| Liu Wei: Invisible Cities | | October | 13 | 2019 | February | 16 | 2020 |
| Pioneers: Part Two | | December | 02 | 2019 | March | 13 | 2020 |
| Tiffany in Bloom: Stained Glass Lamps of Louis Comfort Tiffany | | October | 20 | 2019 | October | 04 | 2020 |
| Emeka Ogboh: Akwétè | | August | 02 | 2019 | December | 01 | 2019 |
| Ámà: The Gathering Place | | August | 02 | 2019 | December | 01 | 2019 |
| Lee Mingwei: Sonic Blossom | | July | 26 | 2019 | July | 28 | 2019 |
| Medieval Monsters: Terrors, Aliens, Wonders | Link | July | 07 | 2019 | October | 06 | 2019 |
| Water: Edward Burtynsky | Link | June | 08 | 2019 | September | 22 | 2019 |
| Dara Birnbaum: Technology/Transformation | | October | 16 | 2018 | January | 13 | 2019 |
| Clarence H. White and His World: The Art and Craft of Photography, 1895–1925 | Link | October | 21 | 2018 | January | 21 | 2019 |
| In Her Image: Photographs by Rania Matar | Link | October | 27 | 2018 | January | 13 | 2019 |
| Renaissance Splendor: Catherine de’ Medici’s Valois Tapestries | Link | November | 18 | 2018 | January | 21 | 2019 |
| Who RU2 Day: Mass Media and the Fine Art Print | | November | 18 | 2018 | April | 07 | 2019 |
| Georgia O’Keeffe: Living Modern | Link | November | 23 | 2018 | March | 03 | 2019 |
| Charles Burchfield: The Ohio Landscapes, 1915–1920 | | December | 22 | 2018 | May | 05 | 2019 |
| Graphic Discontent: German Expressionism on Paper | Link | January | 14 | 2018 | May | 13 | 2018 |
| Dana Schutz: Eating Atom Bombs | | January | 20 | 2018 | April | 15 | 2018 |
| Brett Weston: Photographs | | January | 21 | 2018 | May | 06 | 2018 |
| Theresa Hak Kyung Cha: Displacements | | January | 30 | 2018 | April | 08 | 2018 |
| Eyewitness Views: Making History in Eighteenth-Century Europe | Link | February | 25 | 2018 | May | 20 | 2018 |
