| Georgia O’Keeffe: Living Modern | Link | November | 23 | 2018 | March | 03 | 2019 |
| Charles Burchfield: The Ohio Landscapes, 1915–1920 | | December | 22 | 2018 | May | 05 | 2019 |
| Graphic Discontent: German Expressionism on Paper | Link | January | 14 | 2018 | May | 13 | 2018 |
| Dana Schutz: Eating Atom Bombs | | January | 20 | 2018 | April | 15 | 2018 |
| Brett Weston: Photographs | | January | 21 | 2018 | May | 06 | 2018 |
| Theresa Hak Kyung Cha: Displacements | | January | 30 | 2018 | April | 08 | 2018 |
| William Morris: Designing an Earthly Paradise | Link | October | 29 | 2017 | January | 13 | 2019 |
| Downtown 81 Outtakes | Link | January | 04 | 2017 | April | 23 | 2017 |
| Basquiat: The Unknown Notebooks | Link | January | 22 | 2017 | April | 23 | 2017 |
| African Master Carvers: Known and Famous | | March | 26 | 2017 | July | 16 | 2017 |
| Black in America: Louis Draper and Leonard Freed | | February | 26 | 2017 | July | 30 | 2017 |
| Alfredo Jaar | | April | 24 | 2017 | August | 06 | 2017 |
| Brand-New & Terrific: Alex Katz in the 1950s | Link | April | 30 | 2017 | August | 06 | 2017 |
| Cutting Edge: Modern Prints from Atelier 17 | | April | 09 | 2017 | August | 13 | 2017 |
| Reeds and Geese: Japanese Art from the Collection of George Gund III | | May | 21 | 2017 | September | 03 | 2017 |
| Opulent Fashion in the Church | | September | 24 | 2017 | October | 01 | 2017 |
| Chaekgeori: Pleasure of Possessions in Korean Painted Screens | Link | August | 05 | 2017 | November | 05 | 2017 |
| Liz Roberts and Henry Ross: Death Knell | | September | 09 | 2017 | December | 23 | 2017 |
| Jerry Birchfield: Stagger When Seeing Visions | | September | 01 | 2017 | December | 23 | 2017 |
| Scott Olson | | September | 01 | 2017 | December | 23 | 2017 |
