| Beyond Truth: Photography after the Shutter | | February | 10 | 2019 | May | 26 | 2019 |
| Charles Burchfield: The Ohio Landscapes, 1915–1920 | | December | 22 | 2018 | May | 05 | 2019 |
| Raúl de Nieves: Fina | | February | 02 | 2019 | April | 28 | 2019 |
| Renée Green: Partially Buried | | January | 28 | 2019 | May | 19 | 2019 |
| Color and Comfort: Swedish Modern Design | | February | 17 | 2019 | February | 09 | 2020 |
| Master/Apprentice: Imitation and Inspiration in the Renaissance | | October | 13 | 2019 | February | 23 | 2020 |
| Liu Wei: Invisible Cities | | October | 13 | 2019 | February | 16 | 2020 |
| Pioneers: Part Two | | December | 02 | 2019 | March | 13 | 2020 |
| Tiffany in Bloom: Stained Glass Lamps of Louis Comfort Tiffany | | October | 20 | 2019 | October | 04 | 2020 |
| Conversation about Diversity in Korean Embroidery Arts | | January | 30 | 2020 | October | 25 | 2020 |
| Spotlight on a New Generation: Contemporary Chinese Artists | | February | 06 | 2020 | November | 01 | 2020 |
| PROOF: Photography in the Era of the Contact Sheet | Link | February | 07 | 2020 | November | 29 | 2020 |
| Ilse Bing: Queen of the Leica | | March | 07 | 2020 | October | 11 | 2020 |
| Gold Needles: Embroidery Arts from Korea | Link | March | 08 | 2020 | October | 25 | 2020 |
| A Graphic Revolution: Prints and Drawings in Latin America | | March | 08 | 2020 | November | 29 | 2020 |
| Ana Mendieta: Ochún | | March | 14 | 2020 | November | 29 | 2020 |
| Signal Noise: Aaron Rothman | | July | 01 | 2020 | August | 23 | 2020 |
| Michelangelo: Mind of the Master | Link | September | 22 | 2019 | January | 05 | 2020 |
