Table of Contents
- Summary Information
- Biographical/Historical note
- Scope and Contents note
- Arrangement note
- Administrative Information
- Controlled Access Headings
- Collection Inventory
- Alphabetical Administrative Correspondence
- Personal Papers
- Records relating to Federal Art Programs
- Index to Alphabetical Correspondence
- Scrapbooks
- Transcripts of Radio Talks [on microfilm]
Summary Information
- Repository: Cleveland Museum of Art Archives
- Creator: Milliken, William Mathewson, 1889-1978
- Title: William Mathewson Milliken records
- ID: 1111.072
- Date [bulk]: 1930-1958
- Date [inclusive]: 1919-1974
- Extent: 20.3 Cubic feet [66 boxes, 12 reels of microfilm]
- General Physical Description note: paper and microfilm.
- Language: English
Preferred Citation note
The Cleveland Museum of Art Archives, Records of the Director's Office, William Mathewson Milliken, date and short description of document [e.g., letter from Milliken to Abrams, 6 June 1949].
Biographical/Historical note
Early History of the Museum and the Director's Office The founding of The Cleveland Museum of Art was truly a collaborative effort. During the last two decades of the nineteenth century, wealthy Cleveland businessmen John Huntington, Horace Kelley, and Hinman Hurlbut left substantial bequests in their wills to establish an art museum. In 1892 Jeptha Wade II gave eight acres of land to the city of Cleveland "for the construction and maintenance of an art gallery and school." Over the next two decades the trustees of the Huntington, Kelley, and Hurlbut estates worked towards reconciling the legal stipulations of the wills to finance the construction of a single art museum on the land that Wade donated.
In June 1905 the trustees reached a preliminary agreement. Encouraged by the progress of the negotiations, E.R. Perkins, president of the Huntington trust, appointed a six-man building committee to select an architect and review prospective building plans. The committee subsequently chose the local firm of Hubbell & Benes to design the new museum, but it also retained Edmund Wheelwright, consulting architect for Boston's newly completed Museum of Fine Arts, as an advisor to the project.
In July 1910, their assigned task completed, members of the first building committee wrote a final report to the three trusts in which they recommended that a new committee be formed to hire contractors and oversee actual construction. They further urged that the committee be given the authority to hire a director for the museum as soon as possible. The director would be responsible for giving his "undivided attention" to the building of the museum, fostering the community's interest in the project, and securing donations of art and funding for art purchases. "In brief," the report concluded, "we need a man both to help us in the building of the Museum itself, and in the meantime, to prepare the way for the Museum."
The position of director was first offered to Henry Watson Kent, who was then secretary of the Metropolitan Museum of Art. Kent turned the position down but nonetheless played a very prominent role in the museum's design and construction, acting as consultant to the building project and serving as secretary of the new building committee until a director was hired. In addition, in 1913 the board of trustees of the newly incorporated museum voted to give Kent $25,000 for four years "for the purpose of bringing together a nucleus for collections." It was also Henry W. Kent who recommended Frederic Allen Whiting as a viable candidate for the position of director of The Cleveland Museum of Art. William Mathewson Milliken Whereas Whiting helped to build a museum, William Mathewson Milliken laid the foundations for its world-class art collection. Born in 1889 in Stamford, Connecticut, of Scotch-American parents, Milliken graduated from Princeton in 1912. After two unsatisfactory years in the business world, he accepted an unpaid position in the cataloguing department at the Metropolitan Museum of Art in New York and subsequently became an assistant and then assistant curator in the decorative arts department. One of his responsibilities at the Met was to catalogue the vast J. Pierpont Morgan collection, an experience that fostered his love for and expertise in small art objects, especially those of the medieval and Renaissance periods. After serving as a lieutenant in the Army Air Corps during World War I, he joined The Cleveland Museum of Art in 1919 as curator of decorative arts. In 1925 he assumed the additional position of curator of paintings.
Not long after his arrival in Cleveland, Milliken became known for his brilliant acquisitions in medieval art, which set a new, high standard for the types of works that the museum would collect. In 1922 he acquired a remarkable group of German ivory reliefs from a portable altar, in 1923 the Spitzer enamel cross, in 1925 the Strogonoff ivory plaque, and in 1926 an enamel reliquary. This facet of Milliken's collecting activities culminated in 1930 with the purchase of the Guelph Treasure. Milliken also made some astute decisions about paintings--arranging the purchase of Bellow's Stag at Sharkey's, Eakins's Biglin Brothers Turning the Stake, and other important contemporary American works--although his interest in paintings seems always to have been secondary to his affection for the decorative arts.
The Board's decision to choose Milliken as Whiting's successor was no doubt influenced by his collecting prowess as well as his outgoing, energetic personality. Appointed director in August 1930, William Milliken continued many of the programs initiated under his predecessor. In 1931, he demonstrated his commitment to education by hiring educational pioneer Thomas Munro to succeed Rossiter Howard as curator of education. In addition to broadening the museum's roster of activities for children, Thomas Munro developed a rich adult education program that emphasized non-representational art, non-Western art forms, and all of the visual arts. He also served on the faculty of Western Reserve University, thus cementing more tightly an already existing relationship between the two institutions.
Other notable employees served under Milliken, many of whom remained at the museum for a very long time. Walter Blodgett revitalized and expanded the museum's program of musical performances as curator of musical arts from 1942 to 1974; Dorothy Shepherd worked in the textiles department--as assistant curator and later as curator--for a total of 34 years; Lillian Kern, hired by Whiting, became registrar in 1937 and eventually retired in 1973; and in 1949 Albert Grossman began his 37-year career in the museum's business office, first as cashier, then as comptroller, and finally as operations administrator. Most auspiciously, in 1952 Milliken appointed Sherman Emery Lee as curator of oriental art and in charge of Egyptian and classical art. Six years later, Lee was chosen to be Milliken's successor as director, a position he held until 1983.
Under Milliken the May Show also became firmly entrenched as a Cleveland tradition. Assigned to organize the first show in 1919 as a fledgling curator, Milliken nourished its growth during his long tenure as director, providing a highly visible venue and means of monetary support to local painters and sculptors as well as those working in the more traditional "crafts." The international reputations of some Cleveland potters, silver- and goldsmiths, enamelists, and weavers are in great part the result of William Milliken's sustained patronage of these then-neglected arts.
In recognition of his knowledge of the local arts community, President Franklin D. Roosevelt appointed Milliken regional director of the Public Works of Art Project (PWAP), one of numerous programs established under the New Deal to provide work for destitute artists. Milliken served as an advisor to the Works Progress Administration's Federal Art Project (WPA/FAP), as Ohio chief for national WPA-sponsored Art Weeks, as commissioning agent and local representative for the Treasury Relief Art Project (TRAP), and as chairman of many regional juries supervising competitions for post office murals across Ohio under the aegis of the Section of Painting and Sculpture.
Milliken was involved in other cultural organizations, both local and national. He served as a trustee of Karamu House and the Cleveland Art Association and as an advisor of the Cleveland Institute of Art and the Cleveland Institute of Music. He was also president of the Association of Art Museum Directors as well as the American Association of Museums, and first vice president of the International Council of Museums and the Academie International de la Ceramique. In recognition of his myriad contributions to the arts, he was decorated by the Hungarian, Italian, Swedish, French, and Spanish governments, and received many honorary degrees.
Retirement was not a time of inactivity for Milliken. Succeeded by Sherman Emery Lee on 1 April 1958, in 1959 Milliken helped plan Australia's National Gallery building in Melbourne, and in 1960 he completed a 20-lecture tour of Canada. He organized the Masterpieces of Art exhibition at the Seattle World's Fair of 1962 and in 1963 served as Regent Professor at the University of California at Berkeley. Even in his eighties, William Milliken was an avid skier, making annual month-long ski trips to Sun Valley, Idaho. He died at the age of 88 on March 14, 1978.
More detailed information about the early history of the museum and its directors can be found in the resources listed in the bibliography at the end of this guide.
Scope and Contents note
The records of the Director's Office are the primary source for understanding the decisions made and actions taken at the highest level of the museum's administration. In addition, they constitute one of the most valuable, unified resources for researching the early history of the museum and its art collection; initial construction and expansion of the museum building; changes in the museum's administrative hierarchy; personalities and activities of individual staff members; artistic and social movements of the first half of the twentieth century; and the museum's relationship with civic, cultural, and educational institutions throughout the country and the world.
Access may be restricted because of the records' physical fragility and level of confidentiality. Records of William Mathewson Milliken William Mathewson Milliken's records are divided into five main series: I. Alphabetical Administrative Correspondence, II. Personal Papers, III. Records relating to Federal Art Programs, IV. Index to Alphabetical Correspondence, and V. Scrapbooks.
Milliken's first records series, Alphabetical Administrative Correspondence, is identical in size, content, and importance to Whiting's Numbered Administrative Correspondence; only the arrangement is different. Series IV, unlike Whiting's very effective card index, is useful mostly for identifying materials that were removed from the series. Series II and V provide useful background information and document Milliken's activities outside of the museum. Series III consists of records Milliken generated as regional officer for various federally funded art programs initiated under the New Deal. More detailed descriptions of each records series are provided in this guide before the lists of files that they contain.
Unfortunately, the volume of Milliken's records do not reflect the length of his association with The Cleveland Museum of Art. It is known that Milliken himself and other museum employees periodically weeded the files, discarding many and transferring some to curatorial files.
In addition, significant collections of materials relating to William Milliken are housed in the Archives of American Art in Washington, D.C., and the Western Reserve Historical Society in Cleveland, Ohio. Inventories of these materials are available to researchers in the museum's archives, and a microfilm copy of Milliken's records in the Archives of American Art can be viewed in the Ingalls Library. In addition, many of Milliken's records created in association with the WPA and other federal work relief programs are in the custody of the National Archives and Records Administration in Washington, D.C.
Arrangement note
By series, thereunder alphabetically.
Administrative Information
Publication Information
Ingalls Library and Museum Archives
11150 East Blvd.Cleveland, OH, 44106
216-707-2492
archives2@clevelandart.org
Conditions Governing Access note
Subject to review by archives staff and curatorial departments. For more information or to access this collection contact archives staff at archives2@clevelandart.org.
Controlled Access Headings
Subject(s)
- Art Museum Directors
- Cleveland Museum of Art.
- Public Works of Art Project.
- Treasury Relief Art Project
Collection Inventory
Alphabetical Administrative Correspondence 1930-1958 16.0 Cubic feet [48 boxes]Scope and Contents noteThis is the central correspondence file from Milliken's tenure as director, dating from 1930-1958. When Milliken became director, he apparently continued Whiting's numerical filing scheme for awhile, but at some point he (or someone on his support staff) decided to establish a new central file of director's correspondence in an alphabetical sequence by correspondent names and subject terms. Materials in each file are usually arranged chronologically, although general files, such as those pertaining to loans and objects offered, are arranged alphabetically by correspondents' names. This series is particularly useful for researching museum operations during a period of tremendous growth and during important historical events such as the Depression and World War II. Whereas Whiting's administrative correspondence is frequently the only source for some early events, however, Milliken's is supplemented by records created in other departments during the same period. For example, most of the records pertaining to the planning and construction of the museum's 1958 building are located in the files of the buildings and grounds department (now design and facilities) and of Harold T. Clark, who was then the museum's president and legal counsel. In addition to correspondence, this series contains transcripts from speeches and lectures, newspaper and magazine clippings, financial statements, invoices, photographs, and blueprints. Like Whiting, Milliken corresponded with art dealers, insurers, handlers, collectors, and purchasing agents, as well as artists, building architects and contractors, prominent members of the Cleveland community, and representatives from other cultural and educational institutions. In addition, his records contain internal memoranda and reports from staff in various departments, including the business office, library, buildings and grounds, prints and drawings, and textiles. Researchers should be aware that this series is not as comprehensive as it should be, because a significant but unknown amount of materials were removed by staff in the director's and curatorial offices. It is known that William Milliken himself weeded and discarded those materials that he considered nonessential. To determine whether materials were once included, researchers should consult the card index (series IV). Arrangement noteAlphabetical | ||||
| Box | Folder | |||
Air Raid: Personnel 1939-1942 | 1 | 1 | ||
Abrams, Harry N. 1949-1958 | 1 | 2 | ||
Albright Art Gallery 1934-1957 | 1 | 3 | ||
Aitken, Russell Barnett: Insurance Settlement for The Dahomey Rider 1938-1955 | 1 | 4 | ||
Air Raid: Art Work 1942-1950 | 1 | 5 | ||
Air-Conditioning System Data 1945-1949 | 1 | 6 | ||
Thomas Agnew and Sons 1933-1956 | 1 | 7 | ||
Aeschilmann, Erardo 1950-1957 | 1 | 8 | ||
Aero Service Corporation 1951-1952 | 1 | 9 | ||
Adult Education Association 1931-1936 | 1 | 10 | ||
Addressograph Sales Agency 1932-1935 | 1 | 11 | ||
Addison Gallery of American Art 1939-1953 | 1 | 12 | ||
Ackerman, Phyllis 1938-1939, 1944 | 1 | 13 | ||
Akron Art Institute 1945-1957 | 1 | 14 | ||
American Art Directory 1954-1958 | 2 | 1 | ||
American Art Research Council 1942-1947 | 2 | 2 | ||
American Federation of Arts 1932-1949 | 2 | 3 | ||
American Craftsman's Educational Council, Inc. 1952-1955 | 2 | 4 | ||
American Committee of Organization 1933-1934 | 2 | 5 | ||
American Committee for the Restoration of Italian Monuments 1946-1947 | 2 | 6 | ||
American Association of Museums: Manual for Registration in Museums 1953-1956 | 2 | 7 | ||
American Association of Museums: Odyssey Television Series on CBS 1956 | 2 | 8 | ||
Alexandra Association 1955-1956 | 2 | 9 | ||
American Art Association 1932-1939 | 2 | 10 | ||
American Art Annual 1932-1948 | 2 | 11 | ||
American Academy of Arts and Sciences 1953-1957 | 2 | 12 | ||
Amateur Needlework of Today 1936 | 2 | 13 | ||
Alva Studios, Inc. 1957-1958 | 2 | 14 | ||
Allen, C. Howard 1954-1955 | 2 | 15 | ||
American Association of Museums 1932-1957 | 2 | 16 | ||
American Museum of Natural History 1939-1955 | 3 | 1 | ||
American Society for Aesthetics 1944-1957 | 3 | 2 | ||
American Organist 1931-1934 | 3 | 3 | ||
American National Red Cross 1938-1943 | 3 | 4 | ||
American Institute of Architects 1953-1955 | 3 | 5 | ||
American Federation of Arts 1950-1958 | 3 | 6 | ||
American Numismatic Society 1938-1947 | 3 | 7 | ||
Art in America 1933-1955 | 4 | 1 | ||
Art Institute of Chicago 1930-1957 | 4 | 2 | ||
Arts Council of Great Britain 1955 | 4 | 3 | ||
Artists Equity Association 1949-1956 | 4 | 4 | ||
Artistica 1951-1956 | 4 | 5 | ||
Artext Prints, Inc. 1950-1955 | 4 | 6 | ||
Artcraft Printing Company 1937-1948 | 4 | 7 | ||
Appointments to the Advisory Council and CMA Board of Trustees 1936-1957 | 4 | 8 | ||
Art Gallery of Hamilton 1953 | 4 | 9 | ||
Art Gallery of Toronto 1933-1957 | 4 | 10 | ||
Art Digest 1950-1956 | 4 | 11 | ||
Art Adventure League 1938 | 4 | 12 | ||
Architectural Forum 1940 | 4 | 13 | ||
Archaeology 1953 | 4 | 14 | ||
Archaeological Institute of America 1941-1956 | 4 | 15 | ||
Art News 1933-1958 | 4 | 16 | ||
Belgium, Exhibitions 1951-1955 | 5 | 1 | ||
Ball, Alex R. 1945-1956 | 5 | 2 | ||
Baltimore Museum of Art 1931-1937 | 5 | 3 | ||
Bareiss, Walter 1950-1953 | 5 | 4 | ||
Albert C. Barnes Foundation 1932-1951 | 5 | 5 | ||
Beaumont, Louis D. 1938-1940 | 5 | 6 | ||
Louis D. Beaumont Trust 1944-1957 | 5 | 7 | ||
Bahr, A.W. 1935-1953 | 5 | 8 | ||
Belgian Government Information Center 1948 | 5 | 9 | ||
Baldwin, Lillian Hanna (Mrs. S. Prentiss) 1939-1947 | 5 | 10 | ||
Bellows, Emma (Mrs. George W.) 1936-1951 | 5 | 11 | ||
Benjamin, Ruth L. 1935-1941 | 5 | 12 | ||
Beaven, Grace M. 1934-1940 | 5 | 13 | ||
Atlantik-Brucke e. V. 1955-1956 | 5 | 14 | ||
Mary Grafton Ballou Memorial Fund 1953-1957 | 5 | 15 | ||
Backer, H.E. 1949-1954 | 5 | 16 | ||
Associated American Artists 1943-1949 | 5 | 17 | ||
Atlanta Art Association 1956-1957 | 5 | 18 | ||
Ashmolean Museum 1934-1940 | 5 | 19 | ||
J.J. Augustin Incorporated Publisher 1954-1956 | 5 | 20 | ||
Awards, Prizes, and Scholarships 1931-1953 | 5 | 21 | ||
A-Am, Miscellaneous | 5 | 22 | ||
An-As, Miscellaneous | 5 | 23 | ||
A, Objects Offered and Acquired | 5 | 24 | ||
A, Objects Offered and Refused | 5 | 25 | ||
Bachstitz Gallery 1930-1949 | 5 | 26 | ||
Association of Art Museum Directors 1934 | 5 | 27 | ||
Bolton, Chester C. and Frances Payne 1934-1948 | 6 | 1 | ||
Bloomington Normal Art Association: Enamels by Cleveland Artists 1930-1950 | 6 | 2 | ||
Blossom, Elizabeth Bingham (Mrs. Dudley) 1936-1957 | 6 | 3 | ||
Bohler, Julius 1956-1957 | 6 | 4 | ||
Bole, Benjamin Patterson and Roberta Holden 1932-1949 | 6 | 5 | ||
Booz, Allen and Hamilton 1957 | 6 | 6 | ||
Borowski, Elie 1954-1955 | 6 | 7 | ||
Boston Athenaeum Library 1948-1958 | 6 | 8 | ||
Bourgeois Galleries, Inc. 1931 | 6 | 9 | ||
Boyd, Fiske 1942-1943 | 6 | 10 | ||
Bishop, Constance (Mrs. Robert H.) 1933-1955 | 6 | 11 | ||
Bowdoin College Museum of Fine Arts 1951-1954 | 6 | 12 | ||
Bequest Forms 1935-1940 | 6 | 13 | ||
Brass, Italico and Alessandro 1930-1957 | 6 | 14 | ||
Birmingham Museum of Art 1953-1957 | 6 | 15 | ||
Benrido Company, Ltd. 1953-1956 | 6 | 16 | ||
Bequests, Inquiries 1938-1951 | 6 | 17 | ||
Berenson, Bernard 1932-1962 | 6 | 18 | ||
Berliz, Paul O. 1950-1952 | 6 | 19 | ||
Bickford, George P. 1953-1957 | 6 | 20 | ||
Biddle, Brenda Fenollosa (Mrs. Moncure) 1940 | 6 | 21 | ||
Bieber, Margarete 1951-1952 | 6 | 22 | ||
La Biennale di Venezia, Ente Autonomo 1950-1952 | 6 | 23 | ||
Bier, Herbert N. 1935-1958 | 6 | 24 | ||
Berry, Burton Yost 1934-1936 | 6 | 25 | ||
Butler Art Institute 1935-1948 | 7 | 1 | ||
Buildings and Grounds 1937-1951 | 7 | 2 | ||
Buildings and Grounds: Labor Matters (Union) 1937-1953 | 7 | 3 | ||
Burdon-Muller, Rowland 1956-1957 | 7 | 4 | ||
Burke, Edmund Stevenson 1942-1955 | 7 | 5 | ||
Bus Service 1932-1949 | 7 | 6 | ||
Byne, Arthur 1930-1935 | 7 | 7 | ||
Business Office 1933-1956 | 7 | 8 | ||
Byerley, Blanche A. 1934-1938 | 7 | 9 | ||
Buffalo Museum of Science 1930-1946 | 7 | 10 | ||
Buildings and Grounds: Fine Arts Garden 1939-1956 | 7 | 11 | ||
Business Historical Society 1933-1934 | 7 | 12 | ||
Broemel, Carl 1938-1949 | 7 | 13 | ||
W.S. Budworth and Sons, Inc. 1932-1949 | 7 | 14 | ||
Brassington, Emma 1940-1957 | 7 | 15 | ||
Brehier, Louis 1950-1951 | 7 | 16 | ||
Brewster, William T. 1955-1957 | 7 | 17 | ||
Buildings and Grounds: Repairs and Work Estimates 1944-1958 | 7 | 18 | ||
British Museum 1937-1954 | 7 | 19 | ||
Brooklyn Museum 1932-1957 | 7 | 20 | ||
Brummer Gallery, Inc. 1932-1953 | 7 | 21 | ||
Brummer Gallery, Inc.: Assyrian Relief 1943 | 7 | 22 | ||
Brussels, Museums 1933-1947 | 7 | 23 | ||
Buchholz Gallery 1937-1949 | 7 | 24 | ||
Budget 1939-1949 | 7 | 25 | ||
British Information Services 1942-1944 | 7 | 26 | ||
B, Objects Offered and Acquired | 8 | 1 | ||
California Palace of the Legion of Honor 1936-1956 | 8 | 2 | ||
Cailleux 1958 | 8 | 3 | ||
Br-Bu, Objects Offered and Refused | 8 | 4 | ||
Bo-By, Miscellaneous | 8 | 5 | ||
B-Bl, Miscellaneous | 8 | 6 | ||
Ba-Be, Objects Offered and Refused | 8 | 7 | ||
Bi-Bo, Objects Offered and Refused | 8 | 8 | ||
Chisholm, Grace C. (Mrs. George) 1940-1949 | 9 | 1 | ||
Catholic Press, Inc. 1955 | 9 | 2 | ||
Cincinnati Art Museum 1931-1957 | 9 | 3 | ||
Cellini, Giuseppe 1949-1955 | 9 | 4 | ||
Centre International d'Etudes des Textiles Anciens 1954-1958 | 9 | 5 | ||
Ralph M. Chait Galleries 1932-1957 | 9 | 6 | ||
Childs, Charles D. 1948-1954 | 9 | 7 | ||
Chisholm, Louise Brigham (Mrs.Henry A.) 1937 | 9 | 8 | ||
Christie, Manson, and Woods 1950-1957 | 9 | 9 | ||
Cigliano, Luigi 1951-1952 | 9 | 10 | ||
Carter, Clarence H. 1951-1957 | 9 | 11 | ||
Cheney, Thomas 1945 | 9 | 12 | ||
Louis Carre Gallery 1950 | 9 | 13 | ||
Carocci, Alberto 1949-1951 | 9 | 14 | ||
Carnegie Study of the Arts of the United States of America 1957-1958 | 9 | 15 | ||
Carnegie Institute 1931-1958 | 9 | 16 | ||
Carnegie Corporation 1930-1941 | 9 | 17 | ||
Carlisle, William R. 1955-1958 | 9 | 18 | ||
Carlebach Gallery 1950-1953 | 9 | 19 | ||
Canton Art Institute 1956 | 9 | 20 | ||
Cannon, Myrta (Mrs. Henry White) 1932-1954 | 9 | 21 | ||
Catherwood Foundation 1955-1956 | 9 | 22 | ||
Case School of Applied Science 1936-1949 | 9 | 23 | ||
Classical Collection 1930-1949 | 10 | 1 | ||
Cleveland Board of Education 1950-1953 | 10 | 2 | ||
Cleveland Art Association 1930-1957 | 10 | 3 | ||
Clark, Harold Terry 1931-1958 | 10 | 4 | ||
City Art Museum of St. Louis 1931-1958 | 10 | 5 | ||
Citizens Committee for Government Arts Projects 1941-1942 | 10 | 6 | ||
Cleveland Better Business Bureau 1932-1947 | 10 | 7 | ||
Cleveland Trust Company 1933-1956 | 11 | 1 | ||
Cleveland Public Library 1932-1949 | 11 | 2 | ||
Color Slide Cooperative 1940-1941 | 11 | 3 | ||
Cleveland Recreational Arts Fund 1952-1953 | 11 | 4 | ||
Cleveland School of Art 1930-1948 | 11 | 5 | ||
Cleveland Sesquicentennial Commission 1945-1946 | 11 | 6 | ||
Cleveland Transit System 1957 | 11 | 7 | ||
Cleveland Museum of Natural History 1931-1957 | 11 | 8 | ||
Coe, Ralph Mortimer 1932-1955 | 11 | 9 | ||
College Art Association of America 1932-1957 | 11 | 10 | ||
P. and D. Colnaghi and Company 1930-1946 | 11 | 11 | ||
Cleveland Press 1933-1951 | 11 | 12 | ||
Cleveland Spring Festival 1951 | 11 | 13 | ||
Cleveland, City Planning Commission 1934-1945 | 11 | 14 | ||
Cleveland News 1939-1949 | 11 | 15 | ||
Cleveland Plain Dealer 1932-1956 | 11 | 16 | ||
Cleveland, City of 1933-1958 | 11 | 17 | ||
Cleveland Community Program 1939 | 11 | 18 | ||
Cleveland Council on World Affairs 1956-1957 | 11 | 19 | ||
Cleveland Foundation 1942-1957 | 11 | 20 | ||
Cleveland Hospital Service Association 1935-1948 | 11 | 21 | ||
Cleveland Institute of Art 1952-1957 | 11 | 22 | ||
Cleveland Music School Settlement 1951-1958 | 11 | 23 | ||
Cleveland Orchestra 1954-1958 | 11 | 24 | ||
Cleveland Chamber of Commerce 1931-1949 | 11 | 25 | ||
Cox, Warren E. 1942-1954 | 12 | 1 | ||
C, Objects Offered, Acquired, and Refused | 12 | 2 | ||
Cranbrook Academy of Art 1945-1949 | 12 | 3 | ||
Cristiani, Arturo 1946-1950 | 12 | 4 | ||
Currier Gallery of Art 1949-1956 | 12 | 5 | ||
C, Miscellaneous | 12 | 6 | ||
Dallas Museum of Fine Arts 1935-1958 | 12 | 7 | ||
Dalton, Henry G. 1932-1940 | 12 | 8 | ||
Damiron Corporation 1950-1955 | 12 | 9 | ||
D'Ancona, Paolo 1951-1958 | 12 | 10 | ||
Corrigan, L. (Mrs. James) 1934-1936 | 12 | 11 | ||
Contemporary Art Association 1954-1957 | 12 | 12 | ||
Columbus Gallery of Fine Arts 1930-1957 | 12 | 13 | ||
Cox, Phyllis (Mrs. Jacob) 1953-1957 | 12 | 14 | ||
Columbia University 1939-1952 | 12 | 15 | ||
Comite International d'Histoire de l' Art 1938-1939 | 12 | 16 | ||
Consuls 1933-1956 | 12 | 17 | ||
Cooper Union for the Advancement of Science and Art 1933-1956 | 12 | 18 | ||
Corcoran Gallery of Art 1933-1956 | 12 | 19 | ||
Corning Museum of Glass 1957 | 12 | 20 | ||
Corning, Warren H. 1946-1956 | 12 | 21 | ||
Colorado Springs Fine Arts Center 1934-1956 | 12 | 22 | ||
Courtauld Institute of Art 1955-1956 | 12 | 23 | ||
Columbia Broadcasting System, Inc. 1957 | 12 | 24 | ||
Detroit Institute of Arts 1930-1958 | 13 | 1 | ||
Denmark, Museums 1950-1958 | 13 | 2 | ||
Drey, Margaret H. 1951-1955 | 13 | 3 | ||
Downtown Gallery 1930-1956 | 13 | 4 | ||
R.R. Donnelley and Sons Company 1939-1940 | 13 | 5 | ||
Dictionary of American Biography 1941-1942 | 13 | 6 | ||
Des Moines Art Center 1953-1956 | 13 | 7 | ||
Denver Art Museum 1949-1957 | 13 | 8 | ||
Dayton Art Institute 1933-1957 | 13 | 9 | ||
Demotte, Inc. 1931-1949 | 13 | 10 | ||
Diocese of Cleveland 1935-1936 | 13 | 11 | ||
Davenport Municipal Art Gallery 1939-1944 | 13 | 12 | ||
Dearth, Cornelia (Mrs. Henry) 1934-1938 | 13 | 13 | ||
de Hauke, Cesar 1932-1957 | 13 | 14 | ||
Dauby, Nathan L. 1955-1956 | 13 | 15 | ||
M.H. de Young Memorial Museum 1931-1957 | 13 | 16 | ||
Delmar, Emil 1947-1958 | 13 | 17 | ||
Education Department: Extensions Division 1931-1952 | 14 | 1 | ||
Dupont, Jacques 1950-1955 | 14 | 2 | ||
Education Department: Clubs, Conventions, and Talks 1931-1949 | 14 | 3 | ||
Education Department 1931-1955 | 14 | 4 | ||
D, Objects Offered, Acquired, and Refused | 14 | 5 | ||
D, Miscellaneous | 14 | 6 | ||
Education Department: Exhibits 1931-1938 | 14 | 7 | ||
Duveen Brothers, Inc. 1931-1950 | 14 | 8 | ||
Durand-Ruel, Inc. 1933-1939 | 14 | 9 | ||
Dunn, Louise 1939-1958 | 14 | 10 | ||
Dumbarton Oaks Research Library and Collection 1938-1954 | 14 | 11 | ||
Dudensing, Valentine F. 1943-1949 | 14 | 12 | ||
Paul Drey Gallery 1932-1957 | 14 | 13 | ||
Durlacher Brothers 1932-1956 | 14 | 14 | ||
Emergency Procedures 1950-1957 | 15 | 1 | ||
Elsberg, H.A. 1935-1940 | 15 | 2 | ||
Education Department: Personnel 1950-1957 | 15 | 3 | ||
E, Objects Offered, Acquired, and Refused | 15 | 4 | ||
E, Miscellaneous | 15 | 5 | ||
Everett, Josephine P. (Mrs. Henry) 1932-1943 | 15 | 6 | ||
Eisemann, Heinrich 1950-1957 | 15 | 7 | ||
Education Department: Films 1932-1949 | 15 | 8 | ||
Eilenberg, S. 1956-1958 | 15 | 9 | ||
Eells, Howard P. 1934-1948 | 15 | 10 | ||
Education Department: Spanish Child Welfare Project 1938-1939 | 15 | 11 | ||
Education Department: School Systems 1931-1949 | 15 | 12 | ||
Employment Applications 1932-1949 | 15 | 13 | ||
Freer Gallery of Art 1938-1949 | 16 | 1 | ||
Forti, Vittorio 1952-1958 | 16 | 2 | ||
Fort Wayne Art School and Museum 1952-1957 | 16 | 3 | ||
Fort Wayne Art Association 1951-1956 | 16 | 4 | ||
Frackelton, Constance 1955 | 16 | 5 | ||
France, Museums 1950-1958 | 16 | 6 | ||
Francis, Henry Sayles 1931-1957 | 16 | 7 | ||
Folio Club 1952-1953 | 16 | 8 | ||
Frary, Ihna T. 1946-1958 | 16 | 9 | ||
Fouche, Helene M. 1944-1946 | 16 | 10 | ||
French and Company 1932-1958 | 16 | 11 | ||
Ford Foundation 1954-1957 | 16 | 12 | ||
Franco-American Audio-Visual Distribution Center 1948 | 16 | 13 | ||
Ferargil Galleries 1931-1939 | 16 | 14 | ||
Frames 1947-1959 | 16 | 15 | ||
Ernest Flammarion Library 1956-1957 | 16 | 16 | ||
Fairmount Temple 1956 | 16 | 17 | ||
Federation of Modern Painters and Sculptors 1954-1956 | 16 | 18 | ||
Feininger, Lyonel 1952-1957 | 16 | 19 | ||
Feist, Hans 1938-1947 | 16 | 20 | ||
Ferguson, John C. 1932 | 16 | 21 | ||
Fine Arts Associates 1950-1954 | 16 | 22 | ||
Fine Arts Club of Arkansas 1957 | 16 | 23 | ||
Fine Arts Garden: Old Cozad Farm Millstone 1928-1937 | 16 | 24 | ||
Fink, Colin G.: Conservation of Mrs. Norweb's Bronze Statue 1931-1938 | 16 | 25 | ||
Fish, Grace (Mrs. Frederick) 1931-1936 | 16 | 26 | ||
Feiss, Paul 1932-1953 | 16 | 27 | ||
French Cultural Counselor 1950-1958 | 17 | 1 | ||
Fulbright Scholarship: Keith Kitts 1950-1951 | 17 | 2 | ||
Funds, N-Z | 17 | 3 | ||
Funds, B-M | 17 | 4 | ||
Friends of the Federal Art Project 1939 | 17 | 5 | ||
French, Hollis 1922-1949 | 17 | 6 | ||
Frick Art Reference Library 1931-1955 | 17 | 7 | ||
General Education Board 1935-1943 | 18 | 8 | ||
German Cultural Counselor 1953-1955 | 18 | 9 | ||
Goldschmidt, Julius F. 1930-1952 | 18 | 10 | ||
Golden Gate International Exposition 1938-1940 | 18 | 11 | ||
Gloeckner, Andre 1957-1958 | 18 | 12 | ||
Ginn, Frank 1932-1938 | 18 | 13 | ||
Gimpel, Rene 1936-1937 | 18 | 14 | ||
Gimbel Brothers 1948 | 18 | 15 | ||
Germany (Munich), Museums 1938-1958 | 18 | 16 | ||
Geneva, Museums 1956-1957 | 18 | 17 | ||
Gage, George W. 1932-1939 | 18 | 18 | ||
Gazette des Beaux-Arts 1956-1957 | 18 | 19 | ||
F, Objects Offered, Acquired, and Refused | 18 | 20 | ||
Galerie Dr. Griebert 1954 | 18 | 21 | ||
Gallien, Jean H. and A. Gurnee 1955-1958 | 18 | 22 | ||
Game of Artists 1946-1949 | 18 | 23 | ||
Garden Center of Greater Cleveland 1933-1956 | 18 | 24 | ||
Garden Club of America 1932-1949 | 18 | 25 | ||
Garden Court 1948-1949 | 18 | 26 | ||
Isabella Stewart Gardner Museum 1941-1948 | 18 | 27 | ||
Germany, Museums 1937-1958 | 18 | 28 | ||
F, Miscellaneous | 18 | 29 | ||
Greene, Edward Belden 1931-1957 | 19 | 1 | ||
Griesinger, Frank 1952-1958 | 19 | 2 | ||
G, Objects Offered and Refused | 19 | 3 | ||
G, Objects Offered and Acquired | 19 | 4 | ||
G, Miscellaneous | 19 | 5 | ||
Gund, George 1943-1956 | 19 | 6 | ||
Guggenheim Foundation 1929-1957 | 19 | 7 | ||
Guest Lists 1947-1956 | 19 | 8 | ||
Guardian Trust Company 1929-1934 | 19 | 9 | ||
Goodman-Walker, Inc. 1932-1941 | 19 | 10 | ||
Greene, William E. 1955-1957 | 19 | 11 | ||
Grasselli Family 1952-1956 | 19 | 12 | ||
Grand Rapids Art Gallery 1940-1951 | 19 | 13 | ||
Grand Central Art Galleries 1938 | 19 | 14 | ||
Gowen, Albert 1946 | 19 | 15 | ||
Gorham Company 1945-1946 | 19 | 16 | ||
Goodspeed's Book Shop 1932-1941 | 19 | 17 | ||
Gries, Robert Hays 1953-1958 | 19 | 18 | ||
Hays, J. Byers 1954-1958 | 20 | 1 | ||
Healey, Sumner 1931-1932 | 20 | 2 | ||
Heeramaneck Galleries 1930-1958 | 20 | 3 | ||
Heimann, Jacob M. 1938-1949 | 20 | 4 | ||
Heinemann, Phil. Fritz D. 1956-1958 | 20 | 5 | ||
Hekendorn Estate 1954-1957 | 20 | 6 | ||
Herrick, Parmely 1932-1936 | 20 | 7 | ||
Helft, Jacques 1955 | 20 | 8 | ||
Havens, Kate E. 1934-1935 | 20 | 9 | ||
Hesparia Art 1950-1952 | 20 | 10 | ||
John Herron Art Institute 1931-1957 | 20 | 11 | ||
Hanna, Claire (Mrs. Howard) 1951-1958 | 20 | 12 | ||
Hassam, Kathleen Doane (Mrs. Childe) 1940 | 20 | 13 | ||
Hahn, Edgar A. 1950-1958 | 20 | 14 | ||
Halle Brothers 1933-1949 | 20 | 15 | ||
Hackley Art Gallery 1949 | 20 | 16 | ||
Hanna, Coralie Walker 1939-1957 | 20 | 17 | ||
Hanna, Leonard Colton 1932-1958 | 20 | 18 | ||
Hard, Flora E. 1928-1940 | 20 | 19 | ||
Harkness, Edward S. 1937-1948 | 20 | 20 | ||
Harkness, Mary Stillman (Mrs. Edward) 1930-1950 | 20 | 21 | ||
Harvard University 1930-1959 | 20 | 22 | ||
Haines, Elisabeth C. 1935-1939 | 20 | 23 | ||
Hill-Stead Museum 1951 | 21 | 1 | ||
House Beautiful 1947-1948 | 21 | 2 | ||
Howard University 1953-1956 | 21 | 3 | ||
Howell, Alice K. 1954-1957 | 21 | 4 | ||
Hudson Forwarding and Shipping Company 1937-1938 | 21 | 5 | ||
Henry E. Huntington Library and Art Gallery 1932-1949 | 21 | 6 | ||
John Huntington Memorial Tablet 1931-1932 | 21 | 7 | ||
Hyde, James H. 1947-1953 | 21 | 8 | ||
Hyperion Press 1955-1956 | 21 | 9 | ||
Hotels 1937-1949 | 21 | 10 | ||
He-Hy Miscellaneous | 21 | 11 | ||
Hubbell and Benes Company 1946-1949 | 21 | 12 | ||
Ha, Miscellaneous | 21 | 13 | ||
Hitchcock, Lawrence 1934 | 21 | 14 | ||
Humphreys, Helen 1943-1957 | 21 | 15 | ||
Hornung, Gertrude 1954-1955 | 21 | 16 | ||
Hispanic Society of America 1934-1953 | 21 | 17 | ||
Hobart, Richard B. 1954-1957 | 21 | 18 | ||
Hochstadter, Walter 1942-1958 | 21 | 19 | ||
Hoesen, V.E. van 1950-1951 | 21 | 20 | ||
Hoffman, Malvina 1936-1947 | 21 | 21 | ||
Holden Collection and Gallery 1932-1945 | 21 | 22 | ||
Holden, Guerdon S. 1932-1956 | 21 | 23 | ||
Hollis, Howard Coonley 1933-1956 | 21 | 24 | ||
Honolulu Academy of Arts 1944-1950 | 21 | 25 | ||
Hord, John Huntington 1931-1949 | 21 | 26 | ||
Hirsch, Jacob 1933-1955 | 21 | 27 | ||
Institute of Contemporary Art 1948-1956 | 22 | 1 | ||
Inter-American Relations in the Field of Art 1938-1940 | 22 | 2 | ||
International Council of Museums: Correspondence 1950-1957 | 22 | 3 | ||
International Council of Museums: Brochures and Conference Reports 1939-1958 | 22 | 4 | ||
International Cooperation Among Museums 1948-1949 | 22 | 5 | ||
International Center of Romanesque Art 1957-1958 | 22 | 6 | ||
International Academy of Ceramics 1957 | 22 | 7 | ||
Intermuseum Conservation Association 1954 | 22 | 8 | ||
Insurance for War Damage 1942 | 22 | 9 | ||
Institute of Modern Art 1943-1946 | 22 | 10 | ||
Inglis, Richard 1933-1940 | 22 | 11 | ||
Ingalls Family 1932-1958 | 22 | 12 | ||
Indiana University 1957 | 22 | 13 | ||
H, Objects Offered, Acquired, and Refused | 22 | 14 | ||
Insurance Survey 1952 | 22 | 15 | ||
Instituto Nacional de Bellas Artes 1948 | 22 | 16 | ||
Italy, Museums 1951-1958 | 23 | 1 | ||
I, Miscellaneous | 23 | 2 | ||
Internationaler Verband von Museumsbeamten 1933-1953 | 23 | 3 | ||
International Museums Office 1932-1934 | 23 | 4 | ||
International Institute for the Conservation of Museum Objects 1952-1957 | 23 | 5 | ||
International Exhibition of Chinese Art 1935 | 23 | 6 | ||
International Council of Museums: Educational Work 1947-1954 | 23 | 7 | ||
International Council of Museums: UNESCO 1954-1957 | 23 | 8 | ||
Edouard Jonas of Paris, Inc. 1931-1949 | 23 | 9 | ||
Joslyn Art Museum 1950-1957 | 23 | 10 | ||
John Price Jones Corporation 1920-1953 | 23 | 12 | ||
Italy, Exhibitions 1949-1957 | 23 | 13 | ||
Johnson, Philip 1957 | 23 | 14 | ||
Johnson, Homer H. 1956-1957 | 23 | 15 | ||
Johns Hopkins University 1947-1948 | 23 | 16 | ||
Japan, Museums 1951-1955 | 23 | 17 | ||
Jaffe, Arthur 1932-1956 | 23 | 18 | ||
I, Objects Offered, Acquired, and Refused | 23 | 19 | ||
Jones, William Powell 1952-1957 | 23 | 20 | ||
Fanny Thrall (Mrs. Ralph) King Estate 1951-1956 | 24 | 1 | ||
Kent, Henry Watson 1941-1949 | 24 | 2 | ||
Keppel and Company 1932-1941 | 24 | 3 | ||
Kevorkian Foundation 1953-1954 | 24 | 4 | ||
Kevorkian, Hagop 1932-1946 | 24 | 5 | ||
King, Fanny Thrall (Mrs. Ralph) 1932-1949 | 24 | 6 | ||
King, Louise Baldwin (Mrs. Woods) 1947-1957 | 24 | 7 | ||
King, Marian 1957 | 24 | 8 | ||
F. Kleinberger and Company 1931-1962 | 24 | 9 | ||
Klejman, J.J. 1955-1957 | 24 | 10 | ||
Kenmore Association 1954 | 24 | 11 | ||
M. Knoedler and Company, 1932-1957 | 24 | 12 | ||
Kennedy and Company 1921-1955 | 24 | 13 | ||
Kneipp Springs Sanitorium: Treatment of William S. Anderson 1947 | 24 | 14 | ||
J, Miscellaneous | 24 | 15 | ||
Kenyon College 1936-1947 | 24 | 16 | ||
Junior League of Cleveland 1934-1956 | 24 | 17 | ||
Kendrick, George S. 1936-1953 | 24 | 18 | ||
J, Objects Offered, Acquired and Refused | 24 | 19 | ||
Kahn, I. Theodore 1951-1956 | 24 | 20 | ||
Kansas, Museums 1949 | 24 | 21 | ||
Karamu House 1941-1957 | 24 | 22 | ||
Kelekian, Dikran G. 1931-1949 | 24 | 23 | ||
Keller, Henry 1934-1948 | 24 | 24 | ||
Kelley, Alfred and Elizabeth 1941 | 24 | 25 | ||
Hermon A. Kelley Library Fund 1930-1942 | 24 | 26 | ||
Horace Kelley Art Foundation 1930 | 24 | 27 | ||
Kast, Pauline 1931-1933 | 24 | 28 | ||
Junior Council 1946-1957 | 24 | 29 | ||
Loans, A-C | 25 | 1 | ||
Lenihan Insurance Company 1931 | 25 | 2 | ||
John Levy Galleries 1934-1951 | 25 | 3 | ||
Julien Levy Gallery 1935-1937 | 25 | 4 | ||
Libraries 1930-1945 | 25 | 5 | ||
Library of Congress 1934-1947 | 25 | 6 | ||
Marie Sterner Lintott 1932-1944 | 25 | 7 | ||
Lion, Louis 1930-1949 | 25 | 8 | ||
Lissim, Simon 1957 | 25 | 9 | ||
Max Littwitz, Inc. 1934-1947 | 25 | 10 | ||
Samuel H. Kress Foundation 1950-1954 | 25 | 11 | ||
Kunsthalle Basel 1952-1953 | 25 | 12 | ||
Leisy, Herbert 1949-1956 | 25 | 13 | ||
J.J. Little and Ives Company, Inc. 1955 | 25 | 14 | ||
Kubinyi, Kalman 1950-1958 | 25 | 15 | ||
K, Objects Offered, Acquired, and Refused | 25 | 16 | ||
Komor, Mathias 1946-1957 | 25 | 17 | ||
Kraushaar Galleries 1932-1958 | 25 | 18 | ||
Leinberger Cross 1938-1946 | 25 | 19 | ||
Kronig, Wolfgang 1957 | 25 | 20 | ||
Kulas, Fynette Hill (Mrs. Elroy J.) 1952-1957 | 25 | 21 | ||
K, Miscellaneous | 25 | 22 | ||
David M. Koetser Gallery 1955 | 25 | 23 | ||
Lake Erie College 1952-1957 | 25 | 24 | ||
Lamont, Frances 1950-1955 | 25 | 25 | ||
Lederer, Erich 1950-1954 | 25 | 26 | ||
Lees-McRae College 1941-1942 | 25 | 27 | ||
Samuel H. Kress Collection 1939 | 25 | 28 | ||
Lugt, Fritz 1955-1956 | 26 | 1 | ||
Los Angeles County Museum of Art 1935-1957 | 26 | 2 | ||
Lucas, John and Siki 1951-1956 | 26 | 3 | ||
Louvre Museum 1930-1957 | 26 | 4 | ||
Louisville Art Association 1936-1948 | 26 | 5 | ||
Losbichler, Ludwig 1953-1954 | 26 | 6 | ||
Loo, C.T. 1941-1957 | 26 | 7 | ||
Loewi, Adolph H. 1938-1958 | 26 | 8 | ||
Loans, N-Z | 26 | 9 | ||
Loans, G-M | 26 | 10 | ||
Loans, D-F | 26 | 11 | ||
Lothrop, Samuel 1951-1952 | 26 | 12 | ||
Los Angeles County 1938-1958 | 26 | 13 | ||
William Macbeth, Inc. 1932-1948 | 27 | 1 | ||
Mather, William Gwinn and Elizabeth Ring 1930-1958 | 27 | 2 | ||
Mather, Frank Jewett 1944 | 27 | 3 | ||
Masterpieces of Art from the New York World's Fair 1938-1940 | 27 | 4 | ||
Mallon, Paul and Marguerite 1930-1957 | 27 | 5 | ||
L, Objects Offered, Acquired, and Refused | 27 | 6 | ||
L, Miscellaneous | 27 | 7 | ||
Lyman Allyn Museum 1931-1954 | 27 | 8 | ||
Marlborough Fine Art, Ltd. 1951 | 27 | 9 | ||
Miami University 1955-1959 | 28 | 1 | ||
Membership Certificates 1956-1960 | 28 | 2 | ||
Miestchaninoff, Beatrice (Mrs. Oscar) 1957 | 28 | 3 | ||
Metropolitan Museum of Art 1931-1960 | 28 | 4 | ||
Mesopotamia Expedition 1929-1935 | 28 | 5 | ||
Memorial Gifts 1934-1949 | 28 | 6 | ||
Membership Department 1940-1950 | 28 | 7 | ||
Mell, Margaret 1953-1954 | 28 | 8 | ||
Medical Center Company 1940-1962 | 28 | 9 | ||
Marion Koogler McNay Art Institute 1954-1956 | 28 | 10 | ||
McDougall, Elsie B. 1937 | 28 | 11 | ||
McBride, Malcolm and Lucia 1935-1949 | 28 | 12 | ||
Mayuyama and Company 1952-1958 | 28 | 13 | ||
Pierre Matisse Gallery 1936-1952 | 28 | 14 | ||
Matthiesen Gallery 1952-1956 | 28 | 15 | ||
Mostra Di Paolo Veronese 1939 | 29 | 1 | ||
Munson-Williams-Proctor Institute 1952-1957 | 29 | 2 | ||
Musee de Dijon 1940-1957 | 29 | 3 | ||
Musee de l'Orangerie: Exhibition of 19th-Century French Paintings from American Collections 1953-1955 | 29 | 4 | ||
Museum Conferences 1954-1958 | 29 | 5 | ||
Museum of Fine Arts, Boston 1930-1957 | 29 | 6 | ||
Morse, John D. 1953-1955 | 29 | 7 | ||
Miller, Otto 1934-1947 | 29 | 8 | ||
Museum of Costume Art 1939-1955 | 29 | 9 | ||
Minassian, Adrienne 1952-1958 | 29 | 10 | ||
Milliken, William Mathewson: Retirement 1952-1958 | 29 | 11 | ||
Museum of Fine Arts of Houston 1953-1958 | 29 | 12 | ||
Millikin, Marta Abba 1953-1958 | 29 | 13 | ||
Moore, Fanny Hanna 1951-1958 | 29 | 14 | ||
Millikin, Severance and Greta 1936-1958 | 29 | 15 | ||
Milwaukee Art Institute 1932-1957 | 29 | 16 | ||
Minneapolis Institute of Art 1932-1957 | 29 | 17 | ||
Mint Museum of Art 1954 | 29 | 18 | ||
Mont, Frederick 1951-1958 | 29 | 19 | ||
Montclair Art Museum 1951-1955 | 29 | 20 | ||
Montreal Museum of Fine Arts 1949-1952 | 29 | 21 | ||
Mo-Mu, Miscellaneous | 30 | 1 | ||
National City Bank of Cleveland 1950-1956 | 30 | 2 | ||
National Academy of Design 1931-1955 | 30 | 3 | ||
Nagatani, Inc. 1955-1958 | 30 | 4 | ||
M, Objects Offered and Acquired | 30 | 5 | ||
National Committee for Art Appreciation 1937 | 30 | 6 | ||
Musical Arts 1938-1952 | 30 | 7 | ||
Museum of Navajo Ceremonial Art 1943 | 30 | 8 | ||
Museum of Modern Art: Customs Committee 1949-1954 | 30 | 9 | ||
Museum of Modern Art 1932-1958 | 30 | 10 | ||
M-Mi, Miscellaneous, | 30 | 11 | ||
M, Objects Offered and Refused | 30 | 12 | ||
N, Miscellaneous | 31 | 1 | ||
Newberry, Mary W. 1933-1934 | 31 | 2 | ||
Oberlin College 1930-1958 | 31 | 3 | ||
Nicola, K.V. 1933 | 31 | 4 | ||
Newhouse Galleries 1930-1944 | 31 | 5 | ||
Norton, Laurence H. 1953-1956 | 31 | 6 | ||
Norweb Foundation 1954-1957 | 31 | 7 | ||
Nott, Stanley C. 1941-1942 | 31 | 8 | ||
N, Objects Offered, Acquired, and Refused | 31 | 9 | ||
Newark Museum 1935-1957 | 31 | 10 | ||
Norweb, R. Henry and Emery May 1930-1958 | 31 | 11 | ||
National Gallery of Art, Wasington, D.C. 1933-1958 | 31 | 12 | ||
New York University, Institute of Fine Arts 1933-1954 | 31 | 13 | ||
National Gallery, London 1951-1956 | 31 | 14 | ||
National Gallery of Canada 1931-1958 | 31 | 15 | ||
National Gallery of Ireland 1930-1931 | 31 | 16 | ||
National Recovery Administration 1933-1934 | 31 | 17 | ||
National Sculpture Society 1946-1949 | 31 | 18 | ||
William Rockhill Nelson Gallery of Art 1931-1956 | 31 | 19 | ||
Netherlands, Museums 1934-1957 | 31 | 20 | ||
New York Graphic Society 1955-1956 | 31 | 21 | ||
New York Public Library 1935-1950 | 31 | 22 | ||
North Carolina Museum of Art 1956-1957 | 31 | 23 | ||
Ohio State Archaeological and Historical Society 1938-1949 | 32 | 1 | ||
Olsen Press 1952-1957 | 32 | 2 | ||
O, Objects Offered, Acquired, and Refused | 32 | 3 | ||
O, Miscellaneous | 32 | 4 | ||
Owen, Richard 1932-1934 | 32 | 5 | ||
Oriental Department 1930-1949 | 32 | 6 | ||
Oriental Art Gallery 1956-1957 | 32 | 7 | ||
Olympic Games Exhibition 1932 | 32 | 8 | ||
O'Keeffe, Georgia 1937-1953 | 32 | 9 | ||
Ohio State University 1938-1956 | 32 | 10 | ||
Ohio Sesquicentennial Commission 1951-1953 | 32 | 11 | ||
Ohio, Museums 1932-1945 | 32 | 12 | ||
Ohio Bell Telephone Company 1935-1949 | 32 | 13 | ||
Ogunquit Museum 1954-1955 | 32 | 14 | ||
Ohio University 1949-1954 | 32 | 15 | ||
Parsons, Harold Woodbury: Forgery of Bronze Diana 1951-1952 | 33 | 1 | ||
Paris, Museums 1952-1957 | 33 | 2 | ||
Penton, John A. 1948-1955 | 33 | 3 | ||
Pension Trust 1943-1947 | 33 | 4 | ||
Permission to Lend Museum Objects | 33 | 5 | ||
Pennsylvania Museum of Art 1932-1938 | 33 | 6 | ||
Pennsylvania Academy of the Fine Arts 1954-1955 | 33 | 7 | ||
Pasadena Art Institute 1950-1953 | 33 | 8 | ||
Parrish Art Museum 1957 | 33 | 9 | ||
Parmelee, Alice M. (Mrs. James) 1931-1940 | 33 | 10 | ||
Parkin, Margaret R. 1953-1956 | 33 | 11 | ||
Park, Minna D. (Mrs. Lawrence) 1932 | 33 | 12 | ||
Pareto, Aurelio L. 1938-1941 | 33 | 13 | ||
Parke-Bernet Galleries 1949 | 33 | 14 | ||
Parsons, Harold Woodbury 1930-1957 | 33 | 15 | ||
Philadelphia Art Alliance 1946 | 34 | 1 | ||
Philadelphia Museum of Art 1938-1955 | 34 | 2 | ||
Peterson, W. 1934 | 34 | 3 | ||
Perzynski, Friedrich 1936-1937 | 34 | 4 | ||
Personal Property Book 1928-1960 | 34 | 5 | ||
Permission to Publish | 34 | 6 | ||
Prasse, Leona E. 1950-1958 | 35 | 1 | ||
Prints Department 1932-1949 | 35 | 2 | ||
Print Club 1950-1957 | 35 | 3 | ||
Princeton University: Excavations at Antioch 1931 | 35 | 4 | ||
Princeton University 1933-1948 | 35 | 5 | ||
Preservation of Museum Objects 1929-1949 | 35 | 6 | ||
Prentiss, Francis Fleury 1930-1938 | 35 | 7 | ||
Prentiss, Elisabeth Severance Allen 1932-1949 | 35 | 8 | ||
Prendergast, Maurice B. 1931 | 35 | 9 | ||
Pollock, Mary 1941 | 35 | 10 | ||
Publication Costs 1930-1952 | 35 | 11 | ||
Philip, Josephine 1954-1957 | 35 | 12 | ||
Philbrook Art Center 1950-1952 | 35 | 13 | ||
Phillips Memorial Gallery 1930-1948 | 35 | 14 | ||
Photography and Printing 1930-1950 | 35 | 15 | ||
Pierpont Morgan Library 1932-1958 | 35 | 16 | ||
Plaster Casts for Hans Wentzel 1953-1955 | 35 | 17 | ||
Plum, Matthias and Ann 1956-1957 | 35 | 18 | ||
Porcella, Amadore 1936-1957 | 35 | 19 | ||
Pope, Arthur Upham 1930-1943 | 35 | 20 | ||
Portland Art Museum 1941-1954 | 35 | 21 | ||
Rebay, Hilla 1953-1957 | 36 | 1 | ||
Rhode Island School of Design 1931-1956 | 36 | 2 | ||
Rorimer-Brooks Company 1944-1949 | 36 | 3 | ||
Rogers, Grace Rainey 1941-1950 | 36 | 4 | ||
Rockefeller, John D., Jr. 1937-1957 | 36 | 5 | ||
Rochester Memorial Art Gallery 1930-1950 | 36 | 6 | ||
Rijksmuseum 1947-1957 | 36 | 7 | ||
Riemenschneider, Albert 1933-1946 | 36 | 8 | ||
Rice, D.S. 1954-1958 | 36 | 9 | ||
P, Objects Offered and Refused | 36 | 10 | ||
Rewald, John 1948-1955 | 36 | 11 | ||
P, Miscellaneous | 36 | 12 | ||
Quimby, Arthur 1937-1957 | 36 | 13 | ||
Q, Objects Offered and Refused | 36 | 14 | ||
Radio 1932-1944 | 36 | 15 | ||
Ravenna Altar Front 1949-1950 | 36 | 16 | ||
Raymond and Raymond, Inc. 1934-1946 | 36 | 17 | ||
Registrar 1931-1949 | 36 | 18 | ||
Russell, Dorothea 1930-1931 | 37 | 1 | ||
Saginaw Museum 1948-1949 | 37 | 2 | ||
Saffold, J. Webb 1945-1949 | 37 | 3 | ||
Sachs, Paul J. 1934-1951 | 37 | 4 | ||
Sachs, Arthur 1928-1958 | 37 | 5 | ||
R, Objects Offered and Refused | 37 | 6 | ||
R, Objects Offered and Acquired | 37 | 7 | ||
R, Miscellaneous | 37 | 8 | ||
Salmagundi Club 1949 | 37 | 9 | ||
Rose, Milton Curtiss 1954-1955 | 37 | 10 | ||
Rosenberg, James N. 1950-1957 | 37 | 11 | ||
Paul Rosenberg and Company 1941-1958 | 37 | 12 | ||
Rosenberg and Stiebel, Inc. 1942-1958 | 37 | 13 | ||
Rosicrucian Egyptian Oriental Museum 1938-1952 | 37 | 14 | ||
Ross, Cary 1934-1935 | 37 | 15 | ||
Ross, Marvin Chauncey 1932-1958 | 37 | 16 | ||
Roullier Art Gallery, Albert 1932-1941 | 37 | 17 | ||
Royal Academy: Exhibition of American Art 1939-1941 | 37 | 18 | ||
Royal Ontario Museum 1938-1950 | 37 | 19 | ||
SanGiorgi Galleria 1932-1934 | 38 | 1 | ||
Schmitt, Ralph S. 1952-1956 | 38 | 2 | ||
Arnold Seligmann, Rey and Company 1930-1948 | 38 | 3 | ||
Seligmann, Andre J. 1932-1941 | 38 | 4 | ||
Seattle Art Museum 1948-1957 | 38 | 5 | ||
Scott and Fowles 1951-1953 | 38 | 6 | ||
Carl Schurz Memorial Foundation 1933-1955 | 38 | 7 | ||
Schniewind, Elma M. 1950-1957 | 38 | 8 | ||
Schmidt, Guillermo R. 1931-1935 | 38 | 9 | ||
Schafer, Frances (Mrs. Gilbert) 1949-1957 | 38 | 10 | ||
Schaeffer Galleries, Inc. 1941-1958 | 38 | 11 | ||
Salvatore, Victor 1937-1941 | 38 | 12 | ||
Santa Barbara Museum of Art 1941-1956 | 38 | 13 | ||
Jacques Seligmann and Company 1931-1949 | 38 | 14 | ||
San Francisco Museum of Art 1935-1958 | 38 | 15 | ||
San Diego Fine Arts Gallery 1935-1938 | 38 | 16 | ||
Schab, William H. 1951-1958 | 38 | 17 | ||
Simkhovitch, Vladimir 1945-Feb. 1953 | 39 | 1 | ||
Shreve, Crump and Low Company 1934-1942 | 39 | 2 | ||
Severance, John Long 1930-1940 | 39 | 3 | ||
Jacques Seligmann and Company 1950-1958 | 39 | 4 | ||
Society of Medalists 1931-1949 | 40 | 1 | ||
South Bend Art Association 1950 | 40 | 2 | ||
Sommer, William 1936-1946 | 40 | 3 | ||
Society of the Four Arts 1952-1956 | 40 | 4 | ||
Society of Arts and Crafts 1949 | 40 | 5 | ||
Social Security Act 1936-1950 | 40 | 6 | ||
Smith, Kelvin 1955-1958 | 40 | 7 | ||
Smith College Museum of Art 1935-1957 | 40 | 8 | ||
Smart, E. Hodgson 1932 | 40 | 9 | ||
Skylight Questionnaire 1953 | 40 | 10 | ||
Skylight and Roof Repairs 1916-1954 | 40 | 11 | ||
Simkhovitch, Vladimir, March 1953-1957 | 40 | 12 | ||
Smithsonian Institution 1952-1957 | 40 | 13 | ||
Sotheby and Company 1950-1956 | 40 | 14 | ||
Suhr, William 1932-1958 | 41 | 1 | ||
Stendahl, Earl L. 1951-1954 | 41 | 2 | ||
Stermole, Robert W. 1956-1958 | 41 | 3 | ||
Stern, Frederic 1941-1948 | 41 | 4 | ||
Stieglitz, Alfred 1932-1947 | 41 | 5 | ||
Stoclet, Philippe and Michele 1950-1956 | 41 | 6 | ||
Stone, Louise (Mrs. Edgar) 1958 | 41 | 7 | ||
Strong, William A. 1952-1957 | 41 | 8 | ||
Stehli Brothers 1954-1958 | 41 | 9 | ||
Stora, R. 1930-1958 | 41 | 10 | ||
Spink, C. Marshall 1954-1955 | 41 | 11 | ||
Syracuse Museum of Fine Arts 1930-1958 | 41 | 12 | ||
Stechow, Wolfgang 1939-1940 | 41 | 13 | ||
J.B. Speed Art Museum 1957 | 41 | 14 | ||
Spink and Sons 1930-1954 | 41 | 15 | ||
Sportsmen Show 1949 | 41 | 16 | ||
Springfield Museum of Fine Arts 1936-1954 | 41 | 17 | ||
Squire, Eleanore (Mrs. Andrew) 1930-1931 | 41 | 18 | ||
Squire, Sanders and Dempsey 1930-1931 | 41 | 19 | ||
Stanford University 1954-1955 | 41 | 20 | ||
Spark, Victor D. 1945-1958 | 41 | 21 | ||
Si-Sz, Miscellaneous | 42 | 1 | ||
J.T. Tai and Company 1953-1958 | 42 | 2 | ||
Taxes 1932-1957 | 42 | 3 | ||
Tate Gallery 1940-1957 | 42 | 4 | ||
Taplin, Frank E. 1950-1957 | 42 | 5 | ||
Taft Museum 1950-1953 | 42 | 6 | ||
S, Objects Offered and Acquired | 42 | 7 | ||
S-Sh, Miscellaneous | 42 | 8 | ||
S, Objects Offered and Refused | 42 | 9 | ||
Ton-Ying and Company 1932-1957 | 43 | 1 | ||
Louis Comfort Tiffany Foundation 1947-1949 | 43 | 2 | ||
UNESCO 1943-1949 | 43 | 3 | ||
T, Objects Offered, Acquired and Refused | 43 | 4 | ||
T, Miscellaneous | 43 | 5 | ||
Treuhaft, William C. 1952-1957 | 43 | 6 | ||
The Temple 1955-1958 | 43 | 7 | ||
Toledo Museum of Art 1931-1957 | 43 | 8 | ||
Tietze, Hans 1935-1939 | 43 | 9 | ||
Textiles Department 1931-1952 | 43 | 10 | ||
Ternbach, Joseph 1952-1954 | 43 | 11 | ||
Termites 1955-1956 | 43 | 12 | ||
Tishman, Paul 1956-1958 | 43 | 13 | ||
United States Post Office 1933-1941 | 44 | 1 | ||
University Circle Development Foundation 1952-1955 | 44 | 2 | ||
United States Government 1930-1958 | 44 | 3 | ||
UNESCO: Printed Material 1947-1958 | 44 | 4 | ||
UNESCO: American Federation of Arts Committee 1949-1950 | 44 | 5 | ||
UNESCO 1951-1958 | 44 | 6 | ||
United States, Galleries 1936-1949 | 44 | 7 | ||
Vose Galleries of Boston 1939-1957 | 45 | 1 | ||
Wade Park Develoopment 1940 | 45 | 2 | ||
U, Objects Offered, Acquired, and Refused | 45 | 3 | ||
Universities, General ( by name of university) | 45 | 4 | ||
Vancouver Art Gallery 1952-1955 | 45 | 5 | ||
Ventura, Giovanna 1950-1956 | 45 | 6 | ||
Wade, George Garretson 1950-1957 | 45 | 7 | ||
Virginia Museum of Fine Arts 1950-1958 | 45 | 8 | ||
V, Miscellaneous | 45 | 9 | ||
V, Objects Offered, Acquired, and Refused | 45 | 10 | ||
U, Miscellaneous | 45 | 11 | ||
Victoria and Albert Museum 1932-1955 | 45 | 12 | ||
University of Chicago 1934-1949 | 45 | 13 | ||
University of Toronto 1946-1949 | 45 | 14 | ||
Valentiner, William R. 1954-1957 | 45 | 15 | ||
University of California 1954-1957 | 45 | 16 | ||
University of Georgia 1952-1958 | 45 | 17 | ||
University of Illinois 1950-1956 | 45 | 18 | ||
University of Kansas Museum of Art 1954-1957 | 45 | 19 | ||
University of Louisville 1941-1955 | 45 | 20 | ||
University of Miami 1951-1956 | 45 | 21 | ||
University of Michigan 1935-1949 | 45 | 22 | ||
University of Minnesota 1938-1957 | 45 | 23 | ||
University of Notre Dame 1957 | 45 | 24 | ||
University of Pennsylvania Museum 1931-1957 | 45 | 25 | ||
University Circle Development Foundation 1956-1958 | 45 | 26 | ||
Weyhe Gallery 1957 | 46 | 1 | ||
Welfare Federation 1951-1957 | 46 | 2 | ||
Whitney Museum of American Art 1931-1955 | 46 | 3 | ||
Whiting, Frederic Allen 1930-1953 | 46 | 4 | ||
Western Union Telegraph Company 1930-1931 | 46 | 5 | ||
Western Reserve University 1931-1957 | 46 | 6 | ||
Western Reserve Historical Society 1937-1957 | 46 | 7 | ||
Wells Objects of Art, Inc. 1938-1939 | 46 | 8 | ||
Wadsworth Atheneum 1934-1957 | 46 | 9 | ||
Warner, Langdon 1936-1949 | 46 | 10 | ||
Cornelia Blakemore Warner Bequest 1947-1950 | 46 | 11 | ||
Warner, Cornelia Blakemore 1930-1943 | 46 | 12 | ||
War Memorial Advisory Council 1946-1947 | 46 | 13 | ||
Walters Art Gallery 1934-1957 | 46 | 14 | ||
Wallace Collection 1950-1957 | 46 | 15 | ||
Walker Art Center 1949-1956 | 46 | 16 | ||
Whitney, Edward S. 1932-1966 | 46 | 17 | ||
Weaver, Robert A. 1934-1956 | 46 | 18 | ||
Winnipeg Art Gallery 1950-1958 | 47 | 1 | ||
Wise, John 1939-1958 | 47 | 2 | ||
Witt, Robert 1932-1951 | 47 | 3 | ||
Wolkenberg, Alfred 1946-1947 | 47 | 4 | ||
Worcester Art Museum 1933-1955 | 47 | 5 | ||
Wise, Samuel D. 1942-1956 | 47 | 6 | ||
Winfield Foundation 1953-1956 | 47 | 7 | ||
Wright, Henrietta Stone 1941-1942 | 47 | 8 | ||
H.W. Wilson, Inc. 1932-1942 | 47 | 9 | ||
Wilmington Society of the Fine Arts 1951-1959 | 47 | 10 | ||
Williams, Lewis Blair 1934-1957 | 47 | 11 | ||
Williams College 1953-1957 | 47 | 12 | ||
Willard Gallery 1957 | 47 | 13 | ||
Wildenstein and Company 1931-1957 | 47 | 14 | ||
Wilson, R. Thornton 1946-1952 | 47 | 15 | ||
Henry Francis DuPont Winterthur Museum 1952-1957 | 47 | 16 | ||
W-Wh, Miscellaneous | 48 | 1 | ||
X-Z, Objects Offered and Acquired | 48 | 2 | ||
X-Z, Miscellaneous | 48 | 3 | ||
Zinser, Richard H. 1940-1956 | 48 | 4 | ||
Yamanaka and Company 1932-1958 | 48 | 5 | ||
Yale University 1930-1957 | 48 | 6 | ||
W, Objects Offered and Refused | 48 | 7 | ||
Wi-Wy, Miscellaneous | 48 | 8 | ||
X-Z, Objects Offered and Refused | 48 | 9 | ||
W, Objects Offered and Acquired | 48 | 10 | ||
Personal Papers 1919-1974 1.6 Cubic feet [5 boxes]Arrangement noteAlphabetical Scope and Contents noteThis records series documents Milliken's personal life and is arranged alphabetically by document type. About one quarter of Milliken's personal papers consists of three drafts of his book, tentatively called Stories Behind the Museum Collection, which was never published (see box 50). The remainder is a miscellany of Christmas cards, personal correspondence, souvenir books, poems, jottings, sketches, and other materials. Researchers should be aware that personal papers and memorabilia comprise most of the two collections housed with the Archives of American Art and the Western Reserve Historical Society. Inventories of materials held in those repositories are available in the museum's archives. A microfilm copy of Milliken's papers in the Archives of American Art can also be viewed in the Ingalls Library. | ||||
Certificate as Gran Mastro dell'Ordine della Corona d'Italia, 21 March 1938 (O-2-2-3) | ||||
Diploma for the New Sweden Medal confered 27 June 1939 (O-2-2-3) | ||||
Condolences on the death of William Milliken from the City of Cleveland, 17 March 1978 (copy) (O-2-2-3) | ||||
Leather case containing medals bestowed by various governments and organizations (including a WWI service medal), and club pins (oversize shelf 25-4) | ||||
Ursuline College Ursula Laurus Medal award, 4 June 1963 (O-2-2-3) | ||||
| Box | Folder | |||
Articles by William M. Milliken | 49 | 1 | ||
Articles by Other Authors | 49 | 2 | ||
Awards and Honors | 49 | 3 | ||
Book Reviews | 49 | 4 | ||
Christmas Cards | 49 | 5 | ||
Correspondence 1919-1974 | 49 | 6 | ||
Correspondence with and about Hugh Kennedy Milliken 1936-1954 | 49 | 7 | ||
Draft Manuscripts about The Cleveland Museum of Art Collection | 50 | 1-6 | ||
Histoire de l'Art, annotated by William Milliken | 51 | 1 | ||
Interview with Dennis Barrie 1974 | 51 | 2 | ||
Italian Cultural Garden: Sketch of Wrought Iron Gate | 51 | 3 | ||
Memorabilia | 51 | 4 | ||
Newspaper Articles and Resumes | 51 | 5 | ||
Notes | 51 | 6 | ||
Notes on Chief Works of the Prado museum | 51 | 7 | ||
Notes on Objects in European Collections | 52 | 1 | ||
Organizations: General | 52 | 2 | ||
Organizations: Cenacolo di Cultura Italiano 1934-1957 | 52 | 3 | ||
Organizations: Church of the Covenant 1926-1958 | 52 | 4 | ||
Organizations: Development Committee 1940-1947 | 52 | 5 | ||
Organizations: Newcomen Society in North America | 52 | 6 | ||
Organizations: The Novel Club | 52 | 7 | ||
Organizations: The Rowfant Club | 52 | 8 | ||
Pastel Drawing of William Milliken, Artist Unknown | 52 | 9 | ||
Personal Finances 1955-1956 | 52 | 10 | ||
Personal Finances: Income Taxes 1920-1955 | 52 | 11 | ||
Poetry | 52 | 12 | ||
Princeton University 1942-1958 | 52 | 13 | ||
Princeton University: Book titled Ten Years Out of Princeton 1922 | 53 | 1 | ||
Princeton University: Book from the 25th Reunion of the Class of 1911 | 53 | 2 | ||
Princeton University: Visiting Committee of the Department of Art and Archaeology 1933-1957 | 53 | 3 | ||
Scrapbooks | 53 | 4 | ||
Souvenir Book of The War Record of the 5th Company Second Plattsburg Training Camp | 53 | 5 | ||
Speeches | 53 | 6 | ||
Travel | 53 | 7 | ||
Records relating to Federal Art Programs 1933-1943 1.0 Cubic feet [3 boxes]Scope and Contents noteThis section documents William Milliken's work for federal art programs of the New Deal. It is arranged primarily by program--either the Public Works of Art Project (PWAP) or the Treasury Relief Art Project (TRAP)--and then by subject and date. Included in the files are correspondence with artists and administrators in Columbus and Washington, D.C., pamphlets, newspaper clippings, meeting minutes, ledgers, and photographs of art works. Of particular interest is Milliken's journal of his work for the PWAP, found in the folder titled "Cleveland Artists and their Projects" in box 54. Arranged by artists' names, it provides titles and descriptions of projects assigned, as well as a daily journal of progress for each project. Also, all of the files pertaining to TRAP projects planned for post offices in Ohio and Illinois (in boxes 55-56) contained blueprints that have since been removed to oversize storage but are available to researchers. Most of the records documenting federal art programs in Ohio and the Midwest are housed in the National Archives and Records Administration in Washington, D.C. For more information about William Milliken's work for federal art programs of the New Deal, see Karal Ann Marling's article cited in the bibliography. Arrangement noteBy program, thereunder alphabetically | ||||
| Box | Folder | |||
Artists in Civil Conservation Corps, Includes photographs. 1934-1935 | 54 | 1 | ||
Correspondence [3 folders] 1934-1943 | 54 | 2 | ||
Public Works of Art Project (PWAP): General, 1934. Included map of PWAP regions and ledger book that have been transferred to oversize storage. 1934 | 54 | 3 | ||
PWAP: Traveling Exhibit of Painting and Sculpture Created for Federal Buildings 1934-1937 | 54 | 4 | ||
PWAP: Cleveland Artists and Their Projects 1933-1934 | 54 | 5 | ||
PWAP: Clippings 1933-1934 | 54 | 6 | ||
PWAP: Employment Applications from Artists 1933-1934 | 55 | 1 | ||
PWAP: Minutes 1933 | 55 | 2 | ||
PWAP: Photographs of Works of Art [3 folders] | 55 | 3 | ||
Treasury Relief Art Project (TRAP): Bulletins [2 folders] 1935-1939 | 55 | 4 | ||
TRAP: Correspondence with Artists 1935-1937 | 56 | 1 | ||
TRAP: Competitions for Murals in Ohio Post Offices 1934-1940 | 56 | 2 | ||
TRAP: Competition for Mural in Barnesville, Ohio, Post Office 1935-1938 | 56 | 3 | ||
TRAP: Competition for Mural in Cleveland, Ohio, Post Office 1935-1938 | 56 | 4 | ||
TRAP: Competition for Mural in Cuyahoga Falls, Ohio, Post Office 1940-1943 | 56 | 5 | ||
TRAP: Competition for Mural in Decatur, Illinois, Post Office 1936 | 56 | 6 | ||
TRAP: Competition for Mural in Portsmouth, Ohio, Post Office 1935-1938 | 56 | 7 | ||
TRAP: Competition for Mural in Ravenna, Ohio, Post Office 1935-1939 | 56 | 8 | ||
TRAP: Competition for Mural in Springfield, Ohio, Post Office 1935-1939 | 56 | 9 | ||
Index to Alphabetical Correspondence 1930-1958 1.6 Cubic feet [10 3x5" card boxes]Arrangement noteAlphabetically Scope and Contents noteThis is a 3" x 5" card file to correspondence received by the first two directors, although it appears to be a more comprehensive index for Milliken's administrative correspondence. The cards are arranged alphabetically by correspondents' names, under which are noted the dates and contents of the letter(s) received and an abbreviation for the director to whom the correspondence was addressed (i.e., M or W). This is not an effective tool for locating specific letters, however, since it does not identify the numbers or names of folders in which incoming correspondence was filed. Researchers interested in Whiting's correspondence should use the card file described in this finding aid under the records of Frederic Allen Whiting, series IV. Those searching through Milliken's correspondence can use this index only to verify that Milliken did receive correspondence from a specific person or institution. | ||||
| Box | Folder | |||
Abbot - Bryson | 57 | |||
Bubna - de Lorm | 58 | 1 | ||
de Marco - Gizewski | 59 | 1 | ||
Glackens - Hittenraach | 60 | 1 | ||
Hoban - Kozma | 61 | 1 | ||
Kracke- McVey | 62 | 1 | ||
Mead - Pedersen | 63 | 1 | ||
Peele - Samuels | 64 | 1 | ||
Sandberg - Teyral | 65 | 1 | ||
Thacher - Zwingmann | 66 | 1 | ||
Scrapbooks 1937-1955 [6 boxes of microfilm]Scope and Contents noteThis series consists mostly of newspaper and magazine articles that William Milliken collected and pasted into individual scrapbooks in chronological order. The scrapbooks--available on microfilm--generally tend to memorialize significant events at the museum during Milliken's tenure as director, although they also include a small amount of personal memorabilia (e.g., theater tickets, menus, and invitations). | ||||
| Reel | ||||
Microfilm Reel 1, 4 July 1937-13 May 1945 (2 copies, one positive and one negative) | 1 | |||
Microfilm Reel 2, 12 May 1945-30 May 1948 (2 copies, one positive and one negative) | 2 | |||
Microfilm Reel 3, June 1948-May 1950 (2 copies, one positive and one negative) | 3 | |||
Microfilm Reel 4, Oct. 1949-May 1950, 14 May 1950-3 March 1951 | 4 | |||
Microfilm Reel 5, Feb. 1951-Jan. 1952, 13 Jan. 1952-7 Nov. 1952 | 5 | |||
Microfilm Reel 6, 8 Nov. 1952-22 May 1953, Feb.-Dec. 1955 | 6 | |||
Transcripts of Radio Talks [on microfilm] ca. 1934-1951 [3 boxes of microfilm]Arrangement noteChronologically Scope and Contents noteThese are transcripts of radio talks given by Milliken and other museum staff on local radio stations. No audio accompanies these transcripts. | ||||
| Reel | ||||
ca. 1934, 1939 | 1 | |||
ca. 1951 [includes May Show radio talks] | 2 | |||
ca. 1927 - 1950 | 3 | |||