual Meeting 1977 | 114 | 14 | ||
College Art Association. Annual Meeting 1978 | 114 | 15 | ||
College Art Association. Board of Directors Meeting, Jan. 24 1973 | 114 | 16 | ||
College Art Association. Board of Directors Meetings, April 28 1973 | 114 | 17 | ||
College Art Association. Board of Directors Meetings, Nov. 3 1973 | 114 | 18 | ||
College Art Association. Board of Directors Meeting, Jan. 23 1974 | 115 | 1 | ||
College Art Association. Board of Directors Meeting, April 27 1974 | 115 | 2 | ||
College Art Association. Board of Directors Meeting, Oct. 26 1974 | 115 | 3 | ||
College Art Association. Board of Directors Meeting, Jan. 22 1975 | 115 | 4 | ||
College Art Association. Board of Directors Meeting, April 12 1975 | 115 | 5 | ||
College Art Association. Board of Directors Meeting, Nov. 1 1975 | 115 | 6 | ||
College Art Association. Board of Directors Meeting, Feb. 1 1976 | 115 | 7 | ||
College Art Association. Board of Directors Meeting, April 24 1976 | 115 | 8 | ||
College Art Association. Board of Directors Meeting, Oct. 16 1976 | 115 | 9 | ||
College Art Association. Board of Directors Meeting, Feb. 2 1977 | 115 | 10 | ||
College Art Association. Board of Directors Meeting, April 16 1977 | 115 | 11 | ||
College Art Association. Board of Directors Meeting, Oct. 22 1977 | 115 | 12 | ||
College Art Association. Board of Directors Meeting, Jan. 25 1978 | 115 | 13 | ||
College Art Association. General Correspondence 1958-1975 | 115 | 14 | ||
College Art Association. General Correspondence 1976-1983 | 115 | 15 | ||
College Art Association. By-Laws 1973-1977 | 115 | 16 | ||
College Art Association. Museum Committee on Deaccessioning. Correspondence 1972-1973 | 116 | 1 | ||
College Art Association. Museum Committee on Deaccessioning. Working Papers 1973 | 116 | 2 | ||
College Art Association. Museum Committee. Correspondence 1974-1976 | 116 | 3 | ||
College Art Association. Museum Subventions 1974 | 116 | 4 | ||
College Art Association. Placement Bureau 1963-1969 | 116 | 5 | ||
Council on Museum Education in the Visual Arts 1971 - May, 1972 | 116 | 6 | ||
Council on Museum Education in the Visual Arts, June - Dec. 1972 | 116 | 7 | ||
Council on Museum Education in the Visual Arts, Jan. - April 1973 | 116 | 8 | ||
Council on Museum Education in the Visual Arts, May - Aug. 1973 | 116 | 9 | ||
Council on Museum Education in the Visual Arts, Sept. - Dec. 1973 | 117 | 1 | ||
Council on Museum Education in the Visual Arts, Jan. - March 1974 | 117 | 2 | ||
Council on Museum Education in the Visual Arts, April - July 1974 | 117 | 3 | ||
Council on Museum Education in the Visual Arts, Aug. - Dec. 1974 | 117 | 4 | ||
Council on Museum Education in the Visual Arts, Jan. - May 1975 | 117 | 5 | ||
Council on Museum Education in the Visual Arts, June - Dec. 1975 | 117 | 6 | ||
Council on Museum Education in the Visual Arts 1976 | 117 | 7 | ||
Council on Museum Education in the Visual Arts 1977 | 118 | 1 | ||
Council on Museum Education in the Visual Arts 1978-1980 | 118 | 2 | ||
CULCON. CULCON VII Meeting 1974 | 118 | 3 | ||
CULCON. Joint Committee Meeting, June 1975 | 118 | 4 | ||
CULCON. Study Group on Care of Works of Art in Traveling Exhibitions Meeting, Aug 1975 | 118 | 5 | ||
CULCON. Masterpieces of World Art from American Collections: From Ancient Egyptian to Contemporary Art 1976 | 118 | 6 | ||
CULCON. CULCON VIII Meeting 1976 | 118 | 7 | ||
CULCON. Study Group on Care of Works of Art in Traveling Exhibitions Meeting, Nov. 1977 | 118 | 8 | ||
CULCON. Study Group on Care of Works of Art in Traveling Exhibitions. Report 1978 | 118 | 9 | ||
CULCON. All Meetings 1978 | 118 | 10 | ||
CULCON. CULCON X Meeting [Folder 1] 1980 | 119 | 1 | ||
1. CULCON. CULCON X Meeting [Folder 2] 1980 | 119 | 2 | ||
CULCON. Report on Museum-Related Meetings for the Japan-United States Friendship Commission, Jan.7-22 1981 | 119 | 3 | ||
CULCON. Subcommittee on Museum Exchange Meetings 1981-1982 | 119 | 4 | ||
International Council of Museums 1959-1964 | 119 | 5 | ||
International Council of Museums 1972-1979 | 119 | 6 | ||
International Council of Museums 1980-1982 | 119 | 7 | ||
International Council of Museums, US-ICOM Committee 1971-1972 | 119 | 8 | ||
International Council of Museums, US-ICOM Committee 1973 | 119 | 9 | ||
JDR 3rd Fund 1964-1967 | 120 | 1 | ||
JDR 3rd Fund 1968-1969 | 120 | 2 | ||
JDR 3rd Fund 1970 | 120 | 3 | ||
JDR 3rd Fund 1971-1972 | 120 | 4 | ||
JDR 3rd Fund 1973-1975 | 120 | 5 | ||
JDR 3rd Fund 1976-1979 | 120 | 6 | ||
JDR 3rd Fund, Jan.-Aug. 1979 | 121 | 1 | ||
JDR 3rd Fund, Sept. 1979 - 1980 | 121 | 2 | ||
Museum Presidents Conference. Meeting, Nov. 11 1971 | 121 | 3 | ||
Museum Presidents Conference. Meeting, Nov. 16-17 1972 | 121 | 4 | ||
Museum Presidents Conference. Meeting 1973 | 121 | 5 | ||
Museum Presidents Conference. Meeting, Nov. 21-22 1974 | 121 | 6 | ||
Museum Presidents Conference. Meeting, Nov. 13-14 1975 | 121 | 7 | ||
Museum Presidents Conference. Meeting, Nov. 18-20 1976 | 121 | 8 | ||
Museum Presidents Conference. Meeting, Nov. 17-18 1977 | 121 | 9 | ||
Museum Presidents Conference. Meeting, Oct. 26-28 1978 | 121 | 10 | ||
Museum Presidents Conference. Meeting, Nov. 1-2 1979 | 121 | 11 | ||
Museum Presidents Conference. Meeting, Nov. 6-7 1981 | 121 | 12 | ||
Museum Presidents Conference. Meeting, Nov. 6-7. CMA Information Packet 1981 | 121 | 13 | ||
Museum Presidents Conference. Meeting, Nov. 18-19 1982 | 121 | 14 | ||
Museum Presidents Conference. Meeting 1983 | 121 | 15 | ||
National Foundation on the Arts and Humanities. Background Information | 122 | 1 | ||
National Foundation on the Arts and Humanities. National Endowment for the Arts 1970-1973 | 122 | 2 | ||
National Foundation on the Arts and Humanities. National Endowment for the Arts 1974-1983 | 122 | 3 | ||
National Foundation on the Arts and Humanities. National Endowment for the Humanities 1972-1974 | 122 | 4 | ||
National Foundation on the Arts and Humanities. National Endowment for the Humanities 1975 | 122 | 5 | ||
National Foundation on the Arts and Humanities. National Endowment for the Humanities 1976-1979 | 122 | 6 | ||
National Foundation on the Arts and Humanities. National Endowment for the Humanities 1980-1983 | 122 | 7 | ||
Ohio Arts Council 1965 | 123 | 1 | ||
Ohio Arts Council 1966 | 123 | 2 | ||
Ohio Arts Council, Jan. - June 1967 | 123 | 3 | ||
Ohio Arts Council, July - Dec. 1967 | 123 | 4 | ||
Ohio Arts Council 1968 - June, 1969 | 123 | 5 | ||
Ohio Arts Council, July - Dec. 1969 | 123 | 6 | ||
Ohio Arts Council 1970-1977 | 123 | 7 | ||
Ohio Arts Council 1978-1982 | 123 | 8 | ||
Government and Legislative RecordsScope and Contents noteSherman Lee actively lobbied various departments and elected bodies of the United States federal government concerning issues of importance to the Cleveland Museum of Art. The museum's legal council kept him informed of changes in federal law or regulations, and his involvement with the American Association of Museums and the Association of Art Museum Directors kept him civicly active. He corresponded with different departments in the federal government on a variety of issues affecting the museum, the most important of which, and one that came up frequently, was the question of taxes. The Cleveland Museum of Art, as a private museum, had to fight to maintain its tax status as a publicly supported institution. This issue appears in the records beginning in 1963 through 1971. The museum also lobbied to keep membership dues and donations of artwork tax deductible. Of particular concern was the Tax Reform Act of 1969, which attempted to reduce the size of the deduction a donor of artwork could receive. Museums successfully lobbied against the measure. Another governmental issue affecting the museum was new regulations forbidding trade with China after 1950, including the purchase of art, as a method of trying to reduce Communist power in China. The State Department's division of Foreign Assets Control (FAC) enforced the Trading with the Enemy Act. The regulation hampered Lee's efforts to expand the Asian art collection by restricting trade and requiring the museum to provide information to the FAC regarding art objects that had already been purchased to prove that the sale of the objects did not benefit China. Lee also helped the Bureau of Customs appraise Asian artwork seized from dealers around the country. The severity of the trade restriction was eased in 1972 and normal trade relations status was implemented between the United States and China in 1980. The Cleveland Museum of Art benefited from government programs in a number of areas. The museum participated in the Exchange-Visitor program, headed by the Bureau of Educational and Cultural Affairs in the State Department which provided for the exchange of curators and researchers with those at overseas museums. In 1964 CMA exchanged the assistant curator for research and publications, Rémy G. Saisselin with Beatrix von Ragué, director of the Museum Für Ostasiatische Kunst at the State Museum in Berlin. Lee later arranged for Vinod P. Dwivedi, curator at the National Museum in New Dehli to come to Cleveland in 1967. CMA ended its participating in the program in 1968. The exhibitions department of the United States Information Agency brought the little known but important John Singleton Copley painting, "Mrs. Humphrey Devereux" to the United States from the National Gallery of New Zealand for conservation work. The agency then organized a national tour of the newly restored painting that included Cleveland, in 1965, prior to the painting's return to New Zealand In addition to working with different governmental departments, Sherman Lee kept a close watch on legislation that might affect the museum. He lobbied for the creation of the National Foundation of the Arts and Humanities, which was established in 1965. In 1975 he testified before a joint hearing of the House Committee on Education and Labor and the Senate Committee on Education regarding the Arts and Artifacts Indemnity Act, which would provide insurance coverage to museums trying to host large exhibitions. The records in this series were brought together by Lee's office under the heading, "U.S. Government." The series begins with the records organized by federal department name, and ends with records relating to legislation, congress, and one U. S. court case. Federal departments are organized alphabetically, with divisions within each department filed under the department name. Information on the Visitor-Exchange program is filed under the Department of State and includes the museum's application to the program and some correspondence with potential exchangées. Correspondence about the prohibition on trade with Communist China is located with the records filed under the Department of Treasury. The material documents the Cleveland Museum of Art's efforts to gather the provence of their own Asian artwork to prove that none was smuggled out of China, and their difficulties in acquiring Chinese art from the Far East. The records also contain Lee's appraisals of smuggled artwork seized by customs officials. Correspondence with the Internal Revenue Service is filed under the Department of Treasury and includes some appraisals performed by Lee for the IRS, although the bulk of the records relate to tax regulations. Documents include announcements from the American Association of Museums, correspondence with the museum's legal council at Hahn, Loeser, Freedheim, Dean & Wellman, and with the Washington attorney and lobbyist, Kenneth Liles. The United States Information Agency file contains information and photographs of the John Singleton Copley portrait, "Mrs. Humphrey Devereux." The last folder of records relating to federal agencies contains a small amount of correspondence with miscellaneous government offices. The second half of the series contains records relating to legislation, congress, and one court case. Records concerning specific legislation are organized chronologically. Correspondence is with elected officials, Kenneth Liles, the Washington attorney and lobbyist, CMA legal council, and other museums. The files also contain news releases from the American Association of Museums and articles and clippings about the legislation in question. They are followed by chronological correspondence with members of the House of Representatives and the Senate about legislation not sufficient enough to warrant a separate folder. It relates mostly to funding for the National Endowment for the Arts and the National Endowment for the Humanities. It also contains Lee's personal requests to representatives and senators to end the Vietnam War. Lee's correspondence with Ohio state legislators is located in series 1. One folder regarding the court case U. S. v. McClain is about a group of dealers who were prosecuted for illegally bringing cultural property into the United States from other countries. The file contains information about the case that Lee requested from the attorneys. Legislation and further information about the illicit export, import, and transfer of ownership of cultural property, including the Unesco resolution and Lee's testimony before congress, are located in series 5 under the Association of Art Museum Directors. The AAMD records also contain additional tax legislation information. | ||||
| Box | Folder | |||
Department of Defense 1966-1974 | 124 | 1 | ||
Department of Education. Institute of Museum Service 1981-1982 | 124 | 2 | ||
Department of State 1960-1975 | 124 | 3 | ||
Department of State. Bureau of Educational and Cultural Affairs. Exchange-Visitor Program 1959-1968 | 124 | 4 | ||
Department of the Treasury. Bureau of Customs and Foreign Assets Control Division 1959-1983 | 124 | 5 | ||
Department of the Treasury. Internal Revenue Service 1979-1982 | 124 | 6 | ||
Department of the Treasury. Internal Revenue Service - Regulations on Charitable Contributions and Taxes 1958-1966 | 124 | 7 | ||
Department of the Treasury. Internal Revenue Service - Regulations on Charitable Contributions and Taxes 1970-1971 | 124 | 8 | ||
United States Information Agency -"Mrs. Humphrey Devereux" by John Singleton Copley 1964-1965 | 124 | 9 | ||
Miscellaneous Offices | 124 | 10 | ||
Legislation. National Foundation on the Arts and Humanities 1963-1966 | 124 | 11 | ||
Legislation. Tax Reform Act 1969 - Correspondence, A-G | 125 | 1 | ||
Legislation. Tax Reform Act - Correspondence, H-Z 1969 | 125 | 2 | ||
Legislation. Tax Reform Act - Correspondence, Sutherland, Asbill, & Brennan (Kenneth Liles) [Folder 1] 1969 | 125 | 3 | ||
Legislation. Tax Reform Act - Correspondence, Sutherland, Asbill, & Brennan (Kenneth Liles) [Folder 2] 1969 | 125 | 4 | ||
Legislation. Tax Reform Act - Articles and Working Papers 1969 | 125 | 5 | ||
Legislation. Bills Amending the Tax Code 1971-1976 | 125 | 6 | ||
Legislation. Arts and Artifacts Indemnity Act 1975 | 125 | 7 | ||
Legislation. Arts and Artifacts Indemnity Act, Hearing, June 4 1975 | 125 | 8 | ||
Legislation. HR 8562 - Japan-U.S. Friendship Act 1975 | 126 | 1 | ||
House of Representatives. Correspondence 1968-1983 | 126 | 2 | ||
Senate. Correspondence 1969-1983 | 126 | 3 | ||
Court Cases. United States v. McClain No.75-368 1976 | 126 | 4 | ||